All I Want for Christmas

Redd copyActually, I don’t even celebrate Christmas, but that’s quite beside the point, isn’t it? I spent a couple of hours today just looking at my records and going through the shelves, one by one. It’s a pretty damn good collection, I must say. Although it is not complete. Not even close. So, when I do look at the collection, what’s missing. Or, more to the point, if I were to make a Christmas Wish List, what would I put on it? Here we go, all original pressings, of course.

1. Freddie Redd, Shades of Redd, Blue Note 4045. Yes, I’ve been searching for this record for years, and yes, I could just pay the price and buy a copy on eBay. But that takes out all of the fun. Now, if The Lovely Mrs. JC would be interested in a gift for my upcoming birthday, I wouldn’t complain about that at all, no matter what the price.

2. Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. No the list will not be all Blue Notes, but it could be if I wanted to go there. This happens to be another favorite. I’ve owned a Japanese pressing for years. Two, in fact. But an original on my shelf would be quite appealing.

3. Hank Mobley, Blue Note 1568. No I don’t have it. If I did, whenever someone would ask me what’s the most valuable record in your collection, I could point to that. Right now, when someone asks, I don’t know exactly what to say. The music is pretty good too, no?

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Some Gems From a Gem of a Collection

Johnny Griffin Jazz VinylHere’s a nice one: Johnny Griffin, The Kerry Dancers, Riverside 420. This looks do be an original promo pressing with the white label and the deep grooves. It is listed in M- condition for the record and VG++ for the cover. The bidding is in the $300 range with more than five days left on the auction. The seller notes that it is from the estate of the late Dr. Herb Wong, who was a pretty well known jazz historian, writer and radio host in the San Francisco Bay area. The seller, Funkyousounds, states in the listing that it has acquired Dr. Wong’s entire collection. I noticed a bunch of other auctions from the estate earlier this week. Funkyousounds is based in St.Louis, so I, for one, am curious how they ended up with the collection. Funkyousounds, if you are out there, perhaps you have a story to share with us here at Jazz Collector?

One of the other ones I had noticed from the collection was this:

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Outward Bound, I Wish I Was

Eric Dolphy Jazz VinylHere’s one of my favorite covers: Eric Dolphy, Outward Bound, New Jazz 8236. This is an original pressing with the deep grooves and the purple label. The record and cover both look to be in about VG++ condition. The seller has placed a high opening price of more than $700 and so far there are no bidders. We’ll see. I don’t recall this record ever selling for more than $500. I tried doing a Google search for information about the cover, but there was scant detail. Anyone? At the same time, there is also this for sale on eBay: Eric Dolphy, Outward Bound, Esquire 32-123. This is a first press from the U.K. The condition is not nearly so good as the American original, I would guess VG for both the record and the cover, based on the seller’s description. There are three days left on the auction and there is a single bid at about $66.

Here’s another nice Prestige:

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Jazz Vinyl From Some of Our Favorite Cats

The Cats New Jazz VinylI’m cleaning out my eBay watch list so here are various odds and ends from the past six weeks or so, starting with Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the deep grooves and the purple labels. The record and cover both looked to be in M- condition, very nice indeed. Of course, one of the attractions of this record is that it  features John Coltrane. When I acquired this record I filed it with my Coltranes because I was just building my Trane collection and every collectible record with Coltrane was a treasure to me. I hate to tell you when this was, but it was more than 40 years ago. I can’t believe I’m that old. Anyway, now that my Coltrane collection is more robust, this is properly filed with the Flanagans. This copy sold for a very nice $600. Nice for the seller and I’m sure very nice for the buyer, who will have a lovely record for his turntable and collection.

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A Few From the Jazz Record Center

Gigi copyOur friends at the Jazz Record Center had an auction close yesterday and here are some of the items of interest, starting with Gigi Gryce, The Hap’nin’s, New Jazz 8246. This was an original pressing with the purple labels and deep grooves. The record looked to be in M- condition and the cover was probably around VG+. The final price was $338.

Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. This one does not look to be a first pressing, since they don’t call it a first pressing and don’t mention the ear. It looks to be really clean in M- condition for the record and the cover. And it is a mono pressing. The price was $212.50.

Speaking of Sonny Clark, there was also:

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Searching for Bargains and Deep Grooves

Informal Jazz copyInformal JazzHere are a few more rare jazz records worth watching on eBay, starting with Elmo Hope, Informal Jazz, Prestige 7043. This looks to be an original New York yellow label pressing listed in M- condition for the record and VG++ for the cover. This one just came onto eBay and has a start price of $380. It also has a “but-it-now” price of $700. I have a feeling, once people start reading this article, someone just might swoop in and buy it. The $700 price tag actually seems pretty reasonable for this very rare LP. I, fortunately, have my own copy now, courtesy of the family of Bruce W. West in Baltimore. Also from Prestige: Kenny Dorham, Quiet Kenny, New Jazz 8225. This is an original deep-groove purple label pressing listed in VG++ condition for both the record and the cover. There are five days left on the auction and the bidding is in the $565 range, on its way up into somewhere in the $1,500 to $3,000 range for its final price.

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High Priced Vinyl? ‘Tis in the Eye of the Beholder

Tommy Flanagan Jazz VinylJust checked my eBay watch list and came right up with a pair of high-priced items that we had mentioned here before, starting with Tommy Flanagan Overseas, Prestige 7134. This was an original deep groove New York yellow label listed in M- condition for the record and Ex for the cover. When we first saw this record, the bidding was more than $1,000 and it hadn’t reached its reserve price. The record eventually surpassed the reserve price and beyond, selling for $3,938.

This one sold for more than $2,000 but, frankly, I thought it would sell for more, given it’s rarity: Kenny Dorham, Harlem Youth Unlimited, Jazz at P.S. 175. This was an original pressing listed in VG++ condition for both the record and the cover. I asked in the previous post: Is this the rarest of them all? No one seemed to say no, so I’m assuming perhaps it is. It did not get the highest price of them all, although the price was quite high, $2,225, in fact. I would LOVE a copy of this record, but not at $2,225, thank you.

Let’s check out the e-mail bag:

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Is This The Rarest of Them All?

Kenny Dorham Rare Jazz VinylBuongiorno! Back from Italy and a little bit worse for the wear. My flight home was delayed because a horse was acting up in cargo and they had to remove all of the luggage, then remove the horse and then reload all the luggage. Yes, that really happened. Then I got a nasty cold, but I’m starting to feel better and finally am able to look at eBay to see what’s going on. I want to thank Clifford Allen for filling in while I was away. Clifford, I really appreciate it and you did a great job — please feel free to continue posting at any time. I think it adds a lot of value to the site to have another perspective.

I did a search on eBay and found an extremely interesting record, which is: Kenny Dorham, Harlem Youth Unlimited, Jazz at PS 175. This is a live recording from 1964. I was told by a reputable dealer several years ago that this is possibly the rarest jazz record of them all. Has anyone else heard that? I’ve been looking for a copy for more than 30 years — ever since I learned about it — and have never seen one. In fact, this is the first one I’ve ever seen even on eBay. I will be very curious to see what this record sells for, particularly now that I have called attention to it. This one is in VG++ condition for the record and the cover. The start price is about $900 and there are nine days to go on the auction. I’m curious if anyone in our community owns this record and how it sounds.

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Top Dollar (or Euro) For European Pressings

Mobley's Message Jazz VinylCatching up on some loose ends, Terry sent me a link to the following record: Duke Jordan Trio, Vogue Swing M33 323. This was the original French pressing of this 10-inch LP, which was listed in M- condition for the record and Ex for the cover. It sold for $2,939.99. As Terry said in his email to me, the prices of the French Swing records are getting top dollar and this would certainly support that, unless anyone thinks nearly $3,000 is a bargain for a Duke Jordan record.

While we’re in Europe: Hank Mobley, Mobley’s Message, Esquire 32-029. This is the original British pressing of the Prestige record. It was listed in Ex condition for the record and only VG for the cover. It sold for $337.44. I’ve been watching a lot of these U.K. pressings and they seem to be going up in value, particularly the early Prestiges. I can see why: The covers are cool and the pressings sound great. If I didn’t have an original Prestige — and in some case, even if I do — I’d be very happy to have one of these original Esquires.

Here’s another one:

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. . . And The Prices Keep Going Up

Bill Evans Jazz VinylI’m sure many of you are way ahead of me, but please let me catch up on some of the interesting auctions we were watching, starting with Bill Evans, Waltz for Debby, Riverside 399. This was an original white label promo copy. The record was listed in VG++ condition and the cover looked to be about VG+ because a previous owner had stamped his name and address on both the front and the back. When I first wrote about the record, there were several hours left in the auction and the bidding was in the $265 range and I guessed that the final price would probably surpass $1,000. To my surprise, and probably to the surprise of many of you here, the final price was $2,248. And that’s not even counting the Global Shipping Program charge of nearly $475, which is discussed in the comments on the earlier post. I’d be curious as to who is spending this kind of money on these records, and why? Is it for listening? Is it for investment? Is it just for collecting and owning the history?

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