Category: Riverside

Some New Items For the Price Guide

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Sorry I haven’t posted since yesterday morning. I’ll do a couple tonight to catch up. Meanwhile, I’ve been updating the Price Guide with some new entries. Here are some of the items I’m putting in, no links, just the items and their prices. Keep an eye on the site for a view of upcoming eBay items as well as a review of what happened over the weekend.

Dave Bailey, Reaching Out, Jazztime 003. This was an original pressing in VG+/VG+ condition. Price: $348

Bill Evans, Sunday at the Village Vanguard, Riverside 9376. This was an original stereo pressing with the black label in M-/VG++ condition. Price: $296 Read more

Catching Up on eBay

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Time to catch up on some of the items we’ve been watching on eBay:

We predicted this record would sell for a high price, and it did: Lee Morgan, Sextet, Blue Note 1541. This was an original Lexington Avenue pressing in VG++ condition. Price: $1,325

Another high-end Blue Note: Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original pressing in M- condition. Price: $676.77

That Joe Newman LP with the Andy Warhol cover went for a bit less this week than it did a few weeks ago: Joe Newman, I’m Still Swinging, RCA 1198. Price: $57.77

Remember that Zoot record that was priced at just $30 a few hours ago. It wound up selling for $337.90: Zoot Sims, Zoot!, Riverside228. Read more

eBay Today, Sept. 30

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It’s another VERY slow day for high-end jazz collectibles on eBay. Is there something going on that we’re not aware of? Anyway, here are some interesting items of note that are closing today:

Joe Newman, I’m Still Swinging, RCA 1198. This is the one with the Andy Warhol cover. As we noted in an earlier post, this sold recently on eBay for $200. This one’s current price is $16.50.

Art Taylor, Taylor’s Tenors, Prestige New Jazz 8219. This is an original pressing with the purple label and it seems to be in nice condition. Offered by Atomic Records, which is one of the larger jazz dealers on eBay.

Zoot Sims, Zoot!, Riverside 228. This is an original pressing with the white label in nice condition. Current price is only around $30. That’s pretty low. It’ll be interesting to see how high it goes up.

Hank Mobley, The Turnaround, Blue Note 4186. This is an original pressing with the New York USA label.

Oh, and we almost forgot our own listings: 

The Complete Lee Morgan Fifties Blue Note Sessions, Mosaic MQ6-162.

Miles Davis, The Complete Plugged Nickel Sessions, Mosaic MQ10-158.

Catching Up With Some Interesting Collectibles

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Here are some interesting results from some records we’ve been watching on eBay:

Red Garland, All Kinds of Weather, Prestige 7148. This is an original yellow label pressing with the New Jersey address in M- condition. Price: $385. I’ve never quite figured out which Red Garland records sell for the highest prices, and why. So, if anyone out there has the answer, please post a comment.

Here’s an interesting one: Paul Chambers, Whims of Chambers, Blue Note 1534. What’s interesting is that this was not an original pressing: The original pressing on this has the Lexington Avenue address, and this copy had the West 63rd street address. So it was not original and it was only in VG condition, yet it still sold for $124.50.

Ben Webster, Soulville, Verve 8274. This was an original pressing with the trumpeter logo in M- condition and sold for $190.09. That’s a pretty nice price for a Ben Webster on Verve. This was sold by

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A Weekend With Jackie, Basie, Warhol, Monk

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As promised, here are a few more records to keep an eye on this weekend, as well as some sellers who have interesting items.

Jackie McLean, A Long Drink of the Blues, Prestige New Jazz 8253. I‘ve always loved the second side of this LP, with Jackie in a quartet setting doing Embraceable You, I Cover the Waterfront and These Foolish things. This particular copy of the record is an original, but not in great condition. Sometimes, if the price is right, it makes sense to bid on something like this, hoping that the record sounds better than it looks. In any case, this is a record worth looking at and it’s also worth looking at some of the other items from this seller this weekend.  A few weeks ago we wrote about a Joe Newman record selling for a high price because of a cover illustration by Andy Warhol. Now here’s another album with a Warhol cover, Count Basie, RCA 1112. This is being sold by Atomic Records, one of the largest eBay jazz sellers.

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A $1,000 Record

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You don’t see too many jazz records selling for more than $1,000. Here’s a recent Gil Melle, Patterns in Jazz, Blue Note 1517, that sold for $1,225. It helped that the record was in mint condition, was an original and was being sold by a highly reputable dealer. Back when I was doing the site regularly, there was huge discussion when a copy of Monk’s Music, Riverside 342, sold eBay for $3,061.50. Here’s what I wrote at the time: Read more

Monk’s Music: The $3,000 Question

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In our newsletter last week we re-raised the question about why a copy of Monk’s Music, Riverside 242, recently sold on eBay for more than $3,000. Here are some of the early responses:

 “Hi. Great newsletter by the way. I buy a lot of LPs from Atomic and watched that auction in disbelief. I corresponded with the Atomic crew after the auction asking them if there was something special I didn’t know about this particular LP and they said they were blown away at the price and had absolutely no explanation. My explanation is someone’s pocketbook is bigger than their brain Read more

Another Day, Another Price Barrier To Break

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I was sitting at work yesterday, taking a little break and browsing on eBay, when my friend Dan Axelrod called.

“Are you watching eBay?”

I told him I was.

“Did you see the Monk record?”

I did a quick search and there it was: A copy of Monk’s Music, Riverside 242, by Thelonious Monk. It was an original white label pressing in near mint condition being sold by Atomic Records. What was unusual about the listing was not the record itself, but the bidding. When Dan called the bidding had passed $2,000. When the record finally sold, the price was $3,061.50. It looked like a bidding war among four buyers.

Dan and I weren’t the only ones intrigued – amazed – by the bidding: This record was viewed 1,215 times, which is more than I recall for any other jazz record.

“I didn’t even realize this was one of the heavy hitters,” Dan said.

Neither did I.

I did a quick search of the price guide at Jazzcollector.com. We had one copy listed with the white label. It was in VG++/VG+ condition and sold for $366 in March. Inflation? Rising prices? Condition? Is there any rational reason why this record would sell for more than $3,000?

If you have an explanation, send a note to us.  We’ll explore this one in greater detail next week when we send out our next newsletter.

 

More on the Great eBay Debate

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Jazz Collector Newsletter, June 2002

 

We have some positive changes coming at Jazz Collector. We’re updating the Jazzcollector.com Web site and starting Monday we’ll be posting new items each weekday. Plus, we’ll be giving away free collectibles from the site periodically. Finally, we’re going to post more articles and commentaries from readers and increase activity on the site’s Forum. The hope is to create a hub for the Jazz Collector community, so please use the site and offer up any suggestions. The site upgrade won’t affect the newsletter, which will still come out once a month. We have more than 800 subscribers now and the roster keeps growing. Obviously, jazz vinyl is alive and well.

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The Gift Of Hindsight

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One of the pleasures of having an extensive jazz collection is that it gives you the opportunity to go back and review the history of jazz in real time, as it was happening. This is particularly the case when you look at old issues of Downbeat or Metronome, or review old liner notes, an art form that began approaching extinction with the advent of the compact disc format. In any case, allow me to share some interesting stuff from my archives.

           

Downbeat, January 18, 1962

Review: John Coltrane, Africa/Brass, Impulse 6

 

This record was a departure for Coltrane: The first time he ever played with a brass section. It is now regarded as a classic, rightfully so, particularly the title cut, which makes up the entire first side of the album. At the time, however, the Downbeat reviewer, Martin Williams, didn’t see it that way.  He gave it only two stars, out of a possible five. Here’s a sample from the review:

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