eBay Watching: Blue Notes, Prestige

Which jazz vinyl shall we watch on eBay today? Here’s a few of note.

This one is quite tempting to me, since I do not own an original: Mal Waldron, Mal/2, Prestige 7111. This looks to be an original New York pressing and it has the presence of John Coltrane. The record looks to be what I would grade as VG++ and the cover is M-. There are a few days to go and the price is in the $150 range. When I see records such as these I have to remind myself that I am getting rid of records, not acquiring them. It is a tough sell to myself, however, since the joy is in the hunt.

This one is also strangely tempting to me, even though it is not an original: Sonny Clark, Sonny’s Crib, Blue Note 1576. The copy in my collection is a black and blue Liberty stereo. Yuch. This one is not an original because it doesn’t have the deep grooves, but at least it has the West 63rd Street address. It wouldn’t give me the creeps every time I would look at it in my collection. But, alas, the start price is about $400 and that’s a little too steep for me for a non-original, even a great record like this in beautiful condition.

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High Prices Yes, But Not as High As Before?

It’s been a few days since I’ve been on eBay or posted on Jazz Collector. So many records, so little time. Here’s an update on some of the ones we were watching last week:

The Jazz Record Center seemed to do well with it’s most recent auction, although careful scrutiny would suggest that prices are down from previous expectations. That copy of Tommy Flanagan Overseas, Prestige 7134, sold for $1,891.88. Last year at this time we logged two copies of this in the Jazz Collector Price Guide at more than $2,000. Miles Davis Volume 3, Blue Note 5040. This original 10-inch LP was in M- condition for both the record and the cover and sold for $565. Art Blakey, A Night at Birdland Volume 2, Blue Note 5038. This also looked to be in M- condition. It sold for $359. One more: Sonny Rollins Plus Four, Prestige 7038. This was an original New York pressing with the frame cover. The record looked to be in M- condition and the cover was probably around VG++. The price was $345. In my view, somebody got a bargain on this one.

There was also that other copy of Conte Candoli, Cool Gabriels, Groove 1003 in VG++ to M- condition. It looked for a while that this one might go cheap, but it sold for $1,705, which, given this one’s condition and recent prices of other copies, was cheap, relatively. This one, of course, has the Andy Warhol cover.

Jazz Record Center Auction: Blakey, Clifford, et al

Our friends at the Jazz Record Center have a new auction going this week and it’s always fun to watch their items to get a good gauge on the market. So far, it looks like a little bit of slow going. Here are some of the items:

Art Blakey, The Jazz Messengers at the Cafe Bohemia, Volume 1, Blue Note 1507. This is an original Lexington AVenue pressing with the deep grooves, frame cover, flat rim. It looks to be in M- condition for the record and probably around VG+ for the cover. The start price on this is $100 and as of now there are no bids at all. No bids on this one yet either: Clifford Brown Quartet, Blue Note 5047. This is an original 10-inch pressing that looks to be in M- condition for both the record and the cover. The start price is $250. This one, no surprise, is getting some action: Tommy Flanagan Overseas, Prestige 7134. This is an original pressing that looks to be in M- condition for the record and at least VG+ for the cover, but more likely VG++ to M-, depending upon how you look at things. This one is already more than $1,000 and I’ll be surprised if it doesn’t make the $2,000 bin, but I won’t be shocked, since this seems like a bit of a soft time in the market.

eBaying: Overseas, Boats and Blue Notes

Lots of jazz vinyl to watch on eBay, as usual. Here are a few of the ones we’re watching:

I’ve never owned an original pressing of this: Tommy Flanagan Overseas, Prestige 7134. Aside from the regular availability of this record on eBay, I’ve only had a couple of chances to actually hold this record in my hand and pay cash for it. Once, the price was just too high and the second time was a few years ago, I had a chance to buy a collection and this was one of the records. The whole collection was probably about $3,000 and I could have made up a good portion of it by just selling this record, but there weren’t enough other gems to make it worthwhile. I’m still looking for a copy and expect to find one someday at a reasonable price, but this won’t be the one. This one is in VG+ condition for both the record and the vinyl and is already at $1,180. I see that the seller is located near me, so, if you’re out there and a reader, perhaps we can do some trading one of these days.

My son graduated from his masters program at Brown so I don’t get up to Providence as much as I used to, but I see my friend Steve at Round Again Records has found a nice collection and is posting some of them on eBay, including these gems:

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eBaying: Miles Test Pressing, Dolphy, Roy Haynes

Here’s an interesting one: Miles Davis Volume 1, Blue Note 1501. This was a test pressing, no cover. What’s makes it cool, in my view, is the original Plastylite logo and the date, which looks to be  12-5-55. Seems pretty original, no? This one was listed in excellent plus condition and sold for $1,025. In the past I’ve owned several test pressings and, while they’re nice to have, I’ve always missed having the covers. This, I think, would have been an exception, but not at that price. Speaking of prices, that copy of Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024, sold for $495 the other day and, no, I was not the winning bidder. As Mrs. JC and I are starting to explore downsizing once again and moving to Manhattan, I am much more of a mind to be selling rather than buying these days.

This one got a high price, all things considered: Eric Dolphy at the Five Spot, New Jazz 8260. If you click on the link you’ll see what I mean: The record and cover were both listed as VG+, but there seems to be a pretty nice amount of ringwear on the cover, so I guess I’d be a bit skeptical. The winning bidder apparently was not. It sold for $535.

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Andy Warhol Jazz Covers Keep Rising, But . . .

Other than the Andy Warhol covers, which seem to be going out of sight, I’m sensing some softness in the market these days. Not sure if it’s because of what’s going on in Japan or just the usual ebbs and flows of prices, often dependent upon who is on eBay and who is not on eBay. In any case, let’s start with the Warhols. I’ve never seen this one at this price: Count Basie, RCA 1112. This is in VG++ to M- condition for the record, but only VG for the cover. Still, it is already close to $350 with several hours to go. This one looks quite familiar: Conte Candoli, Cool Gabriels, Groove 1003. Methinks this belongs, for now, to Rudolf, correct? If so, I think it will finally sell. There are five days left on the auction and it is already more than $1,000.

So why am I mentioning potential softness in the market? Here are a few examples, perhaps not a trend, but examples nonetheless. Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This is an original West 63rd deep groove pressing in M-/VG++ condition for the record and M- for the cover. Hard to find this record is such nice shape and it has sold for more than $1,000 previously in the Jazz Collector Price Guide. This one has a start bid of $300, it closes tomorrow, and there are no bidders. Hmmm. I can use an upgraded copy for my collection.  Or perhaps there are many snipers lurking in the weeds for this.

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Updating the $1,000 Bin & A Few More

Here are some $1,000 and near-$1,000 records we missed:

Kenny Dorham, ‘Round About Midnight at the Cafe Bohemia, Blue Note 1524. This was an original pressing that was listed in M- condition for the record and excellent condition for the cover, which is, what, VG+, VG++? This one sold for $1,315.

People have already commented on this one elsewhere on Jazz Collector, but it seems reasonable to me, given the state of the Blue Note market: Cannonball Adderley, Somethin’ Else, Blue Note 1595. This looked like an original pressing and was in M- condition for both the record and the cover. It sold for $1,250.

This one came from the bobjdukic batch and, given the condition, sold for a fairly whopping price tag: Lee Morgan, Indeed!, Blue Note 1538. It was listed as “insanely rare” (of course), but it was also listed in VG to VG-minus condition for the vinyl, which would definitely indicate surface noise. The cover was VG+ and the price was an even $1,000, which, I suppose, is a sign of something  to conspiracy theorists.

Here was an original copy of Sonny Rollins, Saxophone Colossus, Prestige 7079, the barely missed the $1,000 bin. This looked to be in VG+ or VG++ condition for the vinyl and probably around VG+ for the cover. It sold for $948,

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Tracking eBay: The Cats, Blue Notes, Cannonball

Before we look ahead at the coming week, let’s look at some of the jazz vinyl we were watching last week:

Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the purple label and the deep grooves. It features John Coltrane. I haven’t listened to this record in a few years, but my recollection is that it’s not among Trane’s better efforts, but I should go back and check again. Nevertheless it is a New Jazz and it is Trane and Flanagan and it is thus an important collectible. This one was listed in excellent condition by the seller, which I took to mean about VG++. The price was $404.99.

This one was from the same seller and also looked to be in excellent VG++ condition: The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing and sold for $869.99.

Speaking of Blue Notes, as we so often do at Jazz Collector, here are a couple of 10-inch Blue Notes we were watching:

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Catching Up: More Warhol Madness

Time to catch up on some jazz vinyl sales on eBay:

This one made the $1,000 bin with plenty to spare: Conte Candoli, Cool Gabriels, Groove 1003. This was an original pressing and, of course, the main feature is the cover illustration by Andy Warhol. The record was VG-, the cover had splits on the top and the bottom, yet it still sold for $1,825. The Warhol market is driving these prices quite high, but this one seems to do even better than the Blue Notes in better condition. It must be harder to find? Or perhaps the Warhol collectors are more enamored with the artwork?

This one was not an original pressing, at least not in the way we think of originals as “first” pressings: Sonny Rollins Volume 1, Blue Note 1542. This one had the West 63rd Street address, plus the deep grooves and ear and all the other markings of an early pressing: But a first pressing would have had the Lexington Avenue address. This one was in VG++ condition for both the record and the cover and it sold for $334. Quick question: I know most collectors prefer Blue Notes over Prestiges in general but, musically, to me the Sonny’s on Prestige are far more preferable and inventive than the Blue Notes. How do other collectibles feel about this?

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Tracking Prices in an Alternate Universe

Let’s catch up on some of the jazz vinyl we were watching last week. Remember that copy of Miles Davis, Steamin’, Prestige 7200, pictured a few items below?   That was the one from bobjdukic and it was in M- condition, an original New Jersey pressing? It sold for $760. Wow! I’ll put it in the Jazz Collector Price Guide, but it’s hard to imagine that this will now be the going rate for this record. This guy seems to have a customer base that’s in an alternate universe from the customer base buying jazz vinyl from every other seller on eBay. There are many examples, but look at this one as well: Stan Getz, Imported From Europe, Verve 8331. This isn’t even an original pressing and he was able to get $122.50 for it. It leaves me somewhat speechless, but someone, somewhere, was willing to pay the price.

This is from a different seller and more in line with current market realities: Duke Jordan, Flight To Jordan, Blue Note 4046. This was an original pressing with the West 63rd label, deep grooves, ear, etc. It was listed in M- condition for the record and VG+ for the cover. It sold for $741.

This is a nice record:

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