Category: Prestige

Jazz Vinyl Update: A Smattering of 10-Inch LPs

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Let’s catch up on some jazz vinyl we’ve been watching on eBay, starting with: Thelonious Monk Trio, Prestige 189. This looked to be an original pressing, a 10-inch LP, of course, and it was in VG++ condition for both the record and the cover. The price was $227.50.

Here’s another 10-incher: Howard McGhee, Volume 2, Blue Note 5024. This one was VG+ for the vinyl and between VG++ and M- for the cover. When we were watching it it was in the $150 range and it didn’t really move from there, selling for $159.50.

This 10-incher didn’t sell at all: Lester Young and his Tenor Sax, Aladdin 706. This one was in VG- condition for the record and VG+ for the cover. The start price was $99.99 and there were no bidders.

May as well stick with the 10-inch theme today: Art Blakey and the Jazz Messengers Volume 3, Blue Note 5039. This was listed in VG++ condition for both the record and the vinyl and sold for $229.

Jazz Vinyl Today: 2 Prestiges, 2 For the $1,000 Bin

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Here’s some jazz vinyl we’ve been watching on eBay this way, starting with this beauty: Webster Young, For Lady, Prestige 7106. This was an original pressing with the yellow label and New York address and it looked to be in almost pristine condition, with a promo stamp on the back cover and the original rice paper inner sleeve. This one sold for $648.80. I remember once having a duplicate of this record and offering it to a dealer, who offered me $35 for the copy and was insulted when I refused to sell it to him. That was pre-eBay, of course.

The other nice Prestige we were watching wound up not selling: Elmo Hope, Informal Jazz, Prestige 7043. This was an original New York pressing in at least VG++ condition for both the record and the cover. The top bid was $477, which failed to meet the dealer’s reserve price.

This one broke into the $1,000 bin, again: Lee Morgan, Indeed, Blue Note 1538. This was an original Lexington Avenue pressing and it was listed in VG+ condition for both the record and the cover. It sold for $1,358.77. Also entering the $1,000 bin, again, was:

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Jazz Vinyl: Jackie-ing, Hope and McGhee

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Here’s some jazz vinyl we’re watching now on eBay. Jackie is back: Jackie McLean, The New Tradition, Ad Lib 6601. This one is from a reputable seller and is listed in VG+ condition for both the record and the cover. VG+ is always a risk, but this one is play-graded and sounds like it is in pretty good shape. The bidding has already topped $1,000 on its way to . . . . we’ll see. Also on eBay now is one of my favorites, Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This looks to be an original pressing with the West 63rd address, deep grooves, RVG, ear. It is listed in M- condition for the record and VG++ for the cover. Start price is $650 and, with a day to go, there are no takers so far. For a high start price like that, I think most buyers would appreciate pictures of the labels, for what it’s worth, although I’d be OK bidding on this record if I was inclined to pay that high a price for it in any condition, which I’m not.

This one is tempting:

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Jazz Vinyl Update: Saxophone Colossi

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Let’s catch up on some of the rare jazz vinyl we’ve been watching on eBay, starting with: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing with some very nice pictures. The seller provided very little information and he had less than 30 feedbacks. Still, the record sold for $1,247. Here’s another copy of Saxophone Colossus that sold at around the same time from a well known and highly regarded seller. This one was listed in VG condition for the record and VG+ for the cover. It sold for $1,050. Interesting that the prices were so close, despite the disparity in the condition. Shows the value of knowing the seller, either from experience or just by brand name, even on eBay.

This one was interesting as well: Joe Henderson, In ‘N Out, Blue Note 4166. This one certainly looks like an original, with the mono cover, New York USA labels, etc. But the seller never makes mention of the ear in the deadwax, so you do wonder. It looks to be in VG++ or M- condition for the record and cover, and it certainly looks cool with the original shrink wrap and price. It sold for  $511.01, so someone must have been pretty sure, or quite hopeful, that  there is an ear in the deadwax.  This is the second highest price we’ve ever seen for this record in the Jazz Collector Price Guide.

Catching Up: Blue Notes, Prestige, Clef

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Let’s catch up on some odds and ends jazz vinyl we were watching last week:

First one of the heavyweights: Lee Morgan, Indeed, Blue Note 1538. As noted this was an original Lexington Avenue pressing. This one looked to be in M- condition for both the record and the cover and was described by the seller as “museum quality,” which is an interesting term we don’t see very often. We predicted that this one would make the $2,000 bin and speculated that it would perhaps even hit the $3,000 bin. It sold for $2,450.

Another really nice one that fetched top dollar: Lou Donaldson, Lou Takes Off, Blue Note 1591. This was also an original pressing, also in M- condition for the record and the cover, also described as a “museum copy.” It sold for $766.99, which is the top price we’ve seen for this one in the Jazz Collector Price Guide.

I’ve never seen this cover on this record:

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Jazz Vinyl Update: Jackie, Mobley, Burrell, Warhol

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Here are some recent jazz vinyl sales that we somehow missed. This one is among the rarest of the rare and collectors seem to covet it regardless of condition: Jackie McLean, The New Tradition, Ad Lib 6601. This one was in VG condition for the vinyl and VG- for the cover. It sold for $688.

Hank Mobley, Mobley’s Message, Prestige 7061. This was an original pressing with the New York address. The record was in VG++ condition and the cover was VG++ as well. The price was $665. I remember this as one of the few collectibles for which I paid top-dollar at Dayton’s back in the early 1980s. In those days, top dollar for this was about $80, and psychologically, that was a tough hump to get over for me, but I spent it. Then, I wound up selling it a few years later for about $200 and my copy now is a Japanese pressing.

I would have thought this next one would have fetched a lot more money, but the listing was a little confusing and the condition of the cover wasn’t described:

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Labor Day Blues: Kind of Blue, Candy, Monk & Sonny

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Here’s some jazz vinyl we’ve been watching over this Labor Day weekend here in the U.S., the nominal end of summer:

Miles Davis, Kind of Blue, Columbia 1355. This was an original promo pressing with the white and red label and six eyes. For the most part, promo copies of jazz records don’t necessarily add to the value. With Kind of Blue, however, that is not the case: We usually see the promo copies selling for a premium. I can understand why: It looks way cool and has the smell of authenticity of an original pressing. This copy was in M- condition for both the record and the cover, with a very nice picture, and it sold for $555. There were 31 bids. quite a high number.

There’s been a lot of chatter on the Jazz Collector site about the auction last week by the seller bobdjukic, who always seems to generate a lot of interest, partly because of his extensive use of hyperbole but moreso, methinks, because of his ability to generate high prices. Here are a couple of his auctions we were watching:

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Jazz Vinyl: Two for the $1,000 Bin, Plus A Couple More

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Been away from my posting for a few days. Trying to get back into the swing of things, but there were a couple of days of hurricane delays, plus the lovely Mrs. JC is on vacation. Anyway, I vow once again to be posting more regularly, starting today with some jazz vinyl we’ve been watching on eBay.

Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original New York pressing. The record was described as M- condition and the cover looked to be at least VG++, perhaps M- depending upon your grading system. This one sold for $1,536. We’ve seen this one sell for more than $2,000 several times in the Jazz Collector Price Guide, and once approach $3,000. So perhaps this is a bargain, or perhaps it’s just where the market was on this particular day. The item did have more than 400 page views, which is a significant amount.

Here’s a Riverside that did quite well for the seller, which was Euclid Records: Wynton Kelly Piano. Riverside 254. This was an original Blue label pressing with the deep grooves. It was in M- condition for both the record and the cover. The price was $710. Nice cover on this record, right? Straight from the ’50s.

So this next one made the $1,000 bin after all:

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Updates From The Jazz Record Center Auction, Part 2

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We did promise a Part 2 of our post on the recent auction from The Jazz Record Center, so here goes (apologize for the delay):

Why isn’t this record worth more: Thelonious Monk and Sonny Rollins, Prestige 7075? This was an original New York pressing. The record was in M- condition — nearly new — and the cover looked like it was at least VG++, maybe better. It sold for $192.50. I happen to think this is a terrific album. I love Sonny’s interpretation of The Way You Look Tonight. When I was first getting into jazz I used to compare this version to the Stan Getz version on Stan Getz Plays and it took me a while to reconcile not only that it was the same song, but that it was even the same instrument. My ears are obviously much more sophisticated now, but at the time the difference in approach seemed so stark. And I liked both versions. Anyway, I repeat my query: Why is this great original Prestige, featuring two of the geniuses of modern jazz, not even a $200 record?

This has always been one of the rarest and more expensive of the Riversides, for good reason: Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing and it was in M- condition for both the record and the cover. It sold for $765. It’s the presence of Sonny Clark with Rollins that makes this one so sought-after, no?

Now for a few Blue Notes:

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Updates From The Jazz Record Center Auction, Part 1

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So the auction from the Jazz Record Center ended the other day and here are some of the results of items we were watching:

Sonny Rollins, Tenor Madness, Prestige 7047. This was an original pressing with the yellow label and New York address. It was listed in mint condition, not mint minus but mint, and the cover was probably M-. This one sold for $1,080. As loyal readers will know, this is one of my favorite records — really, with Coltrane and Rollins together for the only time, how could it not be a favorite — and it is a record of which I own two copies, a New York pressing in VG+ condition and a pristine New Jersey pressing. When I listen I always put on the New York pressing in VG+ condition. Why? Because it’s the original and the occasional pops and clicks are part of the charm and the passion, of course.

I always keep an eye out for this because it’s one of my favorite jazz collectibles, non-vinyl category: To Bird With Love. This is a book published in France by Chan Parker and Francis Paudras. It is a gorgeous book and it so obviously lives up to it’s title, as it is a loving tribute to Bird, with photos, letters, contracts and just about everything you could ever imagine. I bought a copy when it first came out and it’s something I’ve always treasured and often go back to, just to look through it and re-capture the magic of Bird: Especially with one of the Dials or Savoys on the turntable. This copy of the book was in mint condition and sold for $266.66. Someone will be quite thrilled, I’m sure.

 

 

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