Get Happy with Freddie Redd and Jazz Collector

You would think that someone collecting jazz records for more than 50 years, as I have, and who had been obsessed with finding a clean copy of Shades of Redd, as I have, would have known about the following record, as I have not (until now): Get Happy With Freddie Redd Trio With Guests, Nixa Jazz Today Series, NJL.19. Not only have I been unfamiliar with this title, I am also unfamiliar with the label. So, excuse me for a moment, while I look at the record and do a search. A quick perusal tells me this is a Metronome Recording, Made in England and, as described on the label, is an “unauthorized public performance.” The trio is Freddie Redd, Tommy Potter and Joe Harris and the guests are Rolf Ericson and Benny Bailey. Based on the liner notes I would place the record in the late 1950s, maybe 1958 or 1959? Now to Popsike, Google and beyond.

Popsike: In 2007 a mint copy of Get Happy With Freddie Redd Trio With Guests sold for $1,260. That seems to be the highest price ever for the record, so welcome to the $1,000 bin. There have been five other copies that sold for $500 or more. I didn’t go beyond that, but it is clear that this is a rare record and in demand among collectors.

Wikipedia: Nixa records was founded in 1950 and was the second label in Britain, behind Decca, to release LP records. The label was sold to Pye Records in 1953 and, what do you know, I’m also not familiar with Pye Records. Another search, and Pye was originally a manufacturer of televisions and radios and got into the record business in 1953m when it acquired Nixa.

General search/Discogs: Looks like I should have been aware of Nixa Records, and perhaps I was at one time, memories being what they are after you’ve been collecting jazz records for more than 50 years. They did have quite a number of jazz and blues releases, more than 150, with artists such as Joe Harriott, Chris Barber, Don Rendell, Cleo Laine, Annie Ross and Lars Gullin, plus skiffle, including Lonnie Donegan, and British issues of American blues and folk, such as Big Bill Broonzy and Josh White. I bet the Beatles were listening to some Nixa Records as youths in Liverpool, yes?

It looks like the record was released in the UK in 1958 based on a session recorded in Stockholm in September 1956.

So that’s my lesson to myself for today.

Oh, yes, the copy that is for sale now is listed in EX+ condition for the record and the cover, which we translate into M-, and the bidding is in the $460 range with more than four days left on the auction.

 

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