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Podcast: 21st Century Vocals (Mostly)

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This week’s theme: Vocals either recorded this century or released on vinyl in this century. Artists include Stacey Kent, Veronica Swift, Olivia Foschi, Ella Fitzgerald, Stephanie Nakasian, Emmet Cohen, Russell Hall, Kyle Poole, Benny Green, David Wong, Carl Allen, Hod O’Brien, Randy Sandke, Tom Hamilton, John Jensen, Howie Collins, Steve Gilmore, Bill Goodwin, Don Abney, Matt King, Vinicius Gomes, Marco Panascia, Mauricio Zottarelli, Jim Tomlinson, David Newton, Colin Oxley, Simon Thorpe, Steve Brown, Dave Chamberlain, Matt Home.

Rare Records; The Loss of Michael Cuscuna

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I said I would continue perusing the recent auctions from The Jazz Record Center, so here is Part II, starting with Elvin Jones and Richard Davis, Heavy Sounds, Impulse AS-9160. This was ana original white label stereo promo copy with the white label. The record was in M- condition and the cover seemed to be probably VG++. This is not a record you see very often, particularly a promo copy. One of the interesting things about this album is a track called Elvin’s Guitar Blues, featuring Elvin Jones’ first recording on a new instrument, the acoustic guitar. I happen to have an original pressing of this record, so I’m putting Elvin’s Guitar Blues on the turntable now. The verdict: Well, I’m sure it was fun for Elvin to record a track on guitar, but he’s a little bit better as a drummer. Frank Foster takes a nice, short blues solo on the track. The record sold for $339. Read more

Brick-and-Mortar Vs. Online

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These days I can leave my home in The Berkshires and drive in almost any direction and, within an hour or a little more, I can cover three or four or even five record stores. Some of these stores have been around for a while, others seem to have popped up in the last few years to take advantage of the recent boon in vinyl and the growing interest in records from a younger audience. It definitely makes the hobby more fun and interesting, seeing what is happening in these stores and perusing the shelves for items of interest to me, not just as a collector but as the sole proprietor of the Jazz Collector site. I share this as a precursor to some thoughts I had yesterday while shopping in one of the relatively new strores not very far from home. I was in town doing chores and wanted to get the newly remastered Revolver. I could pay less online, but for items like this I like to buy local to support the stores and their owners. In this particular store, I was there the first day when the owner started the business a couple of years ago, and he very little in the way of jazz vinyl. But he has gradually increased the amount and quality of his inventory, and he has definitely upped his prices. Read more

Happy Birthday, Sonny Rollins

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Yesterday was Sonny Rollins’ birthday. 92.

The first time I saw Sonny play was in 1972. He was coming off one of his intermittent hiatuses. He was doing a week at the Village Vanguard. The first night, Tuesday, it was pouring rain. Dan and I waited on 7th Avenue. We had no idea what Sonny would sound like on his return. One of us said that we hoped he was playing more straight-ahead, not too outside like Pharoah Sanders or Arche Shepp. The guy in front of us turned around and gave us a look, half smile, half sneer. It was, of course, Pharoah Sanders. He was just one of many famous musicians in the audience that night, all to witness the return of Sonny. It was triumphant, as you would have expected. Albert Dailey on piano, Larry Ridley on bass, Dave Lee on drums. Lots of straight-ahead music. St. Thomas, It’s Easy to Remember, A Nightingale Sale in Berkeley Square, some blues. Maybe Green Dolphin Street? I don’t remember everything, but I remember the energy in the Vanguard, and it was explosive. One standing ovation after another. My recollection is that Dan and I went back every night during that gig, and every night for the next gig that followed just a few weeks later. Read more

Starting Points for Rare Jazz Vinyl

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I haven’t been watching eBay as diligently during the summer as I normally do, and I haven’t actually sold anything on eBay in more than a dozen years, so this observation may be dated, but . . . . is it just me, or are sellers consistently putting a higher start price on their auctions of rare jazz vinyl? I was just updating my watch list and flagged several titles that had high starting prices and no bidders. At first I assumed it was all from a single seller. But when I opened up the listings, they were all from different sellers. Here are some of those records, starting with Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. If you can read through the seller’s tome and ‘tude, eventually you can find the condition of the record, which was listed as NM-. The cover was described as “pretty nice-very nice” and the picture shows a pretty clean front cover, with wear on the top and some old tape on the back. To me, pretty nice-very nice translates to VG+. The bidding start at $800 and so far there are no takers. Read more

Marketing, Language, Hyperbole and Collectible Jazz Vinyl

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Where was I? Oh, yeah, collectible jazz vinyl. The seller vinyl-house-uk has some interesting items for sale on eBay, including the Wardell Gray Memorial Album, Volume 2, Prestige 7009. This is an original New York yellow label listed in VG+ condition for the record and the cover. The bidding is already at about $775 with more than four days left on the auction. This is already the highest price ever for this record, according to Popsike.  In the same lot, the same seller is offering the Wardell Gray Memorial Album, Volume 1, Prestige 7008. This is also an original New York pressing in lesser condition than Volume 2, probably closer to VG all around. The bidding is at about $140. What I find interesting in these auctions is how the seller chose to list/market them. Volume 2 is promoted as “Wardell Gray/Sonny Criss/ Dexter Gordon.” Volume 1 is “Wardell Gray/Al Haig/Tommy Potter.” Do you think those headings make a difference? I absolutely do. Somehow, I’m more interested if Dexter Gordon is on a record versus Tommy Potter. Maybe it’s just me, but it seems to be leading to a record price for a record in just VG+ condition. Read more

The Complete Jazz Collector Red Carraro Collection

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Red in his natural habitat

I did the Irving Kalus Complete Collection yesterday and, in doing so I mentioned my old friend Red Carraro and remembered the articles I wrote about him after he died. Again, there was no link where I told the whole story. So here it is, with some of the comments from friends and fans of Red from 2010. One of these days I am going to compile all of my stories, and more, in a “Best of Jazz Collector” book, so think of these random updates as a bit of a teaser.

July 12, 2010

There was a time, before the Internet and eBay, when jazz record dealers would amass hundreds of collectible records and compile them in lists and send those lists all over the world so that collectors could bid on them, blindly, hoping they would make the top bid and receive a shipment of rare jazz vinyl several weeks later. One of the leading and last practitioners of this fading art was a gentleman, and I use that word purposefully, by the name of William Carraro, known to all as “Red.” I am sad to report that Red passed away in his sleep yesterday morning. Read more

Warhol, Blue Notes, Sun Ra: An Eclectic Day at Jazz Collector

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It’s not often that you go onto eBay and find $40,000 items in a search of Jazz records and think that, yes, perhaps that is a legitimate price someone would pay. What do you think of this: Original Study Andy Warhol RCA Records Kenny Burrell Blue Note 1543 Jazz Album? From the listing it looks like an original pen and ink drawing from Warhol’s own hand. It seems to be that there is enough certification to assert that this really is a Warhol original. I’d hang it in my home. Not for $40,000, but I’d still hang it in my home. This has already gone through one eBay cycle that I know of and is back again at the same $40,000 start price. There is a “Best Offer” option as well, so you never know.  Read more

A Misadventure in Jazz Collection, The Final Chapter

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What a relief. No more phone calls from Debby, no more emails of pictures, no more soul searching, no more thinking about logistics, about renting a van, hauling records down three flights, driving 10 hours, figuring out where to put the records, trying to flip a portion of the collection to get my money back quickly. All in all, I was very satisfied with the way things had transpired.

I probably could have purchased the collection, perhaps for $40,000, perhaps a little more, perhaps a little less, if I had really wanted it and was very aggressive and unconcerned about driving to Rochester and all of the logistics. But, in the end, it didn’t seem like that great a collection, I already own most of the collectibles, and as The Lovely Mrs. JC asked right at the outset, “Do you really need more records?” The answer was “no” – or at least not these records. Read more

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