Jazz Vinyl Auctions for the Road (And Beyond)

I’ll be off line for the next week so I won’t be able to post. Not that it will be any different than a normal period between posts, but this time my absence will at least be planned. Everything’s fine. Just enjoying a little holiday. In the meantime, I will leave you with a large batch of records to watch so you can all comment to your heart’s content. Let’s start with one of the records that would still be on my want list, if, indeed, I had a want list: Sonny Rollins Plays, Period 1204. This looks to be an original deep groove pressing listed in M- condition for the record and EX+ for the cover. Bidding is in the $200 range with almost three days left on the auction. I have no idea how this record has eluded me all these years, but it has. Read more

Booking

Sorry, yet again, for the long gap between posts. Been very busy around here. Plus, my computer crashed for a few days. Very disconcerting, when you are wondering whether you are going to be able to recover all of your files and settings, which I was able to do, fortunately, with tremendous online support from Apple. Now that we’re safely back in action, let’s catch up on some of the stuff we were watching on eBay before we were so rudely interrupted, starting with Booker Ervin, Groovin’ High, Prestige 7147. This was an original blue label mono pressing that was part of the Jazz Record Center auction we were watching. The record and cover looked to be in M- condition and the final price was $360, which was a new high for this record, according to Popsike.  I am somewhat surprised to see the demand for these blue label Prestiges to have increased so much in the past few years, but I am also pleased to see it for a player like Booker Ervin, who, in my view, is quite underrated and always produced some very nice records. Read more

Four For The New Year

Happy New Year. This week we are watching a new auction from the Jazz Record Center in New York. Seems like the seller Carolina Soul has become the predominant seller of rare jazz vinyl on eBay in the past year or so, but the Jazz Record Center is still a gold standard as far as I’m concerned. This week, we have a couple from Kenny Dorham, starting with Kenny Dorham, Quiet Kenny, New Jazz 8225. This looks to be an original pressing that would probably be in M- condition for the record and cover, were it not for a drill hole through the cover and label. The item is new to eBay and doesn’t close for more than six days. The starting bid was $1,000 and there is already one bidder.  Also, there is Kenny Dorham, ‘Round About Midnight at the Café Bohemia, Blue Note 1524. This is an original Lexington Avenue pressing that looks to be in M- condition for the record and probably VG++ for the cover. Very nice copy, I’m sure. Like Quiet Kenny this auction closes in more than six days and already has a bid at $1,000. Read more

Condition is Still Critical . . . Isn’t It?

Let’s look at some random jazz vinyl we are watching and have been watching on eBay, starting with Joe Henderson, Page One, Blue Note 4140. This looked to be an original pressing, listed in VG or VG+ condition for the record and G+ for the cover with water damage on the bottom. There were 13 bidders for this record and the final price was $439. From the same seller there was Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original West 63rd Street deep-groove pressing, listed in VG+ condition for the record and VG for the cover. The final price was $2,475. Over the years, when people have contacted me for advice about selling their collections, I have always emphasized the importance of condition. While it is still of great import, of course, it seems that there has been a shift in the market and collectors are more willing to pay high prices for records in less than great condition. We’ve all been noticing this for a while, I’m sure, so it probably requires an adjustment for those of us buying or selling records to be aware of this pretty fundamental change in what jazz collectors are looking for these days. As with most trends, you wonder if this one will last and will become kind of a new standard in our little world of jazz collecting. Read more

Playing Favorites

No sooner did I empty the Jazz Collector eBay watch list did I fill it up again, starting with two of my all-time favorite records from the same seller: Sonny Rollins, Tenor Madness, Prestige 7047. This is an original New York yellow label listed in M- condition for the record and probably VG+ for the cover, based on the description and the pictures. Maybe VG for the cover. I know the seller and he is very reputable. The auction closes in about three days and the start price is about $450 with no bidders yet. Another of my favorites from this seller Benny Golson Sextet, The Modern Touch, Riverside 256. This looks to be an original pressing with the blue label and small logo. The record and cover are both in M- condition. This one also closes in about three days, with a start price of about $250 and no bidders . . . yet. Both of these records will sell, if not to anyone else then perhaps to me. Yes, I have copies. But the M- Golson is a strong upgrade for one of my top records. Love the arrangements and all the playing, especially an impeccable Kenny Dorham. Read more

How Many Original Copies of Rare Jazz Vinyl Have Survived (and Other Existential Questions)

Let’s check out the Jazz Collector watch list on eBay, starting with Introducing Lee Morgan, Savoy 12091. This is not an original pressing. It has the maroon label with no deep grooves. I was fooled at first because the label looks red in the pictures, but the seller is very clear about what it is. Also, it’s not an original Savoy cover, with the white frame. It is in nice condition, graded M- for the record and near mint for the cover. The auction closes today and the bidding is in the $400 range. Read more

Explorations in Jazz Vinyl

I had some time a few evenings back to sit down and listen with The Lovely Mrs. JC. With my wife, I know I can’t go wrong with Bill Evans and I put one of my favorites, Explorations, on the turntable. The music was great of course, but there were some ticks and some static in my copy that were just a bit annoying. To me. The Lovely Mrs. JC didn’t care, or didn’t notice. Anyway, my immediate thought was this: I have to get a better copy. But you look on eBay and you’re easily talking $500 or more for a clean copy. I can afford it, but I still have some very old and some would say very dated notions about how much I am willing to pay for a record. Read more

Another Pretty Nice Batch of Sides

As I’ve been perusing eBay since my return from vacation, I’ve been randomly filling my watch list with items to write about for Jazz Collector. And as I’ve been doing that, I am finding that most of the records I’m saving this week have a common seller, which would be Carolina Soul.  I’m a little bit in awe, and a little bit in envy, of the huge collection of Blue Notes, Prestiges and others they have up for auction this week. Not sure if the awe/envy is about the money that will be coming their way in just one week’s worth of auctions, or if it’s the fact that they seem to have a virtually endless supply of interesting/collectible jazz records. Anyway, here are some of the items in my queue, starting with Thad Jones, After Hours With the Prestige All-Stars, Prestige 7118. This one caught my eye because of the cover: I have a copy of this record with the New York yellow label and a different cover. My cover has a generic picture of a city nightscape. This cover, as you see, has a picture of Thad and (I think) Frank Wess. With Prestige it’s challenging to figure out which cover came out first and why they would change it so quickly after the initial release of the record. If I were to guess, I would say the cover I have would be the first cover, but that is just a guess. The reason is that the orange cover has The Prestige All-Starts underlined and that strikes me as an idea that a marketing person would come up with as a way to boost sales by making a slight adjustment to an existing product. In my real job, I spend way too much time talking to marketing people, so I could be completely wrong. Rudolf will know for sure which was first, as will others out there in Jazz Collector World. Anyway, this copy is probably in VG condition for the record and VG+ for the cover. Bidding is in the $125 range, with four days left on the auction. Read more

“A Pretty Nice Batch of Sides”

Let’s turn this one over to our friend Japhy, who sent me the following note under the subject “New Trombone, New High!”

“Heya, Al, just randomly nosing around eBay and noticed a few records, all from the same seller. Not one of the more-known sellers we talk about, but the guy recently sold a pretty nice batch of sides for some hefty sums. Included in those were Curtis Fuller New Trombone, Prestige 7107, which at $1,259 set a new record, and also a Riverside white label Monk Plays Ellington, which, at $1,077, was the third highest ever, according to Popsike. Read more

A Hot and Heavy Threesome

It’s pretty rare for me to come across a rare jazz record on eBay whereby I had never heard of either the artist or the record. Here’s one: The Mike Taylor Quintet, Pendulum, EMI Columbia 6042. This is an original 1966 UK pressing listed in EX+ condition for both the record and the cover. A quick eBay search tells me that I probably should have heard of Mike Taylor because of his association with Cream as a songwriter. But I don’t know his music and his story seems quite tragic: drowning in the River Thames at the age of 30 following years of heavy drug use and homelessness. Anyway, the bidding for this record is pretty hot and heavy, with the price already at $2,100. Read more

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