Of course. The same invitation is open to anyone. Stuart reminded me that it is almost 10 years to the day since we published an earlier article – Adventures in Jazz Collecting, Tokyo Style. Couldn’t help but notice that there were 54 comments on that article. Bravo to Stuart and all of the commenters. Ah, the good old days.

Anyway, the article arrived the other day, along with the title Stuart suggested title, so, without further ado, may we present:

The Records (But Not the Music) Are Over

By Stuart Levine

Well, I did it. I sold my jazz record collection. Now approaching 70, I’m trying to downsize and just not finding the opportunity to listen to my LPs. You see, for years I’ve been living in Japan with my wife and two daughters, while all this time storing my records and audio equipment back on the West Coast. The irony is that I’m in the land (or rather, on the island) whose people love our American art form of Jazz, yet I, myself, can’t listen to my own records. I don’t want to bore anyone with details as to why not, but suffice it to say that living quarters are tight there and sound travels easily.

I’ll miss visiting the record stores – the crate digging and conversations with fellow vinyl enthusiasts. It had all started during my college days with CTI and fusion. But later, I discovered Hard Bop and “watch out” – I was hooked! Good thing I started making some decent money because as you know, those Blue Notes are expensive. So gone are roughly 400 LPs; however, I did keep a few. They are Somethin’ Else, Maiden Voyage and Kind of Blue.  All are first pressings. My copy of Kind of Blue is very early.  Just couldn’t part with these three.

As far as sales went, I did pretty well with my treasured vinyl. A VG++ Cool Struttin’ came in at a cool $4,283. A near mint Wahoo did a whopping $1,725 and even a VG+ Juju sold for $900, netting me $630. Yep, further evidence of Blue Notes’ cachet. On the other hand, Impulse didn’t do so well. My pristine mono copy of Blues and the Abstract Truth disappointed at 75 bucks. Gosh, darn it … wish I could have that one back as well as other gems in my collection such as Saxophone Colossus and A Love Supreme. Oh, stop it, Stuart! You’re done! There are always cds.

But before I close, I’d like to give shout outs to Charles Pearlman of Strictly Headies and Jason Perlmutter of Carolina Soul (thanks to Al for recommending Jason). They did such a professional job of listing my records on their eBay sites. With Charlie, who sold most of my jazz records, I got to visit Portland, Oregon, enjoying the greenery I don’t get in the Las Vegas desert where my parents live. And for the first time, I flew to Durham, North Carolina to meet Jason with a few jazz LPs and a good number of rock records. So, thanks guys … you represented my collection well, and I’m sure my records are spinning right now on worthy turntables. As for me, I think I’ll give a listen to “Stolen Moments” from my laptop computer.

This week’s theme: The Gershwin Songbook, as played by jazz pianists and their groups. Featured artists include: Oscar Peterson, Art Tatum, Bill Evans, Herbie Hancock, Red Garland, Billy Taylor, Bud Powell, Oscar Pettiford, Art Blakey, Paul Motian, Scott LaFaro, Hampton Hawes, Red Mitchell, Chuck Thompson, John Lewis, Percy Heath, Connie Kay, Ray Brown, Ed Thigpen, John Ore, J.C. Moses, Ray Barreto, Arthur Taylor, Paul Chambers, Randy Weston

This week’s theme is pretty much what it says: Tracks from 10 random Blue Note records, Artists include Lee Morgan, Art Blakey, Wynton Kelly, Paul Chambers, Arthur Taylor, Philly Joe Jones, Wayne Shorter, Herbie Hancock, Louis Smith, Dizzy Reece, Jackie McLean, Pete LaRoca, Cliff Jordan, Jon Gilmore, Freddie Hubbard, Curtis Fuller, Sonny Clark, Dexter Gordon.

Going in the opposite direction, I received an email with the subject line: NJ RECORD BASH SIGNOFF. This was a long-time event, nearly 50 years, according to the email. It was usually held in June at a motel or hotel in New Jersey. This is another one I used to attend regularly, back in the 1980s and 1990s. I remember one time getting there early and setting up a table and the guy next to me was setting up and he had a pile of original Prestige Swingville records in mint condition and I bought the entire pile for about $5 each. I still have those records. Sorry to see the Bash go, but the financial model must be a challenge these days, what with eBay and social media and people no longer getting together to socialize as they used to.

I’m on the mailing list for the labels doing reissues, such as Craft and Blue Note, but unfortunately I’m not on their promo lists for review copies. In any case, the email in box had a promo for new issues from the Original Jazz Classics series from Craft, including Introducing Lee Morgan, The Young Lions from VeeJay, and This Here is Bobby Timmons from Riverside. Blue Note is taking orders for a three-LP Tone Poet set of The Complete ‘Round About Midnight at the Café Bohemia from Kenny Dorham. This would comprise the original Blue Note 1524, plus the two Japanese LPs issued in the 1980s.

Out of the Blue and Landslide were replacements for records that I had let slip through my fingertips over the years. I had an original mint pressing of Out of the Blue that I bought for $5 maybe 40 years ago – and immediately traded for a record that was not equal in value. It has been a hole in my collection ever since. With Landslide, I had one of those Liberty pressings with the white cover, and I just never took to those pressings and wound up selling most of them when I pared down my collection a few years ago.

I figured I could replace those records and check out the Tone Poet Series and also share my observations here, killing a few birds with two purchases of about $39 for Landslide and $28 for Out of the Blue. The records arrived in the mail with promotional material on the outside promising wonderful things once opened: “Cut Directly from The Original Analog Tapes; Recorded by Rudy Van Gelder; Reissue Supervised by Joe Harley; Mastered by Kevin Gray at Cohearant Audio; Manufactured at Record Technology Inc. (RTI) on 180 Gram Vinyl.”

I quite like the packaging on the Tone Poet Series. These two records have slick gatefold covers. On the inside are Francis Wolff photos from the original sessions. The covers are the “originals,” although there was no real original pressing of Landslide since it was not released at the time it was recorded. Both records have the original liner notes on the back, Landslide being from the 1980 issue. I’m not an audiophile by any notion, although I have a great system, and to my ears these pressings sound great. If I was starting out as a collector today and couldn’t afford original pressings of Blue Notes – who can? – I’d certainly be pleased with these pressings.

Same goes for the two records I bought that were part of the Classic Vinyl Series, Roll Call and Serenade to a Soul Sister. I never had an original pressing of Roll Call – although I think I’ve just fixed that with a new purchase (more to come later). I had a copy of Serenade to a Soul Sister, but it wasn’t in great shape and I sold it a few years back hoping to replace it. As with the Tone Poet Series, this reissue is a suitable replacement. It has the original packaging, cover, liner notes, and it sounds good to these ears. The promo on the cover speaks to it: “Audiophile Vinyl Reissues from the Finest in Jazz Since 1939. Mastered from The original Analog Tapes by Kevin Gray at Cohearant Audio; 180 Gram Vinyl.”

Finally, the promo on the shrink wrap of the Horace Silver discovery tells a it all:

“Previously unissued fiery live sets with powerhouse Horace Silver Band in 1965. Deluxe 180-gram LP transferred from the original tapes and mastered by Matthew Luthans. Stunning broadcast quality recording captured 60 years ago! Liner notes by jazz scholar Bob Blumenthal, and statements by Roger Humphries, Randy Brecker, Alvin Queen and Sullivan Fortner.”

Fiery and powerhouse. Quite a combination. Quite a package as well. In addition to the record, there is a 16-page booklet with all of those liner notes described above. It is a great set and it is well recorded, so if you’re a Horace Silver fan, I would definitely recommend it. It’s the quintet that featured Silver on piano, Woody Shaw on trumpet, Joe Henderson on tenor, Teddy Smith on bass and Roger Humphries on drums.

I’m sure I’m not the only one who has dipped a few toes into these new waters, so if any of the regular readers and commenters are out there, I would definitely be interested in hearing your opinions.

The post Old and New Vinyl, Blue Note Style first appeared on jazzcollector.com.]]> https://jazzcollector.com/blue-note/old-and-new-vinyl-blue-note-style/feed/ 2 9945 https://jazzcollector.com/podcast/podcast-miles-and-trane-early-days/ https://jazzcollector.com/podcast/podcast-miles-and-trane-early-days/#respond Mon, 06 Apr 2026 11:47:16 +0000 https://jazzcollector.com/?p=9886 This week’s theme: The first recordings of Miles Davis and John Coltrane together. Featured artists are Miles Davis, John Coltrane, Red Garland, Paul Chambers and [...]

This week’s theme: It’s Springtime! Featured artists include Charlie Parker, Ella Fitzgerald, Count Basie, Dexter Gordon, Karin Krog, Kenny Drew, Niels-Henning Orsted Pederson, Carmen McRae, Stan Getz, Shelly Manne, LeRoy Vinnegar, Lou Levy, Conte Candoli, Johnny Griffin, Red Garland, Paul Chambers, Arthur Taylor, Kenny Dorham, Cannonball Adderley, Paul Chambers, Jimmy Cobb, Cedar Walton, Max Roach, Sonny Rollins, Clifford Brown, Richie Powell, George Morrow, Harold Land, Sarah Vaughan, John Coltrane, Wilbur Hardin, Astrud Gilberto.

This week’s theme: Pretty simple, John Coltrane on the Atlantic label. Featured artists include John Coltrane, McCoy Tyner, Elvin Jones, Eric Dolphy, Don Cherry, Freddie Hubbard, Tommy Flanagan, Cedar Walton, Paul Chambers, Arthur Taylor, Steve Davis, Milt Jackson, Hank Jones, Connie Kay, Reggie Workman, Charles Haden.

This week’s theme: Jazz vocals with verses included. Featured artists include: Ella Fitzgerald, Louis Armstrong, Nancy Lamott, Anita O’Day, Chet Baker, Stacey Kent, Sarah Vaughan, Dinah Washington, Rosemary Clooney, Karrin Alysson, Carmen McRae, Scott Hamilton, Clifford Brown, Paul Quinichette, Warren Vache, Ed Bickert, Roy Haynes, Oscar Peterson, Ray Brown, Quincy Jones, Russ Freeman, Mundell Lowe.

This week’s theme: All the Things You Are in multiple settings. Featured artists include Art Tatum, Ben Webster, Charlie Parker, Dizzy Gillespie, Miles Davis, Bill Evans, Eddie Gomez, Tal Farlow, Dan Axelrod, Eddie Costa, Booker Ervin, Tommy Flanagan, Richard Davis, Alan Dawson, Phineas Newborn Jr., Oscar Pettiford, Kenny Clarke, Johnny Griffin, John Coltrane, Hank Mobley, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey, Ella Fitzgerald, Horace Silver, Rosemary Clooney, Scott Hamilton, Warren Vache, Carmen McRae, Kenny Dorham, Doug Watkins, Dexter Gordon, Barry Harris, Buster Williams, Tootie Heath.