Category: Prestige

Two Pairs: Blue Notes, Prestiges

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Eric DolphyHere are some more of the jazz vinyl auctions we are watching now on eBay:

Eric Dolphy at the Five Spot Volume 1, New Jazz 8260. This is an original mono pressing with the purple labels and the deep groove. It looks very nice from the picture, although the grades are only VG+ for both the record and the cover. I was watching this all week and there were no bids for a long time at a start price of about $200. The auction closes in a few hours and now there is a bid. I don’t think it will be the only one, because, as I said, the record looks really nice in the photos. Here’s another Dolphy from the same era: Eric Dolphy, Out There, New Jazz 8252. This is also an original pressing with the purple label and deep grooves. The record is in VG++ condition and the cover is VG+. It also looks very nice in the photo. The start price is around $250 and there is one bidder, so the record will sell.

This one is mentioned by a commenter in the post below, but we’ll write about it here and see what people think: Kenny Dorham, ‘Round About Midnight at the Cafe Bohemia, Blue Note 1524. This one is listed as having the deep groove, flat edge, ear, etc., but from the picture it doesn’t look like a deep groove. Also, there is the question of whether the cover is an original framed cover. What does everyone think? Is it just a poor picture that would indicate a lack of deep grooves, or is it just a later pressing with Lexington Avenue label? I have

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A Newk 10-Inch LP, Prized Stereo Blue Notes

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sonnyI should watch this record on Jazz Collector each time it appears on eBay, just so I can put the picture of the cover on the site: Sonny Rollins and Thelonious Monk, Prestige 190. This is an original 10-inch LP in Ex+ condition for the vinyl and VG for the cover. I would think the record plays really well to be graded Ex+. As you may tell from the longing in my first sentence I do not own a copy of this record. But I would love to. This one is in the $110 range with less than a day to go, although it hasn’t yet reached the seller’s reserve price.

Herbie Hancock, Takin’ Off, Blue Note 84109. This looks to be an original stereo pressing in M- condition for both the record and the cover. Not sure how the stereo compares with the mono, either in sound or in collectibility, but, for me, I’m quite content to have the original mono pressing. This one closes sometime today and is in the range of about $105 with eight bids.

Eric Dolphy, Out To Lunch, Blue Note 84163. The seller does a nice job of presenting/packing this one, with the nice picture and the original inner sleeve. Makes it look attractive, wouldn’t you say? This is a stereo pressing, looks like an original, with the ear, Van Gelder and New York USA label.  Bidding closes tomorrow and is already over more than $200. So, IMHO, the nice packaging seems to help.

 

 

Back To The Serious Business of Rare Jazz Vinyl

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LouEnough frivolity with quizzes and fo figures, it’s time to get back to the serious business of watching jazz vinyl on eBay.

Lou Donaldson, Lou Takes Off, Blue Note 1591. This is an original pressing in M- condition for both the record and the cover. The seller points out that this record is getting very difficult to find now. In my view, finding an original copy has ALWAYS been very difficult. I’ve been collecting for more than 40 years now and I just got a clean original last year. The auction for this one closes in three days and the bidding is in the $150 range.

Think this will sell? I don’t: Miles Davis Plus Horns, Prestige 7025. This is a New Jersey pressing in VG+ condition for the record and VG for the cover. The start price is around $250 and it’s hard to see that for a second pressing. There are four days left, so it will be interesting to watch.

If you’ve ever wanted to own one of the rarest jazz LPs of all time, here’s your chance: Jackie McLean, The New Tradition, Ad-Lib 6601. This is an original pressing in VG+ condition for both the record and the cover and, according to the seller, it plays great (with some surface noise). It just came onto eBay with a start price of about $700 and a buy-it-now price of $2,000. It will sell: The question is whether someone will step up with the $2,000 before the auction ends. My guess? Yes.

 

Two for the $1,000 Bin, Two for The Watch List

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A couple of albums we were watching this weekend broke into the $1,000 bin: Freddie Hubbard, Open Sesame, Blue Note 4040. This was an original pressing listed in M- condition for both the record and the cover. The final price was $1,150. Also, Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was a West 63rd Street pressing without the New York 23, which I think is an original, contrary to my previous post. This one was from the same seller and was also listed in M- condition for both the record and the cover. The final price was $1,202.

Here are a few we’re watching now: The Dual Role of Bob Brookmeyer, Prestige 7066. I’m trying to see if there’s something wrong with this one. It looks like an original New York yellow label pressing and it seems to be in pretty nice shape, at least VG+ for both the record and the cover. The auction closes tomorrow and the bidding is only at $30, which seems kind of low for an original Prestige in the early part of the 7000 series. Is there so little interest in Brookmeyer? I mean, Moondog Prestige  records sell for a lot more than Brookmeyer records, it seems.

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Three Prestiges and One Bizarre

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Sorry, took a break for the Memorial Day Holiday weekend here in the states. Back to eBay and jazz vinyl. Someone sent me a link to this listing under the subject “bizarre auction:” Grant Green, I Want to Hold Your Hand, Blue Note 84202. This was a stereo Liberty pressing in VG+ condition for the record and VG for the cover. The seller had a feedback rating of 96.6 percent. The start price was 99 cents and then there seemed to be a two-person bidding war, hiking the sale price to $415. Bizarre indeed.

Not so bizarre for this one: Webster Young, For Lady, Prestige 7106. This was an original New York yellow label pressing. The record was listed in EX condition and the cover was probably VG. It also had a promo stamp on the back cover. It sold for $428.

Another Prestige from the same era: Jackie McLean and John Jenkins, Alto Madness, Prestige 7114. This was also an original New York yellow label, listed in VG+ condition for the record and VG+ for the cover. It also had a promo stamp on the back cover. The price was $325.

And this one:

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A Pair of Blue Notes, A Pair of Prestiges

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Monday morning, so let’s catch up with some jazz vinyl auctions we were watching over the weekend, starting with a couple of Blue Notes: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original pressing in Ex condition for the record and VG++ for the cover. It sold for $987. Long-time readers will know that this one is still near the top of my want list and also that I would never pay $987 for a copy. It’s nice to have holes in the collection so that there always remains excitement in the hunt, at least for me. Just filling in all the blanks by paying top dollar on eBay is a valid way to build a great collection, and it’s probably a great investment as well, given how prices for collectible jazz records keep rising. But it’s never been my choice in how to build a collection. This following record, in fact, is one I had in my collection and sold because one of our readers here at Jazz Collector made me an offer I couldn’t refuse: Horace Parlan, Us Three, Blue Note 4037. This looks to be an original West 63rd Street pressing with the promo stamp. It was listed in VG++ condition for the record and the cover. It sold for $1,078.99.

From Blue Note to Prestige:

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Five For the Watch List

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I just spent some time perusing jazz vinyl listings on eBay and, my, I was able to fill up my watch list quickly. Here are some of the items, starting with: Pepper Adams, Donald Byrd, et al, Motor City Scene, Bethlehem 6056.  This is a rare one you don’t see very often. In fact, I don’t recall ever seeing a copy of this record in any store or any collection. This one is in VG+ condition for the record and VG for the cover. It closes in a couple of hours and the bidding is at $450.

 The Return of Art Pepper, Jazz West JWLP 10. This looks to be an original pressing in VG+ condition for the record and probably VG or a little better for the cover, based on the seller’s description. It also closes today and the bidding is in the low $200 range.

Temptation is back: Freddie Redd, Shades of Redd, Blue Note 4045. This looks to be an original pressing listed in Ex condition for the record and VG++ for the cover. There are two days to go and the bidding is in the $250 range. Father’s Day is in a few weeks. Hmmm.

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Nice Records, Quite High Price Tags

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Let’s catch up on some rare jazz vinyl auctions we’ve been watching, starting with: Gene Ammons, HiFi Jam Sessions, Prestige 7060. This was an original New York yellow label pressing. The record and cover were in M- condition. You may recall I posted on this last week when there were no bids and a start price of $200. I was speculating about whether it would sell at all for that start price, and my prognostication was that it would sell. Indeed, it did: for $607. Quite a nice price for a Gene Ammons Prestige, which don’t often sell for such quite a lofty figure. The seller SweeDeeDee had quite a week, with several of his records selling for quite high prices. Here are a couple more: Horace Silver and Spotlight on Drums with Art Blakey and Sabu, Blue Note 1520. This was an original Lexington Avenue pressing in VG++ condition for the record and M- for the cover. It sold for $681. Thelonious Monk with Sonny Rollins, Work, Prestige 7169. This is a New Jersey yellow label pressing, but the record is a reissue, an early reissue, but a reissue nonetheless. It was in M- condition for both the record and the cover and sold for $293. Wow.

 

 

Listening Again to The “New” Miles Davis Quintet

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One of the great things about having so many collectible records is that I can always dig somewhere into my collection and find a classic record I haven’t listed to in a while. I did that last night, putting The New Miles Davis Quintet, Prestige 7014, on the turntable for the first time in a number of years. It’s a classic and, of course, the first Miles record with John Coltrane. A few things struck me about this record. Miles and Trane were the same age, both 29 when the album was recorded, yet they were at much different points in their careers and in their development. Miles was fully formed and his playing was absolutely confident. Trane’s playing was much more tentative and his style was not nearly as developed as it would become in the ensuing years. You can hear elements of his budding genius, but just elements and otherwise you hear someone still working on finding himself. For the hell of it, right after listening to this LP, I put on A Love Supreme and, obviously the difference was quite stark. Another thing about this record is Read more

Taking a Chance on Phil

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Ever since I bought that big collection last summer I’ve been very circumspect about buying more records. Something about absorbing a couple of thousand records into the collection has made it less compelling to buy more. Anyway, being circumspect doesn’t mean I’m not interested, I did, after all, purchase that 10-inch Phil Woods record on eBay a few months ago and I did have The Lovely Mrs. JC purchase that beautiful Thad Jones Blue Note for my birthday. So I was perusing eBay and I came upon an interesting listing and it was this: Phil Woods, Woodlore, Prestige 7018. This is a record I’ve always wanted, just a great record from the era. The copy I have had for the past 25 years is a Japanese pressing with Japanese liner notes. Anyway, the listing was very interesting. The seller used the word “GOOD” to describe the record and the cover. In our normal parlance “good” means horrible. It’s the low rating you give to a record that may not even be playable. In this seller’s parlance, however, I got the feeling that “good” may have meant really good, like VG+ or better. The seller doesn’t seem to be a record dealer and he/she seems to be covering his bases and trying not to oversell the records. Anyway, the bidding was sitting at about $150 with a less than an hour to go on the auction, and the gambler in me took over and Read more

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