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	<title>
	Comments on: Guest Column: Hub Cats of Jazz	</title>
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	<description>For those who love jazz</description>
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		<title>
		By: Ed Herbert		</title>
		<link>https://jazzcollector.com/guest-columns/guest-column-hub-cats-of-jazz/comment-page-1/#comment-23862</link>

		<dc:creator><![CDATA[Ed Herbert]]></dc:creator>
		<pubDate>Wed, 07 Jul 2010 03:37:54 +0000</pubDate>
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					<description><![CDATA[Oh - and lest i forget - the many loud obnoxious conversations of people more into making the seen than listening to the music...]]></description>
			<content:encoded><![CDATA[<p>Oh &#8211; and lest i forget &#8211; the many loud obnoxious conversations of people more into making the seen than listening to the music&#8230;</p>
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		<title>
		By: Ed Herbert		</title>
		<link>https://jazzcollector.com/guest-columns/guest-column-hub-cats-of-jazz/comment-page-1/#comment-23861</link>

		<dc:creator><![CDATA[Ed Herbert]]></dc:creator>
		<pubDate>Wed, 07 Jul 2010 03:36:11 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3026#comment-23861</guid>

					<description><![CDATA[Of a slightly later period long past the golden age, I still had the joy of attending great Jazz performances at Pauls Mall/Jazz Workshop and Lenny&#039;s in the early 1970&#039;s. Many memorable experiences like seeing Airto &#038; Flora Purim, Jim Hall, Miles Davis, Elvin Jones and many others. In the Workshop one night as an &quot;underage&quot; 17 year old jazz fan, I pondered the hot, smokey air and the annoying &quot;ka ching&quot; of cash registers and constant din of ice being scooped into glasses at the worst musical times - and wondered how the musicians really felt about performing there. Don&#039;t think they were appreciated much even as they still managed to produce great music under less than ideal circumstances...]]></description>
			<content:encoded><![CDATA[<p>Of a slightly later period long past the golden age, I still had the joy of attending great Jazz performances at Pauls Mall/Jazz Workshop and Lenny&#8217;s in the early 1970&#8217;s. Many memorable experiences like seeing Airto &amp; Flora Purim, Jim Hall, Miles Davis, Elvin Jones and many others. In the Workshop one night as an &#8220;underage&#8221; 17 year old jazz fan, I pondered the hot, smokey air and the annoying &#8220;ka ching&#8221; of cash registers and constant din of ice being scooped into glasses at the worst musical times &#8211; and wondered how the musicians really felt about performing there. Don&#8217;t think they were appreciated much even as they still managed to produce great music under less than ideal circumstances&#8230;</p>
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		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/guest-columns/guest-column-hub-cats-of-jazz/comment-page-1/#comment-23538</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Fri, 02 Jul 2010 16:24:57 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3026#comment-23538</guid>

					<description><![CDATA[Interesting contribution, thank you!
Note also that &quot;The Hub&quot; saw 2 record labels of more than passing interest: Storyville and Transition, recording not only Boston musicians.
When I think of Boston, my first thought goes to Serge Chaloff, who, at least for me, more than anybody else, personifies the fifties Boston scene.]]></description>
			<content:encoded><![CDATA[<p>Interesting contribution, thank you!<br />
Note also that &#8220;The Hub&#8221; saw 2 record labels of more than passing interest: Storyville and Transition, recording not only Boston musicians.<br />
When I think of Boston, my first thought goes to Serge Chaloff, who, at least for me, more than anybody else, personifies the fifties Boston scene.</p>
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