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	Comments on: Moving . . . Moving . . . Moving . . . Moving . . .	</title>
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	<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Thu, 28 Jul 2011 02:28:03 +0000</lastBuildDate>
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		<title>
		By: Erich Schultz		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-160774</link>

		<dc:creator><![CDATA[Erich Schultz]]></dc:creator>
		<pubDate>Thu, 28 Jul 2011 02:28:03 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-160774</guid>

					<description><![CDATA[I totally agree with London Calling. The fun thing about jazz to me is rediscovery and growth in appreciation. By the way Al, don&#039;t get rid of those 10&quot; records either. I do believe (sometimes) the sound quality is much better, and the historical significance can&#039;t be beat. Why not display some of them?]]></description>
			<content:encoded><![CDATA[<p>I totally agree with London Calling. The fun thing about jazz to me is rediscovery and growth in appreciation. By the way Al, don&#8217;t get rid of those 10&#8243; records either. I do believe (sometimes) the sound quality is much better, and the historical significance can&#8217;t be beat. Why not display some of them?</p>
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		<title>
		By: London Calling		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-160579</link>

		<dc:creator><![CDATA[London Calling]]></dc:creator>
		<pubDate>Wed, 27 Jul 2011 19:24:59 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-160579</guid>

					<description><![CDATA[The older I get (clue, it starts with a six) the less confident I am that what I like and dislike today is a good guide to what I will like tomorrow.I have lost count of the times I have discarded my &quot;opinions&quot; as they have been proved wrong. I have rediscovered records I haven&#039;t played in thirty years (with thirty years of learning in between), and found I weary of artists  I thought I loved only a few years ago.

Jazz is an unpredictable mistress. I would be inclined to keep everything. Space problems can be solved, whilst relinquished ownership can not.]]></description>
			<content:encoded><![CDATA[<p>The older I get (clue, it starts with a six) the less confident I am that what I like and dislike today is a good guide to what I will like tomorrow.I have lost count of the times I have discarded my &#8220;opinions&#8221; as they have been proved wrong. I have rediscovered records I haven&#8217;t played in thirty years (with thirty years of learning in between), and found I weary of artists  I thought I loved only a few years ago.</p>
<p>Jazz is an unpredictable mistress. I would be inclined to keep everything. Space problems can be solved, whilst relinquished ownership can not.</p>
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		<title>
		By: Lennib		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-159298</link>

		<dc:creator><![CDATA[Lennib]]></dc:creator>
		<pubDate>Mon, 25 Jul 2011 12:33:26 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-159298</guid>

					<description><![CDATA[Dottorjazz,
My Man!! Here I thought those on this list only were hung up on deep groove.
and here you are with the &quot;out-cats!!&quot;
I agree wholeheartedly on keeping only that what kicks your ears. Though I have some records that revoke a memory of the times, like some ESP and other free jazz cats that recall hot summer days of the late 60&#039;s and the tensions and hopes in the air.]]></description>
			<content:encoded><![CDATA[<p>Dottorjazz,<br />
My Man!! Here I thought those on this list only were hung up on deep groove.<br />
and here you are with the &#8220;out-cats!!&#8221;<br />
I agree wholeheartedly on keeping only that what kicks your ears. Though I have some records that revoke a memory of the times, like some ESP and other free jazz cats that recall hot summer days of the late 60&#8217;s and the tensions and hopes in the air.</p>
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		<title>
		By: dottorjazz		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-159247</link>

		<dc:creator><![CDATA[dottorjazz]]></dc:creator>
		<pubDate>Mon, 25 Jul 2011 10:55:39 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-159247</guid>

					<description><![CDATA[I didn&#039;t mean to exclude obscure jazz at all.
the bethlehem sampler has well and less known artists.
how many out there keep a record of the following really obscure artists?
in alphabetical order:
byron allen
alessandro brugnolini
joe daley
lowell davidson
giuseppi logan
george redman
I keep and listen to them all, &#039;cause I dig them.
But if an artist doesn&#039;t knock me out, well or less known is the same, I don&#039;t give him a place in my collection.]]></description>
			<content:encoded><![CDATA[<p>I didn&#8217;t mean to exclude obscure jazz at all.<br />
the bethlehem sampler has well and less known artists.<br />
how many out there keep a record of the following really obscure artists?<br />
in alphabetical order:<br />
byron allen<br />
alessandro brugnolini<br />
joe daley<br />
lowell davidson<br />
giuseppi logan<br />
george redman<br />
I keep and listen to them all, &#8217;cause I dig them.<br />
But if an artist doesn&#8217;t knock me out, well or less known is the same, I don&#8217;t give him a place in my collection.</p>
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		<title>
		By: Erich Schultz		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-159060</link>

		<dc:creator><![CDATA[Erich Schultz]]></dc:creator>
		<pubDate>Mon, 25 Jul 2011 01:56:24 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-159060</guid>

					<description><![CDATA[Al, I have a slightly different view. Don&#039;t exclude the more obscure jazz. For example, today for $1 I got the 1959 Bethlehem grab bag album. It has a sampler of 11 jazz artists, including Herbie Mann, Claude Williamson, Mel Torme, Sam Most and Pat Moran. It&#039;s a wonderful album and typical of what I have been finding in the dollar bids of the larger San Francisco Bay area record stores lately. It&#039;s wonderful to follow the greats, but I also appreciate the less knows as well.....Now, if I were you I would sell the 78&#039;s, but keep the 10&quot; records. They have a unique history all unto themselves.]]></description>
			<content:encoded><![CDATA[<p>Al, I have a slightly different view. Don&#8217;t exclude the more obscure jazz. For example, today for $1 I got the 1959 Bethlehem grab bag album. It has a sampler of 11 jazz artists, including Herbie Mann, Claude Williamson, Mel Torme, Sam Most and Pat Moran. It&#8217;s a wonderful album and typical of what I have been finding in the dollar bids of the larger San Francisco Bay area record stores lately. It&#8217;s wonderful to follow the greats, but I also appreciate the less knows as well&#8230;..Now, if I were you I would sell the 78&#8217;s, but keep the 10&#8243; records. They have a unique history all unto themselves.</p>
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		<title>
		By: zarabeth47		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-158979</link>

		<dc:creator><![CDATA[zarabeth47]]></dc:creator>
		<pubDate>Sun, 24 Jul 2011 22:19:07 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-158979</guid>

					<description><![CDATA[Oh, good luck with the move Al!]]></description>
			<content:encoded><![CDATA[<p>Oh, good luck with the move Al!</p>
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		<title>
		By: zarabeth47		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-158977</link>

		<dc:creator><![CDATA[zarabeth47]]></dc:creator>
		<pubDate>Sun, 24 Jul 2011 22:18:03 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-158977</guid>

					<description><![CDATA[I gave up on Arnett but there must be 1 or 2 essential lps (?) Tenor playing you say .... I just lost a VG INTRODUCING JOHNNY GRIFFIN &#039;bout 20 minutes ago : (]]></description>
			<content:encoded><![CDATA[<p>I gave up on Arnett but there must be 1 or 2 essential lps (?) Tenor playing you say &#8230;. I just lost a VG INTRODUCING JOHNNY GRIFFIN &#8217;bout 20 minutes ago : (</p>
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		<title>
		By: dottorjazz		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-157626</link>

		<dc:creator><![CDATA[dottorjazz]]></dc:creator>
		<pubDate>Fri, 22 Jul 2011 18:15:39 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-157626</guid>

					<description><![CDATA[1000 or 10000, this is the problem.
and the winner is: 1000
I buy what I DO like and DO listen to my vinyl.
never bought a record for rarity, if not in my interest.
anyway, every new year I try to listen to all the records in my collection again.
I&#039;ve never succeeded in reaching the end. 
I don&#039;t follow an alphabetical order: I pick them out here and there but despite a single listening a year, I can&#039;t reach the end.
Al, wanna tenor playing ?
leave Arnett sleeping and choose  Sonny or Trane or Bean or President.
if you have lost interest in an artist, don&#039;t keep it in dust: simply sell him.]]></description>
			<content:encoded><![CDATA[<p>1000 or 10000, this is the problem.<br />
and the winner is: 1000<br />
I buy what I DO like and DO listen to my vinyl.<br />
never bought a record for rarity, if not in my interest.<br />
anyway, every new year I try to listen to all the records in my collection again.<br />
I&#8217;ve never succeeded in reaching the end.<br />
I don&#8217;t follow an alphabetical order: I pick them out here and there but despite a single listening a year, I can&#8217;t reach the end.<br />
Al, wanna tenor playing ?<br />
leave Arnett sleeping and choose  Sonny or Trane or Bean or President.<br />
if you have lost interest in an artist, don&#8217;t keep it in dust: simply sell him.</p>
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		<title>
		By: lennib		</title>
		<link>https://jazzcollector.com/memoirs/moving-moving-moving-moving/comment-page-1/#comment-156871</link>

		<dc:creator><![CDATA[lennib]]></dc:creator>
		<pubDate>Thu, 21 Jul 2011 15:18:20 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3751#comment-156871</guid>

					<description><![CDATA[Having moved, since 1997, from Chicago to Detroit, Detroit to Marion, Ma., and Marion to Jupiter, Fl., I have long ago slimmed down my collection.I know what it is like and what you are going through. Easiest thing was eliminating 4500 78&#039;s. I mean, who needs a complete run of Prestige/new Jazz 78&#039;s? Or all the Savoy bop 78&#039;s. Once you make decisions and sell things off, all becomes easier. I now have what I like. Still buy from time to time, but 1000 lps is a lot better than 7500.
Good luck with the move and take it slow. Record boxes can play havoc on one&#039;s back.]]></description>
			<content:encoded><![CDATA[<p>Having moved, since 1997, from Chicago to Detroit, Detroit to Marion, Ma., and Marion to Jupiter, Fl., I have long ago slimmed down my collection.I know what it is like and what you are going through. Easiest thing was eliminating 4500 78&#8217;s. I mean, who needs a complete run of Prestige/new Jazz 78&#8217;s? Or all the Savoy bop 78&#8217;s. Once you make decisions and sell things off, all becomes easier. I now have what I like. Still buy from time to time, but 1000 lps is a lot better than 7500.<br />
Good luck with the move and take it slow. Record boxes can play havoc on one&#8217;s back.</p>
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