Ramblings, Records and Rancor, Oh My

In my real life I’ve been writing what we call an “eBook” for a client. Basically, it’s a long term paper of about 5,000 words. The topic is climate change and, if you want to get really depressed, read the latest report from the United Nations. Anyway, I share this because being buried in work has left little time for the important things in life, like Jazz Collector and, lo and behold, in my absence there are 55 comments, and counting, on the latest post. Surely, they can’t all be about getting happy with Freddie Redd and Jazz Collector, so I am curious about what is going on to inspire such interest and, perhaps, inspiration. So, pardon me while I catch up. Hmmm, now I see that there was a personal, and in my view entirely unfounded attack on Clifford from a new commenter named Gohoos81, who has since apologized and rambled to the point where I am having trouble deciphering whether this was a real diatribe or an attempt to spam the site. Whatever. I see there has been enough pushback without me having to waste more time worrying about it. But Gohoos81, if you are still here, you may find that there are other sites where the community is more welcoming of your rancor and bluster, but you don’t seem to have a very welcoming audience here, including your usually amenable host. Read more

Records and Record Setters

To pick up here I left off yesterday, here is Freddie Redd Quartet with Jackie McLean, The Connection, Blue Note 4027. This was an original West 63rd Street pressing with the deep grooves, ears, etc. The record and cover were both listed in M- condition. The record sold for $1,525, which has to be a high for this record as I open a window to Popsike and . . . . it is, indeed, nearly doubling the previous high price for this record. Here’s another record that seems like it may have set a new record: Bennie Green, Soul Stirrin’, Blue Note 1599. This was listed in VG+ condition for both the record and the cover. The final price was $969. Indeed, according to Popsike, that is a new record high, quite a feat considering the condition. Surely, there have been M- copies of this record in the past. Read more

Random Vinyl with Random Musings

Time to clean out my watch list in time for the holiday weekend. Some of this stuff goes  back a few weeks (or more) but I kept them in the queue thinking that someday I would do exactly what I am doing now. Here goes, starting backwards, from May there was Howard McGhee, Dusty Blue, Bethlehem 6055. This was an original mono pressing that was listed in VG condition for the record and G for the cover. It was in pretty bad shape, yet it sold for nearly $500. I don’t understand what it is about the record or condition that warranted that kind of price, with a bidding war to boot, so perhaps someone here can elucidate me. Read more

$hade$ Of Redd

Well, whaddya know: Freddie Redd, Shades of Redd, Blue Note 4045. This was the one we mentioned the other day from our friend Rudolf. Mint condition, original pressing. The speculation was that this would be the one to break the $2,000 barrier. Indeed. It sold for $3,551.50. Guess I got my copy just in time. Rudolf, could you ever have imagined that your jazz records would bring this kind of annuity? How about this one: Joe Henderson, Page One, Blue Note 4140. This was an original mono New York USA label. The record was listed in EX+ condition and the cover was EX. The final price was $941. Read more

Outward Bound, I Wish I Was

Today we have some random jazz vinyl we are watching on eBay, starting with a pair of Dolphy New Jazz LPs: Eric Dolphy, Outward Bound, New Jazz 8236. This looks to be an original purple label pressing with the deep grooves. The record is in VG condition and the cover is VG+. The auction closes in a few hours from when I am posting this, with a start price of about $300 and no bidders. The seller does mention “surface sound” during some soft passages, so that may be scaring away potential bidders. Great album with a great cover. The same seller has Eric Dolphy, Out There, New Jazz 8252. This also looks to be a deep groove purple label original. Same condition as the other, VG with surface sound for the record and VG+ for the cover. This one has bids and is currently in the $200 range. Read more

Patterns, Icons and Socks

Here are some of the items in our eBay watch list, starting with Gil Melle, Patterns in Jazz, Blue Note 1517. This looked to be an original Lexington Avenue pressing in M- condition for the records and VG++ for the cover. The final price was $2,716. That is the highest price ever recorded for this album, according to Popsike. I own a Japanese pressing of this LP and, frankly, I’ve never listened to it, but somehow I get the sense that it is the label and not the music or the artists that makes this record so coveted among collectors. Maybe next time I get a chance, I’ll put it on the turntable. FYI, the highest price for any of the Melle Prestige records was $544 – and that wasn’t even the one with Kenny Dorham, Gil’s Guests. That one has had a top price of $381. Read more

Sonny Rollins Plus Four, Plus Two More

Catching up on a few items we were watching on eBay, starting with Donald Byrd, Byrd in Flight, Blue Note 4048. This was an original mono pressing with the West 63rd Street labels. The record and cover were both listed in VG+ condition. The final price was $766. Given what we’ve seen in the market lately, I expected a higher price. In mint condition this record has sold for as much as $1,712, according to Popsike, and has surpassed $1,000 nearly 10 times. Read more

Digging Deeper Into the Jazz Collector Collection

I was perusing eBay this morning and came upon: Sonny Rollins Plus Four, Prestige 7038. This is an original New York yellow label pressing with the first cover. The record is listed in VG++ condition and the cover is VG. The bidding is in the $315 range with more than a day left on the auction. One of the reasons I saved this record on my watch list was to remind myself that, prior to my recent road trip, I had planned to write a post talking about records I had recently been enjoying, and this was among the foremost – or should I say, Fourmost? – on the list. So here is that record, and here is that post. Read more

Miscellaneous Music and Musings

Back from a road trip that took me from The Berkshires to Chapel Hill to DC to New York and back. Didn’t stop in a single record store along the way and returned home to find that there are now two new record stores a few hundred feet apart in the little town of Great Barrington near my home. One of the record stores opens next week, the other opened this past weekend. I stopped by the one that has opened and it has the feeling of a guy clearing out his house, basement, garage and attic of a lot of stuff. But there were definitely records to view and buy, particularly if you are into vocals. I came upon a lot of Ella Fitzgerald and Sarah Vaughan, but I can’t vouch for the conditions. As of now, there is no organization to the store, everything seems to be thrown in at random. I did find three 10-inch records to buy: Lars Gullin on Vogue, James Moody on Emarcy and Frank Rosolino on Capital. They seemed in decent enough condition at the store, but when I took them out of the car I realized I would have to sneak them into the house because they smelled of mildew. I may go back to check out the store again, but I’ll be careful. Maybe next time I’ll take off the mask so I can make use of my sense of smell before buying anything. As for the other store, I’ll check it out when it opens and get back to you with a report.

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Catching Up: Blue Notes and Prestige

Sorry for the long gap between posts. I spent a week in New York and when I got back I began a major record reorganization project to clear space in the house, which has resulted in me moving 2,000 records and my entire Downbeat collection into storage for potential sale and/or donation. I imagine that sentence may pique some interest, so feel free to email me if you have questions. The time is ripe: I’m in a purging frame of mind, and who knows how long that will last? Anyway, I’m back on eBay once again and, as always, watching jazz vinyl for sale, starting with: Sonny Rollins and Thelonious Monk, Prestige 190. This is an original 10-inch LP, listed in VG++ condition for the record and VG for the cover (and what a great cover it is). The bidding is in the $240 range. Seeing this record, which I don’t own, I am wondering why Prestige chose to issue this on 12-inch in Monk’s name and not Sonny’s. Anyone venture a guess or opinion? Rudolf, our Prestige expert, any insight? Read more

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