Category: Riverside

Price Updates: Roy & Diz, Tal, Stone Martin, Drew

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Time to catch up on some of the items we were watching earlier in the week. We’ll do another of these catch-ups tomorrow or Monday when some of the high-tagged Blue Notes close.

We don’t often see Dizzy Gillespie among the higher-priced LPs, but here was a nice one that was sold earlier this week by Euclid records: Dizzy Gillespie and Roy Eldridge, Roy & Diz #2. This record was in M- condition, both record an cover, and sold for $145. No doubt helping the value of the LP is the great illustration by David Stone Martin.

Also featuring a David Stone Martin illustration is The Tal Farlow Album, Norgran 1047. This was also sold by Euclid and was also in M- condition. It sold for $83, not bad for a quality record like this in today’s market. Seems that within the Norgran/Clef/Verve pantheon there are still bargains to be found. Also, please take a look at our earlier post on this album Today on eBay: Tal, Drew, Kenny Dorham, True Blue. I had mentioned that my good friend Dan Axelrod was a good friend and protege of Tal, and he shares some personal insight about the album that’s worth reading.

Speaking of Kenny Drew, that copy of The Kenny Drew Trio, Riiverside 224, that

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Today on eBay: Tal, Drew, Kenny Dorham, True Blue

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We had a couple of hours to kill last night, so we did something we used to do every day: Scroll through a full 24 hours worth of jazz records listed on eBay. It was good timing, because we found some nice items for our Jazz Collector readers and one item we plan to bid on for ourselves.

Our friends at Euclid Records have a nice batch closing today, including: Kenny Drew Trio, Riverside 224. This is an original white label pressing and is listed in M- condition for both the record and the cover. The current price is $1,256, so, Kenny Drew, welcome again to the $1,000 bin. Also from Euclid is The Tal Farlow Album, Norgran 1047. This is the 12-inch version with the beautiful cover by David Stone Martin. It is in M- condition for both the record and the cover and is currently in the $60 price range. My friend Dan Axelrod, who was Tal’s good friend and protege, swears that the 10-inch version of this record offers far better sound quality than the 12-inch version. I suppose that’s why he has more than a dozen copies of the 10-inch version. Nonetheless, the 12-inch Tal Farlow Album is quite lovely to listen to and quite collectible and is certainly a worthy addition to any collection.

It always pays to read the eBay listings carefully. Here’s an example why:

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For The Price Guide: Riversides, Blue Notes

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In addition to the Dinah Washington LP mentioned below, we are adding a few more records to the Jazz Collector Price Guide today. At some point, we surpassed more than 4,000 entries in the price guide. We find it quite valuable to use in buying and selling records, and also to help establish values for insurance and estate-planning purposes. We hope you all find it valuable as well. Here are a few more additions:

Kenny Drew Trio, Riverside 224. This was an original white label pressing. The record was in M- condition and the cover was VG++. The price was $898.88.

Here’s another nice Riverside: Zoot Sims, Zoot!, Riverside 228. This was also a white label pressing, in VG+ condition for both the record and cover. It sold for $158.50.

And what would the Price Guide be without Blue Notes. Here are a few new ones:

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Waltz For Debby Hits The $2,000 Bin

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Here’s one I somehow missed: Euclid Records had a sealed copy of Bill Evans, Waltz for Debby, Riverside 9399, which sold recently for $2,034, which is definitely a new high for this particular record. The question I have is this: What does a collector do with a sealed record? If you want to listen to it (presumably) you have to break the seal, and thereby it is no longer a sealed record. So do you just hang on to it and admire it and realize it’s still sealed and find another copy for listening? These are the things we think about here at Jazz Collector.

Collecting Riverside: Some Helpful Hints

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This was posted by Michel as a comment on the earlier post “The Rise of the Second Pressing?” I’m repeating it here so it will be easier to find for anyone doing a search on Riverside. It is quite helpful, I think, for all of us to share this information, on Riverside as well as the other collectible labels.

Riverside label is complex, and tricky. Here are some points of interests:

From beginning to around 240-241-242 : “white label era” : labels are white with

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A $1,000 Bill Evans & a Few More For The Price Guide

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We’ve been quite busy selling some nice records on eBay and posting a few more, but we’ve still made time to keep an eye on some of the interesting collectibles that other people are selling. Here’s an update, all of which will be entered into the Jazz Collector Price Guide sometime over the weekend:

Bill Evans, New Jazz Conceptions, Riverside 223. This was an original white label pressing with the original cover. The cover is one of the things that makes this so collectible, since subsequent versions were released with another cover. For this copy, the record was in M- condition and the cover was listed as VG/VG+. The price was $1,136.

Phil Woods, Warm Woods, Epic 3436. This was an original pressing with the yellow label. The record and the cover were both in M- condition. The price was $555.

Helen Merrill, Emarcy 36006. This was the original pressing of this LP, which features

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For the Price Guide: Benny Green, Gil Melle, Bill Evans

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Here are a few more items for the Jazz Collector Price Guide. By the time you read this we may have surpassed more than 4,000 records listed in the guide. Not bad. Please take a look.

Bennie Green with Art Farmer, Prestige 7041. This was an original New York pressing. The record was in VG+ condition and the cover was VG+. The price was $131.50. I have a small affinity for this record: I was browsing the $25 cent bin at one of the local record stores on Long Island, and an original copy of this was sitting in there. Clearly the guy who priced jazz records was out ill the day this one arrived in the store. 

Bill Evans, Waltz For Debby, Riverside 399. This was an original blue label mono pressing. The record was VG+ and the cover was VG++. The price was $365. 

Lou Donaldson, Lou Takes Off, Blue Note 1591. This was an original West 63rd Street Read more

For the Price Guide: Duke Jordan, Dex, Jackie

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Some more for the Jazz Collector Price Guide. I’m keeping pretty busy with this stuff. 

Duke Jordan, Flight to Jordan, Blue Note 4046. This was an original West 63rd Street pressing. The record was VG+ and the cover was M-. The price was $589.90.

Leonard Feather Presents Bop, Mode 127. This was an original pressing in VG++/VG+ condition. The price was $80.

Warne Marsh, Music For Prancing, Mode 125. This was also an original pressing in VG++/VG+ condition. It sold for $68.

Dexter Gordon, One Flight Up, Blue Note 4176. This one already has received some discussion on the

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For the Price Guide: Tina Brooks, Shades of Redd

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Here are still a few more for the Jazz Collector Price Guide. This have already been logged into the database, so you can see them if you click on the price guide. 

Jutta Hipp, Jutta, Blue Note 5056. This was an original 10-inch LP in VG+ conditon, both record and cover. The price was $330.

Jackie McLean, Capuchin Swing, Blue Note 4038. This was a second pressing in M- condition. The price was $191.30.

Sonny Rollins, Newk’s Time, Blue Note 4001. This was an original West 63rd street pressing in VG+ condition, both record and cover. It sold for $598.

Here’s a real heavyweight we’ve talked about previously:

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For the Price Guide: Mobley, Trane, Griffin, Green

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I’ve been quite remiss lately in updating the Jazz Collector Price Guide. I’m hoping to get caught up in the next few days. When I do get caught up, here are some of the items I’ll be entering. None of these has a link, by the way. They are just in bold-face type.

Hank Mobley, Roll Call, Blue Note 4058. This was an original pressing with the West 63rd Street logo. The record was in M- condition and the cover was VG++. The price was $677.

Webster Young, For Lady, Prestige 7106. This was an original New York pressing in VG+ condition, both record and cover. The price was $296. Great record.

John Coltrane, Ballads, Impulse 32. This was a mono pressing in M- condition, both

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