<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Chasing Trane 3: For the Love of Jazz	</title>
	<atom:link href="https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/feed/" rel="self" type="application/rss+xml" />
	<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Mon, 19 Dec 2016 18:58:28 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>
		By: Barbara Kerbel		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447764</link>

		<dc:creator><![CDATA[Barbara Kerbel]]></dc:creator>
		<pubDate>Mon, 19 Dec 2016 18:58:28 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447764</guid>

					<description><![CDATA[Hi Al, I doubt there is anyone else writing about jazz who has  given his/her readers such a direct path to his or her heart. That is as much as a gift to them as your gift of getting, being in, feeling the music in an extraordinary way is a gift that was given to you. Don&#039;t forget that we un-gifted can still take something very special - though different -  and personal from a piece of music, a work of art, a live stage drama. Can&#039;t wait to see you in the new year!  xo Barbara]]></description>
			<content:encoded><![CDATA[<p>Hi Al, I doubt there is anyone else writing about jazz who has  given his/her readers such a direct path to his or her heart. That is as much as a gift to them as your gift of getting, being in, feeling the music in an extraordinary way is a gift that was given to you. Don&#8217;t forget that we un-gifted can still take something very special &#8211; though different &#8211;  and personal from a piece of music, a work of art, a live stage drama. Can&#8217;t wait to see you in the new year!  xo Barbara</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Craig		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447757</link>

		<dc:creator><![CDATA[Craig]]></dc:creator>
		<pubDate>Fri, 16 Dec 2016 22:17:04 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447757</guid>

					<description><![CDATA[Al , thanks for putting into words how so many of us feel ....love your blog , please keep writing and of course listening . In the words of the magical Rashaan &quot;Bright Moments]]></description>
			<content:encoded><![CDATA[<p>Al , thanks for putting into words how so many of us feel &#8230;.love your blog , please keep writing and of course listening . In the words of the magical Rashaan &#8220;Bright Moments</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: PhantomTollbooth		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447663</link>

		<dc:creator><![CDATA[PhantomTollbooth]]></dc:creator>
		<pubDate>Sun, 11 Dec 2016 23:49:25 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447663</guid>

					<description><![CDATA[Another wonderful post.  I think the first time I really deeply connected was listening to a version of Mingus&#039; Gunslinger on a record I got from the library in 9th or 10th grade.  It felt like a freight train about to careen off the tracks, but just under control enough to keep running. It still gives me goosebumps from time to time.]]></description>
			<content:encoded><![CDATA[<p>Another wonderful post.  I think the first time I really deeply connected was listening to a version of Mingus&#8217; Gunslinger on a record I got from the library in 9th or 10th grade.  It felt like a freight train about to careen off the tracks, but just under control enough to keep running. It still gives me goosebumps from time to time.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Mitch York		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447630</link>

		<dc:creator><![CDATA[Mitch York]]></dc:creator>
		<pubDate>Sun, 11 Dec 2016 17:43:58 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447630</guid>

					<description><![CDATA[Doctor!]]></description>
			<content:encoded><![CDATA[<p>Doctor!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Harry		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447616</link>

		<dc:creator><![CDATA[Harry]]></dc:creator>
		<pubDate>Sun, 11 Dec 2016 16:22:41 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447616</guid>

					<description><![CDATA[What a lovely piece, Al. Your love of jazz and its unexplainable nature shines through it. I don&#039;t think I&#039;m there with you but I played the Stan Getz and at the end my heart did a somersault and tears came to my eyes.]]></description>
			<content:encoded><![CDATA[<p>What a lovely piece, Al. Your love of jazz and its unexplainable nature shines through it. I don&#8217;t think I&#8217;m there with you but I played the Stan Getz and at the end my heart did a somersault and tears came to my eyes.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: geoffrey wheeler		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447489</link>

		<dc:creator><![CDATA[geoffrey wheeler]]></dc:creator>
		<pubDate>Sat, 10 Dec 2016 20:07:51 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447489</guid>

					<description><![CDATA[Abrasive_Beautiful--Glad one of your first jazz-on-record experiences was Louis Armstrong. His playing sends a chill down my spine. His 1947 Boston Symphony Hall concert issued on Decca was the first jazz concert I went to and was enthralled with his playing and that of Sidney Catlett. I was born in &#039;36, so I was 11 at the time. I went by myself. When I listen to Parker, I fall into a semi-revery I admire his playing so much. Coltrane has a unique and beautiful sound. For swing and soul, my man is Zoot Sims. At his best, he is out of this world!]]></description>
			<content:encoded><![CDATA[<p>Abrasive_Beautiful&#8211;Glad one of your first jazz-on-record experiences was Louis Armstrong. His playing sends a chill down my spine. His 1947 Boston Symphony Hall concert issued on Decca was the first jazz concert I went to and was enthralled with his playing and that of Sidney Catlett. I was born in &#8217;36, so I was 11 at the time. I went by myself. When I listen to Parker, I fall into a semi-revery I admire his playing so much. Coltrane has a unique and beautiful sound. For swing and soul, my man is Zoot Sims. At his best, he is out of this world!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Abrasive_Beautiful		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447477</link>

		<dc:creator><![CDATA[Abrasive_Beautiful]]></dc:creator>
		<pubDate>Sat, 10 Dec 2016 18:07:44 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447477</guid>

					<description><![CDATA[Al, thanks for another personal and powerful essay. Also appreciate the shout out in a previous post.

Listening to music is mostly a solitary experience for me, my SO enjoys jazz and loves that I have a passion for listening to it, but does not always want to sit and listen. Fortunately, I have met so many great people online, here, and especially on instagram(same handle) that I can share my thoughts and chat with. The social aspect really has helped deepen my connection to the music, as well as recently starting to learn and understand the influences and history of jazz and improvised expression.

I started out with records as a rock listener about 5 years ago, and started finding some jazz here and there, which I enjoyed, but one day it really clicked.

The recording was Satch Plays Fats, which starts with the one-two emotional punch of Honeysuckle Rose(with Velma Middleton) and Blue Turning Grey Over You. The first track deeply affected me, and I was moved to tears by Louis&#039; trumpet playing on the second. From that moment I was hooked on jazz, because I have never felt such an emotional connection to any other type of music. 

Since then, the rock sections have shrunk to bare minimums and the jazz sections are ever growing and expanding. 

Some of my favorite and most deeply affecting moments in jazz are:

The aforementioned Louis Armstrong tracks

Sonny Rollins&#039; sax lead into to &quot;Why Don&#039;t I&quot; and his launch into solo on &quot;Night in Tunisia&quot; Live at VV

Resolution---goosebumps every time

The whole of Ascension.

Roland Kirk&#039;s extended circular breathing solo on Many Blessings

McLean&#039;s scream into solo on title track &quot;Fickle Sonance&quot;

Bud Powell title track &quot;Time Waits&quot;

Tina Brooks solo on &quot;Good Old Soul&quot; complete with the SKRONK at the end

Eric Dolphy&#039;s perfectly angular and eccentric solo on &quot;Clarence&#039;s Place&quot; shortly followed by a intensely logical Wayne Shorter solo

In more recent music, there are a few moments on Kamasi Washington&#039;s The Epic that affect me almost as much as the older recordings. I also saw him and his band play last year on my 23rd birthday, front row, and I left the concert feeling emotionally wrought and refreshed. Extremely powerful experience.

On that last note, I also feel immense sadness that I can never experience a live performance of so many of my heroes, and I suppose the collecting and curation of their albums is as close as I can get.

P.S. the Stan Getz clip was as Rudolf said: Haunting. That solo passage builds to a point where I expected an emotional release, but it did not give. Very powerful moment.]]></description>
			<content:encoded><![CDATA[<p>Al, thanks for another personal and powerful essay. Also appreciate the shout out in a previous post.</p>
<p>Listening to music is mostly a solitary experience for me, my SO enjoys jazz and loves that I have a passion for listening to it, but does not always want to sit and listen. Fortunately, I have met so many great people online, here, and especially on instagram(same handle) that I can share my thoughts and chat with. The social aspect really has helped deepen my connection to the music, as well as recently starting to learn and understand the influences and history of jazz and improvised expression.</p>
<p>I started out with records as a rock listener about 5 years ago, and started finding some jazz here and there, which I enjoyed, but one day it really clicked.</p>
<p>The recording was Satch Plays Fats, which starts with the one-two emotional punch of Honeysuckle Rose(with Velma Middleton) and Blue Turning Grey Over You. The first track deeply affected me, and I was moved to tears by Louis&#8217; trumpet playing on the second. From that moment I was hooked on jazz, because I have never felt such an emotional connection to any other type of music. </p>
<p>Since then, the rock sections have shrunk to bare minimums and the jazz sections are ever growing and expanding. </p>
<p>Some of my favorite and most deeply affecting moments in jazz are:</p>
<p>The aforementioned Louis Armstrong tracks</p>
<p>Sonny Rollins&#8217; sax lead into to &#8220;Why Don&#8217;t I&#8221; and his launch into solo on &#8220;Night in Tunisia&#8221; Live at VV</p>
<p>Resolution&#8212;goosebumps every time</p>
<p>The whole of Ascension.</p>
<p>Roland Kirk&#8217;s extended circular breathing solo on Many Blessings</p>
<p>McLean&#8217;s scream into solo on title track &#8220;Fickle Sonance&#8221;</p>
<p>Bud Powell title track &#8220;Time Waits&#8221;</p>
<p>Tina Brooks solo on &#8220;Good Old Soul&#8221; complete with the SKRONK at the end</p>
<p>Eric Dolphy&#8217;s perfectly angular and eccentric solo on &#8220;Clarence&#8217;s Place&#8221; shortly followed by a intensely logical Wayne Shorter solo</p>
<p>In more recent music, there are a few moments on Kamasi Washington&#8217;s The Epic that affect me almost as much as the older recordings. I also saw him and his band play last year on my 23rd birthday, front row, and I left the concert feeling emotionally wrought and refreshed. Extremely powerful experience.</p>
<p>On that last note, I also feel immense sadness that I can never experience a live performance of so many of my heroes, and I suppose the collecting and curation of their albums is as close as I can get.</p>
<p>P.S. the Stan Getz clip was as Rudolf said: Haunting. That solo passage builds to a point where I expected an emotional release, but it did not give. Very powerful moment.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447461</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Sat, 10 Dec 2016 15:16:11 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447461</guid>

					<description><![CDATA[I listened to the Getz clip, it is haunting.]]></description>
			<content:encoded><![CDATA[<p>I listened to the Getz clip, it is haunting.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Terryfromflorida		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447459</link>

		<dc:creator><![CDATA[Terryfromflorida]]></dc:creator>
		<pubDate>Sat, 10 Dec 2016 15:07:12 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447459</guid>

					<description><![CDATA[Al, I had a similar experience but with the music of the Grateful Dead (who were like a jazz ensemble in many regards). I never really &quot;got&quot; what the fuss was about. One night it hit me and I&#039;ve never been the same since. It&#039;s an easy transition between the Dead and jazz....]]></description>
			<content:encoded><![CDATA[<p>Al, I had a similar experience but with the music of the Grateful Dead (who were like a jazz ensemble in many regards). I never really &#8220;got&#8221; what the fuss was about. One night it hit me and I&#8217;ve never been the same since. It&#8217;s an easy transition between the Dead and jazz&#8230;.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: cpercy		</title>
		<link>https://jazzcollector.com/features/chasing-trane-3-for-the-love-of-jazz/comment-page-1/#comment-447392</link>

		<dc:creator><![CDATA[cpercy]]></dc:creator>
		<pubDate>Sat, 10 Dec 2016 05:34:12 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7343#comment-447392</guid>

					<description><![CDATA[Thanks Al! Reminds me a few years back I was listening to a Coltrane piece on a recorded cassette from just purchase collection.  What occurred was nirvana since I experience a brain freezing paralysis.  I could only sit and listen in awe.  What was it, I think “Blue Train” but I do not know since I have lost/misplace this gem of a cassette find.  But I have this one joyful memory!]]></description>
			<content:encoded><![CDATA[<p>Thanks Al! Reminds me a few years back I was listening to a Coltrane piece on a recorded cassette from just purchase collection.  What occurred was nirvana since I experience a brain freezing paralysis.  I could only sit and listen in awe.  What was it, I think “Blue Train” but I do not know since I have lost/misplace this gem of a cassette find.  But I have this one joyful memory!</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
