Two of those Sonny Rollins LPs we were watching passed the $2,000 barrier: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing in near mint condition from a reputable seller in Italy. The final price tag was $2,850. Also: Sonny Rollins Volume 1, Blue Note 1542. This was an original Lexington Avenue pressing, also in near mint condition. This one sold for $2,025.22. Breaking the $1,000 barrier was:
Someone had mentioned this record joining the $1,000 bin: Cannonball Adderley, Something Else, Blue Note 1595. It’s a great record, but we’ve tracked it many times in the Jazz Collector Price Guide and it had never passed $500 before. This one was in near mint condition for both the record and the vinyl and sold for $1,624.99. Wow.
Here’s a record I’ve never seen before: Ornette Coleman at Town Hall 1962, ESP 1006. I have a copy of this record with a different cover. This one has a silk screen cover with handwritten labels. It is also a review copy. The record was listed in M- condition and the cover looked like a VG++. The price was $987.
Here’s some more jazz vinyl for the Jazz Collector Price Guide:
Sonny Rolins, Saxophone Colossus, Prestige 7079. This was an original New York pressing with the yellow label. Based on the description we would rate the vinyl as VG+ and the cover as VG+. Considering the overall condition, this one sold for a pretty hefty price tag: $1,705.
By comparison, based on the condition, we thought this might fetch a higher price: Cliff Jordan, Blue Note 1565. This was an original pressing in at least VG++ condition, perhaps M-, based on the description. We expected it to certainly break into the $1,000 bin, but it fell just short. It sold for $939.
This one did not fall short of the $1,000 bin:
Here are a few more jazz vinyl records for the Jazz Collector Price Guide $1,000 bin.
Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing sold by Euclid Records. The vinyl was in M- condition and the cover was VG. The item was viewed more than 320 times, which is quite a bit these days, and it sold for $1,631.
Jutta Hipp With Zoot Sims, Blue Note 1530. This was also an original Lexington Avenue pressing. Normally, with records fetching these high prices, I wouldn’t have to state that it was an original. But with the seller bobdjukic selling United Artists pressings for more than $400, perhaps I have to be a bit more circumspect. Anyway, this was
There’s some nice Blue Note jazz vinyl on eBay now, including:
Louis Smith, Here Comes Louis Smith, Blue Note 1584. This looks to be an original pressing with the vinyl in VG++ condition and the cover just VG-. The seller goes out of his way to provide some nice clear pictures of the cover, which we always appreciate. This one is only $58 with more than a day to go, but the seller has a reserve price and it has not yet been reached. I know many of you are not fans of auctions with reserve prices, which is something to consider when listing jazz vinyl.
Cliff Jordan, Blue Note 1565. This is also an original pressing and it looks to be in VG++ condition, at least, for both the vinyl and the cover. Actually, it’s probably closer to M- than VG++, based on the description. The current price is $315 and there’s more than a day to go with no reserve. I would
not be surprised to see this one sell for more than $1,000.
Time to catch up on a few items we’ve been watching. It’s a little scary when the auctions of bobdjukic, which are getting quite a lot of attention from some of our commentators, are fetching higher prices than those of Jazz Record Center or Euclid. But that’s life on eBay, which tends to be a great equalizer. Anyway, both JRC and Euclid had some auctions close yesterday, with some interesting items, including: Miles Davis, ‘Round About Midnight, Columbia 949. This was an original mono pressing with the white promo label from Jazz Record Center. The record was in M- condition and the cover was at least a VG++. This one sold for $291. This is another case where I believe the promo label actually helped to boost the sale price.
This beauty was sold by Euclid Records: Ernie Henry, 7 Standards and a Blues, Riverside, Riverside 248. This was an original blue label pressing in near mint condition for both the cover and the vinyl. The price was $564.32. I think that sets a record for this LP, but
Here is some more jazz vinyl that will go into the Jazz Collector Price Guide:
When did this become a $100 record: Barney Kessel, The Poll Winners, Stereo 7010? This was an original pressing with the black label. The vinyl was in M- condition and the cover was VG++. The final price was $97, so it wasn’t officially a $100 record. Still, I had no idea that Kessel was this collectible. I’m not complaining about it, since I do have all of his records on Contemporary, just a bit surprised by this one. In any case, it will be making its first appearance in the Jazz Collector Price Guide.
Also premiering in the Jazz Collector Price Guide will be: Bill Jennings, Enough Said!, Prestige 7164. This was an original yellow label pressing with
A lot of the big time sellers are up on eBay this week with some big time records. Here are some of the ones we are watching at Jazz Collector:
Webster Young, For Lady, Prestige 7106. This one is a personal favorite, very nice record if you’re not familiar with it. This one is being offered by Atomic Records and it looks to be in VG++ condition for both the vinyl and the cover. The current price is about $315 and there are a few hours still to go. The same seller has this item: Lester Young and Buddy Rich Trio, Norgran 1074. This is a black label pressing, which I usually assume is a second press, although I think this may be an original: I’m not sure when it was issued and if Norgran had switched to black labels, but I know the copy in my collection is a black label as well. This one is in M- condition for the vinyl and VG+ for the cover. The current price is about $75.
Time again to update the $1,000 bin.
Walter Davis, Davis Cup, Blue Note 4018. This was an original West 63rd Street pressing and was sold by a reputable dealer. The record was listed in M- condition and was described as “uplayed.” The cover was probably VG+, based on the description. The price was $2,000. Our previous high price for this record in the Jazz Collector Price Guide was $1,248.
This one has made many appearances in the $1,000 bin: Tommy Flanagan Overseas, Prestige 7134. This was an original pressing with a promo stamp. The record and cover looked to be in M- condition. The price was $2,175.
Lee Morgan, Indeed, Blue Note 1538. This looked like an original Lexington Avenue pressing with the deep grooves, although the seller’s description was quite lacking, making it
Here’s an update on some odds and ends we’ve been watching on eBay:
Zoot Sims, Stretching Out, United Artists 4023. This was an original deep groove mono pressing. It was a promo copy, with a promo stamp and the white label and it was in M- condition, for both the record and the cover. The price was $124. What do you think: Does the promo stamp enhance the value of a record for you, or detract, or neither. I recall in the world of rock albums, the promo stamp was always considered a good thing, but I’ve never heard that one way or another in the jazz world. Which leads me to this LP: Bill Evans, Waltz For Debby, Riverside 399. This was an original pressing with the white promo label. The record was
