Category: Books/Magazines

A Jazz Vinyl Christmas on eBay

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Merry Christmas! Let’s look at some jazz vinyl from eBay that may be on the wish lists of Jazz Collectors everywhere, starting with: Sahib Shihab, Sahib’s Dance Party, Debut 141. This looks to be an original Debut Denmark pressing listed in M- condition for the record and VG++ for the cover. The bidding is in the $500 range with nearly four days left on the auction. There are already 13 bidders and more than 30 bids. This record has sold for more than $1,000 several times, with a high of about $1,600, according to Popsike. I’ve never owned a copy of this record, let alone listened to it. I take it the high value placed on the record is a tribute not just to its rarity, but to the quality of the music as well? Read more

What’s Happening With Jazz Vinyl?

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So, I lost the auction for The Unique Thelonious Monk. No big deal. The bigger revelation was the prices on some of the other records on the Jazz  Record Center auction. Having been off eBay for a few months dealing with other things in life, I wasn’t prepared for what I considered to be a fairly drastic change in the market. Or perhaps this has been going on for a while and I hadn’t noticed? Or perhaps this is just an aberration based on the reputation of the Jazz Record Center? Or just one or two sellers with lots of money to spend?  Let me share with you some of the biggest surprises that I encountered, starting with The Incredible Jazz Guitar of Wes Montgomery, Riverside 1169. This was an original stereo pressing that looked to be in M- condition for both the record and the cover. The final price was $787.22. Per Popsike, this is the highest price ever recorded for any copy of this record. But a stereo copy? Read more

Booking

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Sorry, yet again, for the long gap between posts. Been very busy around here. Plus, my computer crashed for a few days. Very disconcerting, when you are wondering whether you are going to be able to recover all of your files and settings, which I was able to do, fortunately, with tremendous online support from Apple. Now that we’re safely back in action, let’s catch up on some of the stuff we were watching on eBay before we were so rudely interrupted, starting with Booker Ervin, Groovin’ High, Prestige 7147. This was an original blue label mono pressing that was part of the Jazz Record Center auction we were watching. The record and cover looked to be in M- condition and the final price was $360, which was a new high for this record, according to Popsike.  I am somewhat surprised to see the demand for these blue label Prestiges to have increased so much in the past few years, but I am also pleased to see it for a player like Booker Ervin, who, in my view, is quite underrated and always produced some very nice records. Read more

Guest Review: Goldmine Jazz Album Price Guide

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A few weeks ago one of our regular readers, Jay Fulmer,  asked if I had a chance to review the Goldmine Jazz Album Price Guide 3rd edition. This is not something I normally look at. Honestly, when I last looked at it maybe 10 years ago the prices were so off-base, IMHO, that I dismissed it pretty handily. Beyond that, if I want to know the REAL market value of an item, I typically look at Popsike or completed listings on eBay. Putting my own prejudices aside, however, I suggested that if Jay wanted to share his thoughts with the rest of the Jazz Collector community, he was more than welcome to write a guest column. He did. Here it is.

Review: Goldmine Jazz Album Price Guide 3rd Edition
By Jay Fulmer

More than a decade since the release of the 2nd edition, the 3rd edition of the Goldmine Jazz Album Price Guide is here.  As expected, many LPs have increased in value, but the changes in format from the 1st and 2nd edition are worth noting.

There is a new author for the 3rd edition, Dave Thompson, so I am assuming the format changes originate with him.  The 3rd edition only gives a NM value for listings.  With the addition of new listings this was probably the easiest way to save space.  Anyone familiar with Goldmine’s pricing can easily enough extrapolate backwards, and those unfamiliar with their grading/pricing structure should from now on only buy NM albums! Read more

Odds & Ends From The Jazz Collector World

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Barbara Lea copyLet’s catch up on a few odds and ends, starting with some of the promo records we’ve been watching on eBay:

John Coltrane, Coltrane, Impulse 21. This was a mono pressing with the white label promo label. It was listed in VG++ condition for the record and VG+ for the cover. It wound up selling for $493.88. Wow. From the same seller was this: John Coltrane and Johnny Hartman, Impulse 40. This was also a white label promo copy, also in VG++ condition for the record and VG+ for the cover. This one sold for $282. Then there were the two on Prestige: George Wallington, Jazz For the Carriage Trade, Prestige 7032. This was an original New York yellow-label pressing with the “Not for Sale” stamps on the label and cover. It was listed in M- condition for the record and probably VG++ for the cover. The start price was $499 and it did not sell. Somewhat surprising, right? Then there was:

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Would You Pay $5,000 For This Record?

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Zemanta Related Posts ThumbnailAs promised, here is the original DownBeat review of Hank Mobley, Blue Note 1568, perhaps the most valuable and treasured of all the Jazz Collector collectibles. This is from Oct. 30, 1958 and the reviewer is John A. Tynan:

“Hank Mobley — Blue Note 1568: Might Moe and Joe; Falling in Love With Love; Bags Groove; Double Exposure; News.

“Personnel: Mobley, tenor; Curtis Porter, alto, tenor; Bill Hardman, trumpet; Sonny Clark, piano; Paul Chambers, bass; Art Taylor, drums

“Rating — Three and a half stars

“One of the nicer things about Al Lion and associates at Blue Note is that they don’t hesitate to present new talent they consider worthwhile. On this set is presented 29-year-0old Philadelphia saxman Curtis Porter, who is equal to the company. Although it is Mobley’s date, the leader allows generous space for the wailing of his fellow reedman, which makes for a high degree of hard blowing.

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From the Jazz Collector Inbox

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hankSorry I haven’t posted in a few days. I have a house full of guests in The Berkshires and have surrendered my office for several days. But I am back with a new feature. This one we can refer to as “stuff from the email inbox.” At Jazz Collector, we do get more than an occasional email. Sometimes it’s readers to point out particular records on eBay that either surprise or anger or intrigue them. Often, we get inquiries from readers looking to assess and/or dispose of collectibles. Sometimes this turns into a nice opportunity for us, as was the case with the Irving Kalus collection I purchased last year, In Memory of a Jazz Collector. To give you an idea, here’s what’s come in during just the past few days:

Louis Armstrong Autograph: “Hello. I stumbled on your site while researching values for 78 records and an autograph of Louis Armstrong and his band at the time (late ’30s, early ’40s) and wondered if you could help me find a place that I could get a value on these items?”

Jazz Book Collection: “My father was a massive jazz connoisseur, collector and discographer but sadly passed away in April, Age 92. Attached is a list of his books, which we wish to sell.  We have done some EBay etc. research but would prefer a deal for the job lot via a dealer, or at least a select job lot. A number of the books have been signed by the authors and dedicated personally to my father.”

Hank Mobley, Blue Note 1568: Hi Al, Great blog! I post every once in a while. Here’s a recent eBay experience about 1568

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Quickie Quiz

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This is a complete non-sequitor from what we mostly do here these days . . . but, I was in my storage unit the other day and I noticed a box full of old magazines I hadn’t looked at in years and I stuck them in the car and drove them up to the country and now, when I am supposed to be working, I am looking at old magazines and procrastinating. And I came to this Downbeat from December 1967 and on the cover was the announcement of the Jazzman of the Year. And I thought to myself, hmm, if you would have given me 20 guesses I would have never come up with that name. So, I will put it out there to all of you in the Jazz Collector audience. Want to guess who Downbeat named as its 1967 Jazzman of the Year? No peeking: We are on the honor system here.

The Cats, Bird, Miles and Trane

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I said I’d post a few more from the Jazz Record Center auction last week, so here ’tis:

Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing in M- condition for the record and cover. It was also a review copy. It sold for $535. I’ve had this record for a while. I traded it for it years ago: I had a broken leg at the time and was stuck in my friend’s basement with all of his records, Blue Notes, Prestiges, the whole works. I was very good and just looked. In my collection I have this one with my Flanagans, although the temptation is to put it with the Coltranes. I’m often reorganizing, so maybe I’ll move it around some day.

This is one of my favorite jazz collectibles, although it’s not jazz vinyl: To Bird With Love, by Francis Paudras. This is a book from 1981, about the most loving tribute to Bird you could find this side of Irving Kalus’ Ornithology. As noted by Fred in his listing, which you should take a look at, the book was printed once with no more than 1,000 copies, probably 500. I bought this when it first came out, from Fred, and I’ve treasured it ever since. It now has a prominent shelf on my new shelves in The Berkshires.  This one sold for $887.79.

The Miles Davis Columbia records with Coltrane, and even the next generation, are becoming more collectible it seems. The music is certainly uniformly great. Here are a few from the Jazz Record Center auction:

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In Search of Very Early DownBeats

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OK, the Jazz Collector community gets a chance to solve another difficult challenge. I have been contacted by a researcher from the Oxford English Dictionary and he is searching for DownBeats between 1934 and 1936.  He has found all DownBeats in some form from 1937 on, but no luck on the earlier ones. “The purpose of all this is that the Oxford English Dictionary likes to record the earliest uses of words and phrases, and DownBeat is full of interesting and new terms for the time,” he writes. He doesn’t need the issues, just access to the content. So here it is, we have a chance to contribute once again to the historical record. If you have any ideas — or if you have any of these issues — please respond to this post. Thanks.

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