Category: Blue Note

More Blue Notes For The $1,000 Bin

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Here are a few more jazz vinyl records for the Jazz Collector Price Guide $1,000 bin.

Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing sold by Euclid Records. The vinyl was in M- condition and the cover was VG. The item was viewed more than 320 times, which is quite a bit these days, and it sold for $1,631.

Jutta Hipp With Zoot Sims, Blue Note 1530. This was also an original Lexington Avenue pressing. Normally, with records fetching these high prices, I wouldn’t have to state that it was an original. But with the seller bobdjukic selling United Artists pressings for more than $400, perhaps I have to be a bit more circumspect. Anyway, this was

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On Ebay Now: Blue Notes of Note

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There’s some nice Blue Note jazz vinyl on eBay now, including:

Louis Smith, Here Comes Louis Smith, Blue Note 1584. This looks to be an original pressing with the vinyl in VG++ condition and the cover just VG-. The seller goes out of his way to provide some nice clear pictures of the cover, which we always appreciate. This one is only $58 with more than a day to go, but the seller has a reserve price and it has not yet been reached. I know many of you are not fans of auctions with reserve prices, which is something to consider when listing jazz vinyl.

Cliff Jordan, Blue Note 1565. This is also an original pressing and it looks to be in VG++ condition, at least, for both the vinyl and the cover. Actually, it’s probably closer to M- than VG++, based on the description. The current price is $315 and there’s more than a day to go with no reserve. I would

not be surprised to see this one sell for more than $1,000.

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On eBay Now: Webster Young, Pres, Jutta, KD

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A lot of the big time sellers are up on eBay this week with some big time records. Here are some of the ones we are watching at Jazz Collector:

Webster Young, For Lady, Prestige 7106. This one is a personal favorite, very nice record if you’re not familiar with it. This one is being offered by Atomic Records and it looks to be in VG++ condition for both the vinyl and the cover. The current price is about $315 and there are a few hours still to go. The same seller has this item: Lester Young and Buddy Rich Trio, Norgran 1074. This is a black label pressing, which I usually assume is a second press, although I think this may be an original: I’m not sure when it was issued and if Norgran had switched to black labels, but I know the copy in my collection is a black label as well. This one is in M- condition for the vinyl and VG+ for the cover. The current price is about $75.

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For the $1,000 Bin: Blue Notes, Prestige

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Time again to update the $1,000 bin.

Walter Davis, Davis Cup, Blue Note 4018. This was an original West 63rd Street pressing and was sold by a reputable dealer. The record was listed in M- condition and was described as “uplayed.” The cover was probably VG+, based on the description. The price was $2,000. Our previous high price for this record in the Jazz Collector Price Guide was $1,248.

This one has made many appearances in the $1,000 bin: Tommy Flanagan Overseas, Prestige 7134. This was an original pressing with a promo stamp. The record and cover looked to be in M- condition. The price was $2,175.

Lee Morgan, Indeed, Blue Note 1538. This looked like an original Lexington Avenue pressing with the deep grooves, although the seller’s description was quite lacking, making it

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More Blue Note: Another Exception

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The Blue Note information provided by Larry Cohn has been invaluable and yet, it seems, there is always more to learn. We noticed this tidbit in a posting by Fred Cohen at the Jazz Record Center, which has a new auction on eBay this week: Wayne Shorter, Adams Apple, Blue Note 8232. This is listed as an original mono pressing with the Liberty label. Under normal circumstances you would expect this to be a New York USA label, based on the catalogue number. However, Fred points out

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Blue Note Deep Groove: All You Need To Know

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Last week one of our readers asked about deep grooves and flat edges. Another reader reached out to the Blue Note expert Larry Cohn for the answers. Last week we posted the answer about the Blue Note flat edge LPs. Here is Larry’s response on the deep groove. Thanks to Larry for being so generous with the information and to Don-Lucky for reaching out.

“Put simply, there were special dies attached to the pressing machine, that held down the stampers for Side A and Side B during manufacturing.  These dies traditionally cut the deep groove into the label during a pressing.  In 1961 new dies were created that were more streamlined, holding down the stampers in place but putting the mere slight indentation into the label – what we see on modern pressings and call NO DG.

“These parts were interchangeable and compatible with the machines, so for the period

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Updating the $1,000 Bin: Griffin, Bird, Dolphy

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Doesn’t look as if things on eBay slowed down during the Christmas weekend. Here are a few of the items we’ve been watching:

Johnny Griffin, The Congregation, Blue Note 1580. This was an original pressing with the West 63rd Street address and the cover illustration by Andy Warhol. It was listed in M- condition by a very reliable seller. The price was $1,875. The same seller also sold: Here Comes Louis Smith, Blue Note 1584. This also looked to be in nice M- condition for both the record and the cover. It sold for $1,275.

While we’re updating the $1,000 bin, here’s this one:

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Blue Note Flat Edge: All You Need To Know

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We have the full, complete, unassailable answer to all questions about Blue Note and the flat edge, thanks to the Blue Note expert Larry Cohn and Don-Lucky for reaching out to Larry. We will also be posting Larry’s comments on the deep groove as well. Here’s the information on the flat edge:

“Here’s some information on the Edges/Rims. The change from Flat Rim (aka Flat Edge) to Safety Lip occurred in 1957. It was in response to new industry standards, occasioned by the popularity of automatic changers, whereby disks were routinely stacked and would fall on each other, the way we recall handling 45rpm disks. To lessen the damage to the LPs, the Safety Lip, also called a Groove Guard by one of the companies, was created at the edge of each side of the disk to keep the actual surfaces of the two disks from touching each other when they came into horizontal contact. It also protected the needle, since

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Price Updates: Lights Out, Zoot, Kenny Drew

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Here are some of the items we’ve been watching on eBay:

Jackie McLean, Lights Out, Prestige 7035. This was an original New York pressing with the deep groove and heavy vinyl. The record was listed in M- condition and the cover was VG+. It did not have a flat edge, according to an answer to a questioner, but I’m not sure that doesn’t mean it wasn’t original. Anyway, the price was $639.49.

Phil Woods, Warm Woods, Epic 3436. This was an original pressing and it was listed in M- condition for both the vinyl and the cover. The price was $495.

Zoot Sims, Zoot, Riverside 228. This was an original white label pressing and it was listed in VG++ condition for the vinyl and VG+ for the cover. The price was $413.

Here are a few we were watching the other day:

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Monterose For the $2,000 Bin

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Here’s a nice one coming up from Euclid Records: J.R. Monterose, Blue Note 1536. This is an original Lexington Avenue pressing. The record is VG++ and the cover is VG+. The current price is about $530. Speaking of J.R., one of his albums recently sold for more than $2,000: J.R. Monterose In Action, Studio 4 SS 100. This was an original pressing that looked to be M- for the record and VG++ for the cover. The price was $2,025, either enhanced or depressed by the signature of a local disk jockey on the back. Signatures can be tricky, especially if it’s not the signature of one of the artists. By the

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