Another Story

So I said there would be another birthday story from yesterday and here it is:

About a week ago, you may recall, I posted an item about a lovely Phil Woods 10-inch record on the New Jazz label (Of Prestiges and Great Tenor Records). I mentioned that this would be of particular interest to a good friend, who has a passion for both 10-inch LPs and Phil Woods. That friend is the oft-mentioned Dan Axelrod and when he saw that post he emailed me a listing of yet another 10-inch Phil Woods record from the same era, and that was called Encores, the Phil Woods New Jazz Quintet, Prestige 191. And Dan told me that this is the record that has been at the top of his want list for years, and that it should also be at the top of my want list. Why? Well, in looking longingly at this record over the course of many years, Dan discovered that it was actually recorded on February 4, 1955. That was the exact date of my second birthday. Which was cool enough. But, in addition, there was actually a song on this record called “Toos Bloos.”  Get it: Too’s Blues and I was two on the day it was recorded. Well, to be honest, that coincidence didn’t do all that much for me, but for Dan it was a sign. I had to own this record. It was “my” record. And, if I had even one shred of a doubt, Dan told me one more fact that seemed to be the clincher that this was, indeed, a signal from a power far greater than any of us that this was “my” record and I must, at any cost, own it: Read more

Esquire vs Prestige: Is There A Difference in Sound?

I think I’m developing a little thing for the original Esquire covers. Here’s the latest I’m watching: Eric Dolphy at the Five Spot, Volume 1, Esquire 32-173. Having been based in the United States during my whole jazz collecting life, many of these records are absolutely new to me, even though many of them are at least 50 years old. I think that’s one of the great things that eBay has brought to collecting: Creating a market where just about every item you can conceive — or even those that you can’t conceive — will at some point make an appearance. Anyway, this one is in M- condition for the record and VG++ for the cover. The start price is $199 and so far there are no bidders with more than three days to go. The seller claims that this pressing has better sound than the original U.S. pressing. That sounds quite difficult to verify, but I imagine someone out there may have both pressings and could do a comparison. Rudolf? Speaking of Rudolf, it looks like this one of his has reached it’s reserve price and will sell: Jackie McLean, The New Tradition, Ad Lib 6601. This one is M- for the record and Ex for the cover. The price is now more than $2,000 and the auction closes in two days.

 

 

Of Prestiges and Great Tenor Records

Prestige Day at Jazz Collector. This one is for a good friend who has a passion for 10-inch LPs, and for Phil Woods: Phil Woods, New Jazz Quintet, New Jazz 1104. Man, look at that cover. Phil looks like he’s about 15. The record is in M- condition and the cover is VG to VG+. Start price is $250 and it’s closing in four hours. No bidders so far.

Sonny Rollins, Tenor Madness, Prestige 7047. This is an original New York pressing. The record and cover were listed in VG++ condition. The bidding is in the $275 range with more than a day to go. Someone recently sent me a list of something like the 50 greatest tenor sax records ever. I quickly glanced at the list to see what was #1 (it was either Giant Steps or A Love Supreme). I looked to see where this record ranked, since it would have it in my top two or three. But it wasn’t on the list. I clicked my off off the link and never looked back. I’m sure a quick Google search and someone will find it and post it here. I would have it Tenor Madness had been on the list.

This is another great tenor record I listened to recently for the first time in years:

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Ebaying: Two of the Rarest of The Rare Jazz Vinyl

I’m sitting at my dining room in the country, overlooking the snow-covered frozen lake, being warmed by a fire from my wood-burning stove, John Coltrane playing “Too Young To Go Steady” in the background.. If you’re going to be working, which I am, this is not a bad way to work. Now I am procrastinating between projects, always a good time to look at some interesting jazz vinyl auctions on eBay. Here goes, starting with: Jackie McLean, The New Tradition, Ad Lib 6601. It’s always nice to see this record on eBay because it’s one of the really rare ones and it’s good to know that if you really, really wanted a copy, you could find it. I looked at this listing and realized the seller is our friend at Jazz Collector, Rudolf. This is in M- condition for the record and E for the cover. It’s early in the auction, the price is more than $400, and the reserve has not yet been met. I’m assuming this is a duplicate and not Rudolf’s only copy.

The seller of this one can use a better picture-taking methodology: Sonny Rollins, Saxophone Colossus, Prestige 7079. This is an original New York yellow label pressing. The record is listed in M- condition and the cover is VG+, although you’d never know it from the pictures because of the reflection off the camera’s flash. When I was listing records regularly, I’d run into the same problem, but I always tried other angles to get a more clear picture. Just a suggestion. This one has three days to go and the bidding is more than $550.

 

Blue Notes & Prestige: A Day at Jazz Collector

Let’s catch up on some of the jazz vinyl auctions we’ve been watching, starting with: Walter Davis, Davis Cup, Blue Note 4018. This was an original pressing in M- condition for both the record and the cover. The bidding was slow on this one, as you may recall, in the low $100 range with just one day left on the bidding. Well, it may have started slow, but it ended on a high note for the seller. The record sold for $919.99. There are no bargains on Blue Notes on eBay, are there, unless you get lucky with condition.

My friend Dan was urging me to get this record when the bidding was close to $400 with just a few hours to go: Sonny Rollins With Thelonious Monk, Prestige 190. Put in a bid of $700, he said. It’ll be your birthday present. I thought about it, but decided against it. Good thing I didn’t get my hopes up because I wouldn’t have won the record. It sold for $799.55. Speaking of my birthday present, the Lovely Mrs. JC says she’s only gotten one response so far to her request. There’s still time, but it’s running low — birthday is in two and a half weeks. Contact Mrs JC at mrsjc(at)jazzcollector.com.

I thought this one might reach the $1,000 bin, but it came up just short:

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Monk and Newk, Superb in Every Way

Be still my heart. Look at this beauty: Sonny Rollins and Thelonious Monk, Prestige 190. This is an original 10-inch with the maroon and silver labels. Hmmmm. M- condition for both the record and the cover, as the seller describes “superb in every way.” Now this is temptation. It closes in less than three hours and is priced at close to $400. I just won $500 in Fantasy Football this season. Perhaps, this would be the payoff?

Here’s one I’ve never seen in person, only on eBay: Tommy Potter’s Hard Funk, East-West 4001. This is an original pressing in M- condition for the record and VG++ for the cover. Kind of a strange record for the era, recorded in Sweden with an American rhythm section and Swedish horn players. I imagine this is all explained on the liner notes?

 

 

 

 

Some More Beautiful Jazz Vinyl

Here’s one I forgot to put on my want list the other day: Lee Morgan Sextet, Blue Note 1541. This one is an original Lexington Avenue pressing listed in VG+ condition for the record and VG++ for the cover. Great crystal clear cover picture that makes the listing quite enticing, don’t you think? This was one of the first Blue Note records I ever purchased, back in the early 1970s, but, of course, in those days the record available in the bins at Sam Goody’s was a reprocessed stereo Liberty pressing. And that’s what I’ve had all of these years. This particular copy will not likely be the replacement: The bidding has already neared $500 and there are are still more than four days left on the auction.

Here’s another beauty from the same era, similar black and white cover with some yellow type: Hank Mobley with Donald Byrd and Lee Morgan, Blue Note 1540. This is also an original Lexington Avenue pressing. This one is in VG++ condition for both the record and the cover. The pricing is now at $1,100 but it hasn’t reached the seller’s reserve price.

Let’s get away from Blue Note for the next couple:

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Are We Seeing Market Shifts?

If you’re on eBay now, it’s hard not to watch all of those auctions closing today from the seller zero.street. There are all of the later Blue Notes I mentioned yesterday. The prices on these have gone even higher, some in the $300-plus range. How about this one: Dave Brubeck, Time Out, Columbia 1397. This is an original pressing that looks to be in quite nice condition, probably M- or VG++ at the worst. The price has been bid up to $137.50. This is not that rare a record, even as an original pressing. Is it because Brubeck just died? Or will this record achieve some new cachet as a collectible, sort of like Kind of Blue, because it is so iconic. Weird to see this one fetching collectible prices after all of these years.

This one is also of interest from the same seller: Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017. This is an original New York yellow label pressing. The cover is in nice VG++ condition and the record is VG or VG+, with a hairline mark that is said to cause some surface noise. I imagine the condition is a killer on this one, because under normal circumstances I wouldn’t expect it to sell for a price so far below those later Blue Notes, which apparently it will. The bidding now is in the $110 range. Unless the market is starting to shift more to the ’60s from the ’50s? Is that possible?

 

 

And Starting 2013 With Jazz Vinyl

Happy New Year, all. Hope you get all the vinyl of your dreams this year. We start the year watching eBay, as we are wont to do. It actually seems kind of slow to us, probably not unexpected at this time of year. We’re not seeing a lot of action on the auction from the Jazz Record Center and there’s not the usual frenzy over some items you would expect. But there’s still plenty to watch, starting with: Duke Pearson, Profile, Blue Note 4022. This record looks to be in M- condition for the record and the cover,  and it has already been bid up to $273 with 14 bids. Quite impressive with five days left in the auction. More impressive still when you look at the questions below and realize it has neither deep grooves nor the ear in the deadwax.

Curtis Fuller, The Opener, Blue Note 1567. This is an original pressing that looks to be in VG++ condition for the vinyl and VG or VG+ for the cover. This one has the ear, has the deep grooves, yet, unlike the Pearson LP, it doesn’t have any bids. Start price is around $300. There are five days left. It will sell.

This one is closing soon at it has a lot of bids: Read more

A Few Favorites From the Jazz Collector Era

Here are a few jazz vinyl records we are watching on eBay from our perch up here in the beautiful and snowy Berkshires in Western Massachusetts. Let’s start with Gene Ammons, Jammin’ in Hi Fi, Prestige 7110. This is not one you see very often. It’s a nice session, featuring Jackie McLean, Idrees Sulieman, Kenny Burrell and a great rhythm section. This one is in M- condition for the record and probably M- for the cover as well. It closes later today and is in the $115 price range.

I was perusing the list and found a few very nice records from fiftiesjazz, which is our friend and frequent guest Rudolf, so you know the records are well taken care of and carefully graded. Here are a couple: Hank Mobley and His All Stars, Blue Note 1544. This is another nice session, featuring Horace Silver and Milt Jackson. This one is rated VG+ for both the record and the cover. This one also closes today and is in the $250 range. Also, Sonny Rollins Volume 1, Blue Note 1542. This is a West 63rd Street pressing in M- condition for both the record and the cover. It closes tomorrow and is now in the $220 range.

One more nice Blue Note while we’re at it:

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