A Trio of Blue Notes For A Monday Morning

Back to watching records on eBay. Don-lucky send me this as a heads-up, knowing my interest, expressed many times here, in obtaining an original pressing of this record: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original pressing that was close to M- for the record and VG+ for the cover. The price was $721.67. This was way too rich for my blood. As I’ve explained, I’m in transition now, with some records in storage, so my collection isn’t all together in one place, so it’s hard to think about buying more records when I don’t even have access to all of the ones I currently own. Still, if I came upon a nice copy of this record for a reasonable price, or if someone offered up a nice collection, I assume the old adrenaline will kick in and I’ll be peeling off $100 bills.

Here’s some jazz vinyl for the $1,000 bin: Kenny Dorham, Round Midnight at the Cafe Bohemia, Blue Note 1524. This was an original Lexington Avenue pressing and it was listed in Ex+ condition for the record — is that better than VG++, but less than M-? — and the cover was VG++. The price was $1,259.77.

This next one didn’t quite make the $1,000 bin but it came close:

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Jazz Vinyl Catchup And Confusion Over Grading

Let’s catch up on some more rare jazz vinyl that sold recently on eBay.

John Coltrane, Giant Steps, Atlantic 1311. This looked to be an original black label pressing. There were some questions about the deep grooves, since the picture wasn’t clear, but the seller confirmed that there were, indeed, deep grooves on both sides. This one was listed in M- condition for both the record and the cover. It sold for $622.70. In the Jazz Collector  Price Guide we’ve seen Giant Steps sell for more than $1,000 several times, so perhaps it’s a bargain, perhaps it’s just market changes, perhaps it’s unfamiliarity with the seller.

Jutta Hipp, New Faces, New Sounds from Germany, Blue Note 5056. This was the original 10-inch pressing. It’s one of those listings that confuses me a little on labeling of conditioning. The seller says it looks VG+, but it plays more like Ex and therefore it was graded as Ex. In my thinking I’ve always correlated VG+ with Ex, but it sounds like Ex is more like VG, based on this listing, which I assumed to be a downgrade, but perhaps I’m wrong and it’s an upgrade based on the next item below. The cover was listed in just G condition, which is never very good. The price was $247.50.

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A Couple For the $1,000 Bin, and More

Here’s some heavy-duty jazz vinyl that sold recently on eBay.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original West 63rd pressing with the deep grooves. It was in VG++ condition for the record and VG+ for the cover. It sold for $1,315. So, if you have this record, where do you file it, under Morgan or under Mobley? Mine, a Japanese pressing, is under Mobley.

From the same seller came: Cliff Jordan and John Gilmore, Blowin’ In From Chicago, Blue Note 1549. Love the cover. This was a promo copy in VG++ condition for the record and VG+ for the cover, although the picture looks like it might be a little less so. It sold for $1,155.

Also from the same seller: Sonny Clark, Dial S for Sonny, Blue Note 1570. Same for this one: An original pressing, vinyl in VG++ condition, cover in VG+ condition. The price was $896.

How about something that’s not Blue Note:

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Labor Day Blues: Kind of Blue, Candy, Monk & Sonny

Here’s some jazz vinyl we’ve been watching over this Labor Day weekend here in the U.S., the nominal end of summer:

Miles Davis, Kind of Blue, Columbia 1355. This was an original promo pressing with the white and red label and six eyes. For the most part, promo copies of jazz records don’t necessarily add to the value. With Kind of Blue, however, that is not the case: We usually see the promo copies selling for a premium. I can understand why: It looks way cool and has the smell of authenticity of an original pressing. This copy was in M- condition for both the record and the cover, with a very nice picture, and it sold for $555. There were 31 bids. quite a high number.

There’s been a lot of chatter on the Jazz Collector site about the auction last week by the seller bobdjukic, who always seems to generate a lot of interest, partly because of his extensive use of hyperbole but moreso, methinks, because of his ability to generate high prices. Here are a couple of his auctions we were watching:

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Jazz Vinyl: Two for the $1,000 Bin, Plus A Couple More

Been away from my posting for a few days. Trying to get back into the swing of things, but there were a couple of days of hurricane delays, plus the lovely Mrs. JC is on vacation. Anyway, I vow once again to be posting more regularly, starting today with some jazz vinyl we’ve been watching on eBay.

Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original New York pressing. The record was described as M- condition and the cover looked to be at least VG++, perhaps M- depending upon your grading system. This one sold for $1,536. We’ve seen this one sell for more than $2,000 several times in the Jazz Collector Price Guide, and once approach $3,000. So perhaps this is a bargain, or perhaps it’s just where the market was on this particular day. The item did have more than 400 page views, which is a significant amount.

Here’s a Riverside that did quite well for the seller, which was Euclid Records: Wynton Kelly Piano. Riverside 254. This was an original Blue label pressing with the deep grooves. It was in M- condition for both the record and the cover. The price was $710. Nice cover on this record, right? Straight from the ’50s.

So this next one made the $1,000 bin after all:

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A Dash of Pepper, Mad Thad, Jackie’s Bag & More

It isn’t often I see records or even labels I’m not familiar with, but here’s one that was on eBay this weekend. It was listed as an Art Pepper record: Mucho Calor, Andex S3002. Not only have I never seen the record before, I’ve never seen the Andex label. I have a strong feeling this is some kind of reissue or compilation, but not sure what the root label is. It’s a stereo pressing, but it’s supposed to be 1957, which is pre-stereo. Plus, with the other artists listed, it doesn’t look like an Art Pepper record nor does it look like a record date that was led by Pepper. This one was probably VG++ for the record and VG+ for the cover and it sold for $87.66. I’m sure someone out in the Jazz Collector audience will be able to shed a little light on this one.

This one fetched quite a nice price: Thad Jones, Mad Thad, Period 1208. Admittedly, this is a hard to find record, but I haven’t seen it often go for this price. The record was in VG++ condition and the cover was VG. The price was $610 and there were 27 bids, which is a pretty high number.

This one would typically get a higher price, but the listing wasn’t very complete, so purchasing the record was a gamble:

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Ella and Louis as Rare Jazz Vinyl

Well, this is one of my all-time favorite records, but when did it become a high-priced commodity: Ella and Louis, Verve 4003. This is an original pressing in M- condition. I don’t often find myself watching copies of this on eBay, because it rarely gets to the $50 threshold. This one, however, has a bunch of bidders and is already in the $150 range with a few hours to go. Any guesses as to the reason for the high price on this one?

Now for this one I can understand a high price: Lou Donaldson Sextet Volume 2, Blue Note 5055. This is an original 10-inch pressing that seems to be in about VG+ condition for the vinyl and VG++ for the cover. There are nearly four days to go and the price is in the $225 range. By the way, I think I’ve convinced the lovely Mrs. JC to allocate four solid shelves of space in our new New York apartment for 10-inch LPs, which will probably cover 250-plus records. Not my full 10-inch collection, but more than enough to sustain me. And perhaps I will get back to eBay and sell some of the others. Still looking for a permanent home for my 78s, which is a bit more complicated because there are more of them and because they include both individual records and albums as well. I’ll keep you posted.

 

Jazz Vinyl on eBay: Some Blue Notes & A Nice Norgran

I logged onto eBay last night, found a number of interesting records to watch and, with great pride, was able to go to sleep without slipping into the temptation of placing any snipe bids. Progress, right? Anyway, here is some of the jazz vinyl we were watching that closed yesterday:

John Jenkins, welcome to the $1,000 bin: John Jenkins and Kenny Burrell, Blue Note 1573. This was an original deep groove West 63rd Street pressing and it was in M- condition for the record and VG for the cover. It was a reputable seller, there were 11 bids and more than 450 page views and the price was $1,136.55. Not bad in a soft market if, indeed, this can be called a soft market.

Actually, perhaps in retrospect I should have put in a snipe for this one: Sonny Red, Out of the Blue, Blue Note 4034. This was an original pressing in VG+ condition for both the record and the cover. Quite a fair price, depending, of course, on what VG+ means to the buyer and seller. As we’ve learned long ago, VG+ is in the eye of the beholder. I had this record once upon a time but traded it away in a lopsided trade that favored the other guy. Not sure what I was thinking at the time, but I’m more knowledgeable now. So this is one that got away. Getting it back for $283 or so, which is what this one sold for, would be quite a coup in my eyes.

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Updates From The Jazz Record Center Auction, Part 2

We did promise a Part 2 of our post on the recent auction from The Jazz Record Center, so here goes (apologize for the delay):

Why isn’t this record worth more: Thelonious Monk and Sonny Rollins, Prestige 7075? This was an original New York pressing. The record was in M- condition — nearly new — and the cover looked like it was at least VG++, maybe better. It sold for $192.50. I happen to think this is a terrific album. I love Sonny’s interpretation of The Way You Look Tonight. When I was first getting into jazz I used to compare this version to the Stan Getz version on Stan Getz Plays and it took me a while to reconcile not only that it was the same song, but that it was even the same instrument. My ears are obviously much more sophisticated now, but at the time the difference in approach seemed so stark. And I liked both versions. Anyway, I repeat my query: Why is this great original Prestige, featuring two of the geniuses of modern jazz, not even a $200 record?

This has always been one of the rarest and more expensive of the Riversides, for good reason: Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing and it was in M- condition for both the record and the cover. It sold for $765. It’s the presence of Sonny Clark with Rollins that makes this one so sought-after, no?

Now for a few Blue Notes:

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Old Jazz Collector Habits Die Hard

Now that I’m sort of settled in from my month of moving, I’m resorting back to some old habits, browsing eBay page by page by page and even occasionally throwing in a bid, even though I really don’t want to be buying records and would much prefer to be selling records. But some habits are hard to break and, when I see what may be a bargain on eBay, it is hard to resist swinging over to the sniping software and placing a bid. There is a mindlessness to it and, as they say, idle hands are the Jazz Collector’s tools. In any case, I didn’t win last night’s snipe, thank goodness, which was this: Jazz By Matthew Gee, Riverside 221, which looked to be an original white label pressing with what may have been original plastic wrap. The record was M- and the cover was VG+ and with two hours to go on the auction there was only one bidder and $9. I figured I could possibly get the record cheaply, so I put in a snipe at about $45, but I didn’t come close. It wound up selling for $126.17.

I was also considering a bid on this one because it wasn’t getting much action:

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