Moving On: Tracking More Jazz Vinyl Collectibles

As much as it may pain me to interrupt the scintillating discussion on my previous post, it is time for me to move on and write a new post because, after all, that is what I do. I do think that the previous post set a new high for comments on Jazz Collector — and counting — and we came within 10 page views of our all time high for a single day, set last summer during the midst of my stories about purchasing the record collection of Irving Kalus. In any case, I received a missive from our friends at the Jazz Record Center that they have a new auction on eBay, so I took a look over to see what they had. Here are some of the things I found, starting with: Serge Chaloff, Boston Blow-Up, Capitol 6510. This is an original promo pressing that looks to be in M- condition for the record and possibly M- or VG++ for the cover. I haven’t seen that many yellow label Capitols through the years, to be honest. This one does not seem to have the same cachet as Blue Serge, perhaps minus the presence of Sonny Clark on piano, so it will be interesting to watch this and see if it fetches a collectible price. The starting bid is $50.

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Tracking Later Blue Note Pressings From the ’60s

As noted in the comments on the previous post, the seller of the questionable Duke Pearson LP has a large number of jazz vinyl listings closing this weekend. In watching the auctions, I’m noting a surging interest in a lot of later Blue Notes, such as these:

Bobby Hutcherson, Components, Blue Note 4213. This looks to be an original mono pressing with the NY USA label. It looks to be in M- condition for the record and VG++ for the cover. The price is in the $150 range with more than a day left before the auction closes.

Andrew Hill, Compulsion, Blue Note 4217. This also looks to be an original mono pressing in similar condition as the Hutcherson LP, M- for the vinyl and VG++ for the cover. The bidding on this one is also in the $150 range.

Sam Rivers, A New Conception, Blue Note 4249. This is an original Liberty pressing. It is in VG++ condition. The price is more than $100.

Here are a few more that may surprise you:

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More Jazz Vinyl For the $1,000 Bin

Let’s catch up on some of the rare jazz vinyl records we’ve been watching on eBay, starting with: Charlie Parker, Bird Blows the Blues, Dial 1. This is the first 12-inch jazz record ever and it was issued without a cover. It usually fetches a nice price when it lands on eBay, and this one was no exception. It was in VG+ condition and sold for $1,643.49. There were only two bids, which always makes me a bit suspicious when a record sells for this much money. It’s usually a bidding war that drives prices this high.

This is one that’s new to me, but it got a huge price: Rosemary Squires, My Love is a Wanderer, MGM 3597. Looks like this one was in M- condition for the record an the cover, other than a cutout hole on the cover. Rosemary Squires was a British pop star, and I’m not quite sure what makes this record so valuable and so desired by collectors, that they would drive the price all the way up to $1,580.55. I’m sure someone out there will be happy to enlighten me.

Here’s another for the $1,000 bin:

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A Jazz Vinyl Christmas

Merry Christmas everyone. If any of these items are on you’re wish list, you can buy yourself a present now on eBay:

Sonny Rollins, Newk’s Time, Blue Note 4001. This is an original West 63rd Street pressing that looks to be in VG+ condition for both the record and the cover. It closes later today and the bidding is in the low $300 range.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is an original pressing in VG++ condition for the record and VG+ for the cover. It closes tomorrow and the bidding is still very low, just a little more than $100. It may be difficult to get at a bargain price, however, since the seller has a reserve price on it and the bidding has not yet reached the reserve. The seller is aware of market value for the records. How do I know: He has a link to the Jazz Collector Price Guide.

How about a Transition for the new year: Donald Byrd, Byrd Jazz, Transition TLP 5. This is an original pressing in M- condition for both the record and the cover. It also has the booklet. The bidding closes tomorrow and is stuck at just a little bit more than $100. This one also fails to meet the seller’s reserve at the price. Perhaps Rudolf is right and this is not the best time to be placing records on eBay?

 

 

 

Jazz Vinyl That’s New To Jazz Collector

Just browsing eBay and came upon a few items I’ve never seen before. I’m always impressed, after more than 40 years of collecting jazz records, that there are still records that are new to me, for example:

Perhaps I’ve seen this before, but I dont’ recall it: Miles Davis, Porgy and Bess, Fontana 662.036. This is a French pressing and the seller says it is a 10-inch record, which makes sense if you look at the number of tracks per side. Why were the French issuing 10-inch LPs in the late 1950s, when those wars had already been fought and the 12-inch format had won? And look at the cover — it’s the same picture that’s on the American Milestones. I have to say, this looks like a pretty cool item to me. It has a start price of about $100 and is listed in M- unplayed condition.

Speaking of French pressings: Pierre Michelot and his Orchestra, Round About Bass, Mercury 125 500. This is an original French mono pressing and is listed in EX+ condition for the record (VG+++ in our terms?), and EX for the cover. This is from the same seller as the Miles LP and is also in the $100 range with no bids yet.

This an American record, and I assume it’s jazz because it is listed under jazz on eBay and because it is right in the midst of the Atlantic jazz series, but I’ve never seen it:

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A Jazz Vinyl Trio for the $1,000 Bin

Here’s some high-end jazz vinyl we’ve missed in the past couple of weeks:

Marty Paich Quartet Featuring Art Pepper, Tampa 28. This was sold by the same seller who claimed exclusive access to the best of Leon Leavitt’s collection and was selling some other high-end items a few months ago. This one was an original pressing with the red vinyl and it was listed in M- condition for both the record and the cover. It sold for $2,000, on the nose. Hmmm.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was listed as an original pressing in M- condition for the record and the cover. It sold for an even $1,300 and there was only one bid. Hmmm.

Dave Bailey Sextet, Bash!, Jazz Line. This one is quite rare, with Kenny Dorham on trumpet, Curtis Fuller on trombone, Tommy Flanagan on piano. It was listed in M- condition for the record and VG+ for the cover. It sold for $1,111. No Hmmm for this.

A Few Non-Blue Notes; A Flat Market?

Is it just me, or is there a softness in the market these days? To expedite my posting I  sometimes do a search of jazz records for sale filtered through the highest prices first. There are often $1,000 records and many in the $500-plus category. Lately, however, the searches in that range have been coming up short. Are prices relatively flat at this point or is there just less good stuff on eBay now? These things go in cycles so I wouldn’t put any meaning into it either way. In the meantime, here are some of the rare jazz records that came up on my latest search.

Red Rodney, Signal 1206. This is an interesting one because of the condition. There’s a nice clear picture of the cover, which may give the impression that the cover is in nice condition. However if you look closely and read the description, the cover is in only G condition. And the vinyl is only VG. Despite the condition issues, however, the bidding is already more than $400. I guess this LP is in greater demand than I would have realized.

This is another one that’s getting up there in price, somewhat to my surprise: Booker Little, Time 52011. This is an original mono pressing with the deep grooves and gatefold cover. The record is in M- condition and the cover is VG+. The bidding has already topped $250 and the auction closes later today. Perhaps my previous comment about a soft market was premature.

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Tracking Some Lovely, Rare and Expensive LPs

Here are a few of the more expensive jazz vinyl auctions we’ve been watching:

Art Pepper Quartet, Modern Art, Intro 606. This one was rated in VG+ condition for both the record and the cover. I have to give the seller and/or Photoshop credit — that is a fine looking picture of the cover and it certainly looks a lot more appealing than VG+. I have a feeling some of the bidders felt the same way: This one sold for $1,580 with 20 bids and about half as many bidders. Love the simplicity of the cover of this one. Anyone know who did it? Intro is not a label that gets noticed too often.

J. R. Monterose, The Message, Jaro 5004. This looked to be an original mono pressing in VG++ condition for the record and VG+ for the cover. It sold for $888.78.

Beverly Kenney, Like Yesterday, Decca 8994. This was an original deep-groove pressing with the pink promo label. It looked to be in quite gorgeous condition and was graded M- for both the record and the cover. Quite a nice find, which was reflected in the final price, which was $790, the highest we’ve ever seen for this record.

 

 

A Trio of Blue Notes For Easter Sunday

Here are a few Blue Note jazz vinyl auctions we were watching recently.

Clifford Brown Memorial Album, Blue Note 1526. This was an original Lexington Avenue pressing that looked almost original all around. Both labels had Lexington Avenue addresses and there was a Lexington Avenue address on the cover. However, I also have a Lexington Avenue cover on this and the bottom of my cover is in blue, not white. I wonder what this means and does Fred Cohen cover this difference in his book. I have to get down there to replace my copy. This record was probably in VG++ condition, possibly VG+ for real sticklers, and the cover was VG+. The price was $570.

J. R. Monterose, Blue Note 1536. This was an original Lexington Avenue pressing. The record was described in VG condition, sounding as if it were VG++. How do you think of records like that? It’s not atypical of these early Blue Notes to sound great almost no matter what. I was listening to my copy of Introducing Johnny Griffin the other day and when I looked at it I groaned — VG looking for sure. When I played it, ahhh, clean as could be. Pretty amazing. This J.R. record also has a VG cover. It sold for $555.

Sonny Rollins Volume 2, Blue Note 1558. This one looked to be in M- condition and was described as M- condition by the seller. It was an original pressing as well. You’d think it would perhaps have entered the $1,000 bin, but it did not: The winning bid was $566.

 

Grand Stans

To keep the discussion on this a little longer. I was perusing eBay last night and there was another copy of Getz/Gilberto, Verve 8545, also a stereo pressing, also in M- condition. It sold for $37, which is higher than normal. The other one from bobdjukic is at $219 and closing later today. While perusing, I also came upon this nice record: Stan Levey, Grand Stan, Bethelehem 71. It was sitting there at $25 and there were no bidders and I was contemplating placing a bid even though I already own a copy in M- condition. I think the seller missed an opportunity here: This is one of those records where if you know it, and you know the identities of the musicians, it becomes much more interesting. Among the musicians on this record are Sonny Clark and Richie Kamuca and it is, as you’d expect, a terrific record. It’s also not so easy to find, certainly tougher to find than Getz/Gilbert0. This one was in VG+ condition and sold for $27. The highest price we’ve ever seen for this record in the Jazz Collector Price Guide is $90.

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