Catching up on eBay Jazz Vinyl Auctions

Want to catch up on some of the items we’ve been watching on eBay. First off, that whit-label promo copy of John Coltrane, A Love Supreme, Impulse A-77 wound up selling for $2,275, which put it close to the top price ever recorded on Popsike for any copy of A Love Supreme. Also had an eye on Lou Donaldson, New Faces, New Sounds, Blue Note 5021. I know I had a copy of that record and I know that I don’t have it any longer. For the life of me, I can’t remember why or when I sold it, but I do know I would really like to have it back. This one was listed in VG+ condition for the record and VG+ for the cover, although part of the listing on eBay described the cover as G. I think that was an error because the cover looked pretty nice. The final price was a reasonable (IMHO) $304.22. If I’d been paying closer attention I might have actually made a bid on that one. But, alas, I was not, which I take as a good sign that perhaps I have learned to be less compulsive and obsessive in my golden years. Read more

Back in the Wacky World of Jazz Vinyl on eBay

Back on eBay. Just watching. Not buying. Not selling. Here is some of the jazz vinyl I’m watching, starting with John Coltrane, A Love Supreme, Impulse Mono A-77. This is an original pressing with the white promotional label. Petty rare. The record is listed in M- condition and the cover is also M-. There are already 28 bids and the price is in the $1,400 range, with the auction closing later today. Based on Popsike, the highest price ever for a white-label promo of A Love Supreme was about $2,500. Looks like this one may get close to that. How many white-label promos do you think they printed? Maybe 200? 300 max? There can’t be that many around in this kind of condition. Read more

Eric Dolphy Autographs (?), Blue Notes and Other Stuff

Now that I am back looking at listings on eBay more regularly, I’m reminded of some of the reasons I was turned off a couple of months back. So many sellers who clearly don’t know what they are doing, asking for ridiculous prices. So many records in poor condition and so many sellers clearly misgrading what they are selling. So many come-ons and promotions from eBay, pointing to other listings that I am not interested in seeing, pointing to sellers who are paying extra money to get additional eyeballs. Anyway, that’s my rant. But I’m still here and I’ve found a few items of interest among all of the other BS. Such as Eric Dolphy, Outward Bound, Prestige New Jazz 8236. This looks to be an original deep-groove pressing with the purple labels. Moreover, it seems to be signed by Eric Dolphy and Jaki Byard. Of course, it would take an expert to determine if the signatures are legitimate (Dan, are you still out there?), but to these untrained eyes, they seem legitimate. The record is graded VG+ and the cover is VG. The record has been listed previously, the current price is about $160, the auction closes in about five days, and the seller’s reserve price has not yet been met. Interesting, because if the item was in mint condition and did not have the autographs, it would likely sell for a higher price. In my experience, autographs don’t always add to the value of the record and, in many cases, they seem to detract, particularly if they are not easily verifiable. Read more

A New Mini Adventure in Jazz Collecting

I decided to bid on that Monk record from the Jazz Record Center auction: The Unique Thelonious Monk, Riverside 12-209. The main reason was that I really wanted the record. As you can see from the accompanying photo, the record I own is a blue label and the cover has ugly taped seams both on the top and on the bottom. Plus, the record plays with a lot of surface noise, not anything you would really want to put on your turntable. But that wasn’t the only reason for my interest in bidding. I probably haven’t bought or sold a record on eBay in at least 10 years. I wanted to go through the experience again, see if anything had changed, see if the old adrenaline rush would still be there. I also wanted to write about the experience to share with the dwindling Jazz Collector audience, which is what I am doing now. Read more

Four for the Holidays

Heading into the holiday weekend, here are some of the auctions we’ve been watching on eBay, starting with the Roy Haynes Quartet, Out of the Afternoon, Impulse A-23. This was an original mono pressing with white promo label and the Van Gelder in the dead wax.  The record and cover were both listed in VG+ condition and the final price was $416. The same seller had Curtis Fuller Volume Three, Blue Note 1583. This looked to be an original deep groove mono pressing with the West 6rd Street address. The record and cover were listed in VG+ condition. The final price was $736. Read more

A Supreme Love Supreme, Prestiges and Blue Notes

Still here. Still watching jazz vinyl on eBay. Here’s one: John Coltrane, A Love Supreme, Impulse A-77.  Gotta give the seller credit for being loquacious and highly descriptive about this record. We know why he is selling it, what equipment he played it on, how loud. It is one of the more unique listings I’ve seen. Anyway, after reading all that, I would guess, as the seller does, that the record is in VG+ condition, that it is an original pressing and the cover is probably in VG+ or VG++ condition. The start price is $400 and so far there are no bidders with a bit more than a day left on the auction. The seller says he is ambivalent about selling the record because he is afraid to play it, so maybe the market will make it an easy decision for him to keep it. Read more

Giant Steps, Impulse and Moose the Mooche

Let’s take a look at the Jazz Collector inbox, starting with one of our favorite provocateurs,  CeeDee. This one came in under the subject Trane Reigns! John Coltrane, Giant Steps, Atlantic 1311. This was an original black label pressing listed in M- condition for both the record and the cover. The final price was $1,604. It look me a long time, but I’m glad I finally got my black label Giant Steps a few years ago, prior to the current shift in the market where, it seems, anything goes and most things are going up. Looking back, it was 2016 when I made that particular score, which I wrote about in this post: A New Year’s Adventure in Jazz Collecting. It was interesting getting this link from CeeDee, because I have been in a Coltrane head lately, starting with a comment from my friend Dan about Mal2, followed by another comment from Dan about Cattin’ With Coltrane and Quinichette, followed by an evening listing to, in order, Blue Train and A Love Supreme, followed by the purchase of the new release A Love Supreme Live in Seattle. At this point, I have only listened to Side One of the new Love Supreme. Once I’ve listened to the whole thing, I’ll have more to say. I will note that I could listen to Coltrane all day, every day, never get bored and always hear something new.   Read more

Oddballs and Ends

I think CeeDee may be prodding me to post more. Yes, my friend? Anyway, he’s been sending me links with little notes. Here are the latest. This one is titled “another one from my ‘Greatest Misses’ list:” East Coasting by Charlie Mingus, Bethlehem 6019. This was an original red label pressing, featuring Bill Evans on piano. Is this the only recorded instance of Mingus and Evans together? The record and cover were in VG+ condition and the final price was about $286. Here’s one titled “This oddball LP has been fetching good bids for some years, so don’t pass it up the next time you’re browsing:” The Louvin Brothers, Satan is Real, Capital 1277. The record and cover were in VG+ condition and the price was $363.88. I have no idea what this record is and why CeeDee sent me this link. I have a feeling I am better off in my ignorant bliss, but I have a feeling someone, perhaps Mr. CeeDee, will provide an answer. Read more

Jazz Collector In Box: Time Traveling in Jazz

Time to catch up with the old Jazz Collector in box. My friend Dan sends me cool pictures that he finds somewhere on the internet. This one came in the other day from March 20, 1963, the opportunity to see John Coltrane in New Orleans for an admission charge of $2. Ah, if we could go back in time. What would be your first choice? Bird on 52nd Street; Sonny, Max and Clifford; Blakey with Horace Silver and Clifford Brown; Blakey with Wayne Shorter and Freddie Hubbard; Lester with Basie; Billie Holiday; Miles with Trane, Bill Evans and Cannonball; Evans and LaFaro; Monk with Newk or Trane? Those would be some of my choices, off the top of my head, and certainly Coltrane with McCoy, Garrison and Elvin in 1963 would  be somewhere near the top of the list. If I had to choose one, it would be easy: Bird. Read more

The First Blue Note, Anyone?

Perusing eBay this morning and came upon this listing: “Ridiculously RARE Blue Note Number 1 Meade “Lux” Lewis Pink and Black label.” It stopped me in my browsing tracks because this is a record I have never had the opportunity to own or even to see in person, only as random and rare listings on eBay. It would be nice to own, the first Blue Note release, but the price tag is quite steep. This copy is listed in E+ condition, which is great for a 78. The start price is at $700 and so far there are no bidders, but I’m sure that will change over the course of the next six days until the auction closes. The seller says there were 200 copies pressed with this label. I don’t doubt him, just wondering where the information came from. Just a couple of weeks ago there was this article about this record on Discover Music, The First Blue Note Record is Released: Meade “Lux” Lewis ‘Melancholy Blues.’ Looking on Popsike, the high water mark for this record in the past was about $2,000, and there have been at least four other recorded instances of the record selling for more than $1,000. Pretty cool. Read more

1 2 3 8