Before creating this morning’s post, I want to point you all to the comments on the previous post (From JRC: Hank Mobley, Lee Morgan, Sonny Rollins): Our friends Rudolf and Michel have begun an interesting discussion on Blue Note versus Prestige. I happen to agree with both of them, but I’ll join the fray by posting a comment. Please take a look, and please express your opinion as well.
We were checking our email and we noticed that the Jazz Record Center is another auction coming up on eBay this week. The check out the link, click here. This one will be quite interesting to watch, since there are at least three records we expect to break the $1,000 barrier, and there are a bunch of other records that will test the softness of the market. When you have a dealer with the sterling reputation of the Jazz Record Center, you are getting the truest sense of market conditions, since bidders don’t have to worry about the veracity and credibility of the seller. In any case, among the top items being auction by Jazz Record center this week are: Lee Morgan, Indeed, Blue Note 1538. This is an original Lexington Avenue pressing. The record is M- and the cover is somewhere between VG++ and M-. The current price is $912; Hank Mobley, Soul Station, Blue Note 4031. This one looks M- all the way around and is currently at $777; Sonny Rollins, Saxophone Colossus, Prestige 7079. This is a New York pressing in beautiful condition and is currently at $521.
Here are some items we’ve been watching. I know we’ve been talking about a lull on eBay, but when you look at these prices they seem to be holding pretty steady. All of these will be entered into the Jazz Collector Price Guide as soon as I have time, probably this weekend. By the way, there are no links with these items: Most of the links have appeared somewhere on the site already.
Sonny Rollins, Newk’s Time, Blue Note 4001. This was an original West 63rd Street pressing. The record was VG+ and the cover was VG+. The price was $598.
Jutta Hipp, Jutta, Blue Note 5056. This was an original 10-inch LP in VG+ condition, both record and cover. The price was $330.
Jackie McLean, Capuchin Swing, Blue Note 4038. This seemed to be an original pressing, although the seller didn’t say anything about deep grooves. It was in M- condition, both record and cover, and
Here are some of the items we’re watching today on eBay. Things still seem slow, and it will be interesting to keep an eye on the prices of some of these.
Freddie Redd, Shades of Redd, Blue Note 4045. This is an original West 63rd Street pressing. The record and cover are both in VG+ condition. The current price is about $230. In the Jazz Collector Price Guide, we’ve seen this record sell for between $300 and $900 depending upon the condition. It’s a great record if you’re not familiar with it, featuring Tina Brooks and Jackie McLean.
John Coltrane, Hank Mobley, Zoot Sims and Al Cohn, Tenor Conclave, Prestige 7074. This is an original New York pressing with the yellow label. The record and cover both look to be in VG+ condition. The current price on this is $74.
Here’s one we’ve been watching with some degree of interest:
Miles Davis All Stars Volume 1, Prestige 196. There’s been a lot of discussion on the site about the level of interest in 10-inch LPs and how it may be waning, even among the most devout collectors. I noticed this one a few weeks ago because it’s a great record with a great cover and the vinyl was in M- condition, perhaps unplayed. The cover looked like something we would rate as VG+, with a partial seam split.
This was first up for auction a couple of weeks ago and received a top bid of $107.50, which failed to reach the seller’s reserve price. The seller put it up again this week and got a top bid of $91.03, also failing to reach the reserve price. So, could we conclude, in today’s market this is now a $100 record?
We were running out of the house yesterday and we had about 10 minutes to do a quick perusal of eBay, so we did a search of the records ending soonest with the highest prices. This is not a search we normally do, but it was interesting because most of the records that came up were records that could be purchased immediately for a Buy-It-Now price. Most of these were quite high-priced (after all, that was the search criteria), but it’s an interesting way to find something that might be at the top of your want list. In any case, we watched a few of the auction items, and were surprised to see some of the high prices, given what we’re seeing these days with our own auctions on eBay.
This one was the biggest surprise: Dexter Gordon, One Flight Up, Blue Note 4176. This was a mono pressing, New York USA, with one side deep groove. It was listed in excellent condition, record and cover, which we generally translate to VG++ in our terms. The record sold for $415.90, quite a high price for this record. We have previously followed four copies of this record in the Jazz Collector Price Guide, and it’s never sold for more than $200 in the past. Anyone have any idea why this copy would sell for such a high price in this supposedly down market? I have a NY USA stereo pressing of this record in VG++ condition, and would happily take $200 for it if anyone is interested. Seriously.
Among the other high-ticket items from yesterday, there were:
We haven’t been keeping up with the Jazz Collector Price Guide as often as we’d like, but we have a few items we’ve been watching that we’ll enter this weekend. If we get moving, we could get up to 4,000 records into the database within the next couple of weeks, which would be something of a milestone. Anyway, here are a few we’ve been watching:
Webster Young, For Lady, Prestige 7106. I’ve always loved this record, some great tenor playing by Paul Quinichette. This one was in VG+ condition, both record and cover, and sold for $296.
John Coltrane, Ballads, Impulse 32. This was an original mono pressing with the orange label and the gatefold cover. It was in M- condition, both record and cover. It sold for $113.50.
Hank Mobley, Roll Call, Blue Note 4058. This was a nice original pressing with the West
We haven’t been very active selling on eBay lately: Just life getting in the way. However, this week we found some time to clean and post a bunch of items. It’s a mixed bag, but there are a few nice ones, including:
Miles Davis, Blue Haze, Prestige 7054. This is an original New York yellow label Prestige. It’s in VG+ condition, and sounds quite nice. We put a start price of $30 and it’s already received a bid, so we expect there to be some action.
We also put up a nice-sounding original copy of Clifford Brown, Jam Session, Emarcy 36002. This also has a start price of $30. It’s a great record, with a lot of positive energy.
As you may have noticed on the Jazz Collector site, we’ve been going through some old Downbeat Magazines, looking for collectibles (we’re even giving one away). We’ve put a few up for sale in our eBay story, and we put a very interesting one up for auction yesterday. It is:
We’ve been watching prices for albums with covers by Andy Warhol. Here are a few more that sold recently on eBay:
Johnny Griffin, The Congregation, Blue Note 1580. This was an interesting one in that the record was listed as in only G+ or VG- condition, which means it is probably something most of us wouldn’t put on our turntables. The cover was listed in VG+ condition. It sold for $311.
J.J. Johnson, Kai Winding and Bennie Green, Trombone by Three, Prestige 16-4. This was an original pressing and a very rare 16-RPM LP. It was in VG++ condition, both the record and the cover. The price was $290.
We’re back watching eBay after taking some time off. It’s actually good to take a break every once in a while. Gives you a perspective that there are things more important than collectible jazz records. But not at Jazz Collector, so here are some items to watch:
This one’s from our friends at Euclid Records: John Coltane, Lush Life, Prestige 7188. This is an original yellow label pressing in M- condition. The current price is about $120. One of the things I’ve always liked about this record is the opportunity to hear Trane in a trio setting. This was around the time Sonny Rollins was playing with a trio and it seemed that Trane was emulating his friend and peer. Not the case, however, if you review the liner notes by Joe Goldberg, who asked Trane about why he was playing in a trio setting. Trane’s response?
