Riverside | jazzcollector.com

Catching Up: Miles, Ernie Henry, Brew Moore

January 7, 2010 Al One comment

Time to catch up on a few items we’ve been watching. It’s a little scary when the auctions of bobdjukic, which are getting quite a lot of attention from some of our commentators, are fetching higher prices than those of Jazz Record Center or Euclid. But that’s life on eBay, which tends to be a great equalizer. Anyway, both JRC and Euclid had some auctions close yesterday, with some interesting items, including: Miles Davis, ‘Round About Midnight, Columbia 949. This was an original mono pressing with the white promo label from Jazz Record Center. The record was in M- condition and the cover was at least a VG++. This one sold for $291. This is another case where I believe the promo label actually helped to boost the sale price.

This beauty was sold by Euclid Records: Ernie Henry, 7 Standards and a Blues, Riverside, Riverside 248. This was an original blue label pressing in near mint condition for both the cover and the vinyl. The price was $564.32. I think that sets a record for this LP, but

Catching Up: What’s a Promo Worth?

January 3, 2010 Al One comment

Here’s an update on some odds and ends we’ve been watching on eBay:

Zoot Sims, Stretching Out, United Artists 4023. This was an original deep groove mono pressing. It was a promo copy, with a promo stamp and the white label and it was in M- condition, for both the record and the cover. The price was $124. What do you think: Does the promo stamp enhance the value of a record for you, or detract, or neither. I recall in the world of rock albums, the promo stamp was always considered a good thing, but I’ve never heard that one way or another in the jazz world. Which leads me to this LP: Bill Evans, Waltz For Debby, Riverside 399. This was an original pressing with the white promo label. The record was

Now on eBay: Webster on Verve, Evans Promo

December 28, 2009 Al Leave a comment

I’m a big fan and collector of the Verve label — as well as Norgran and Clef, of course — so it was with great pleasure that I saw this record on eBay selling for a relatively high price: Ben Webster, Soulville, Verve 8274. This looks to be in M- condition and, with several hours still to go, is already more than $200. It does not have a David Stone Martin cover, and it’s Ben Webster not Lester Young, so I’m kind of wondering what cachet the record holds that would cause it to fetch such a high price. Perhaps it’s just because it’s a nice record in excellent condition.

Also on eBay now is a rare white-label promotional copy of this record:

Price Updates: Lights Out, Zoot, Kenny Drew

December 21, 2009 Al 2 comments

Here are some of the items we’ve been watching on eBay:

Jackie McLean, Lights Out, Prestige 7035. This was an original New York pressing with the deep groove and heavy vinyl. The record was listed in M- condition and the cover was VG+. It did not have a flat edge, according to an answer to a questioner, but I’m not sure that doesn’t mean it wasn’t original. Anyway, the price was $639.49.

Phil Woods, Warm Woods, Epic 3436. This was an original pressing and it was listed in M- condition for both the vinyl and the cover. The price was $495.

Zoot Sims, Zoot, Riverside 228. This was an original white label pressing and it was listed in VG++ condition for the vinyl and VG+ for the cover. The price was $413.

Here are a few we were watching the other day:

Collectibles Anyone? Astaire, Kenny Drew Riverside

December 18, 2009 Al Leave a comment

There are quite a few interesting items on eBay now. Here are a couple:

Fred Astaire, The Astaire Story, Mercury 1001 1004. Most of you are probably familiar with this set, produced by Norman Granz in the early 1950s. There were 1,384 copies produced, all autographed by Astaire, and the set came with four LPs, a booklet with exclusive photos and a set of drawings by David Stone Martin. The music is all jazz even though Astaire was not a “jazz singer,” and the sidemen include many of the greats within the Granz stable, such as Oscar Peterson, Flip Phillips, Ray Brown, Barney Kessel, Charlie Shavers. Anyway, it is quite a nice set and used to regularly sell in the $2,000 range. Our top price in the Jazz Collector Price Guide is

Riverside

On eBay Now: Some Nice 10-Inchers, Trane, Evans

December 15, 2009 Al Leave a comment

Some of the heavy-duty jazz vinyl sellers have auctions closing in the next couple of days, so let’s see what’s coming up. We had mentioned Jazz Record Center and some of the 10-inch LPs. So far, the American 10-inch Blue Note is beating out the original French Vogue: The Gigi Gryce and Clifford Brown Sextet, Blue Note 5048, is currently at $107 with two bidders (it should sell for a lot more), while the original French Vogue, Gigi Gryce and his Orchestra Featuring Clifford Brown, Vogue 173 is at $100 with one bidder (it too should sell for a lot more). Jazz Record Center also has a few nice 12-inch LPs we are watching, including this one: Wheelin’ and Dealin’, Prestige 7131. This is an original New York pressing in near mint condition. It features an all-star sax lineup of John Coltrane, Paul Quinichette and Frank Wess. It is currently in the $300 price range.

Our friends at Euclid Records also have some nice items this week, including:

Catching UP: Kenny Dorham, Johnny Griffin

November 13, 2009 Al 3 comments

Time to catch up on some jazz vinyl we’ve been watching this week. Let’s start with a little KD: Kenny Dorham and Jackie McLean, Inta Somethin’, Pacific Jazz 41. The vinyl on this was in VG++ condition and the cover looked to be VG+. This is a nice record, but I’ve never thought of it as a high-end collectible. However, I will have to rethink that now that is has sold for $667.56. Also, there was this: Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original

On eBay: Mobley, Some 10-Inchers, Hawk & Dex

November 11, 2009 Al 4 comments

Some nice items on eBay this week. Here’s one that’s about to enter the $1,000 bin: Hank Mobley, Peckin’ Time, Blue Note 1574. This is an original pressing with the West 63rd Street address. The vinyl is listed in M- condition and the cover is a combination of VG++ and M-, which means its pretty nice either way. it is closing soon, there are already 15 bids and the price is already more than $1,000.

Also ending today is some nice 10-inch jazz vinyl from our friends at Euclid Records. Here’s one: Dexter Gordon Quintet, Dial 204. This one is listed as M- for the vinyl and VG+ for the cover. The price is only $67. Perhaps we may throw in a bid on this one, since this is a record we don’t have and would certainly like to have, even in the face of our Jazz Vinyl Countdown.

Another major seller with some major items this week is the seller jazzrecordrevival. Here are a couple they have up:

Catching Up: Miles, Cannon — What’s Going On?

October 19, 2009 Al 2 comments

Back on eBay after a couple of days’ break. Those auctions we were watching from the seller bobdjukic closed and, while we’re not looking to give this seller any undue publicity, we are quite fascinated with the prices he is somehow able to obtain — even higher than top dealers such as The Jazz Record Center and Euclid Records. We will give a few examples: This one we noted before: Miles Davis, Birth of the Cool, Capitol 762. This is an original British pressing, not even an original U.S. issue. It was listed in M- condition for both the record and the cover and sold for an astounding $812.15. I recently sold a beautiful mint U.S. pressing of this record and was happy to get close to $100 for it. Is there something about the British pressing we’re not aware of? Doubt it, but somebody out there in the Jazz Collector world will know if there is. The other thing is, look at this quote from the seller’s description of Birth of the Cool:

Jazz Vinyl Countdown: Benny Golson On Riverside

October 12, 2009 Al 6 comments

This is one of our favorite records: Benny Golson, The Modern Touch, Riverside 256. It is a very nice sextet recording from 1957 with an all-star lineup: Kenny Dorham on trumpet; Golson on tenor; JJ Johnson on trombone; Wynton Kelly on piano; Paul Chambers on bass, Max Roach on drums. Love Dorham’s playing on this LP, JJ as well, and the arrangements are solid. It’s also one of those records on which both sides are equally good and listenable. We highly recommend it and we know we are going to keep it in our collection. The issue, however, is this: We have both an original pressing of this record on Riverside as well as a reissue on Jazzland: Reunion, Jazzland 85. The reissue is in a little bit better condition and, to be honest, they both sound about the same to us on our equipment. So which to keep, the one in better condition or the original?

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