Back in Action: Updating the $1,000 Bin

Been so busy around here, haven’t even been on eBay in days. So what have we been missing? Here’s some interesting jazz vinyl stuff.

Donald Byrd, Byrd, Transition 5. This was an original pressing with the booklet. The record was listed in VG condition and the cover/booklet both looked very nice, probably VG++ the way we rank things around here. The price was $1,336.55. I was willing to sell my Byrd’s Eye View on Transition, no booklet, but no one has really taken me up on my offer to shop through my collection in person. Now, I’m starting to pack things up in preparation for the big moves, coming soon — although the “store” is still open.

This one also made it to the $1,000 bin: Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original Lexington Avenue pressing, quite lovely, and it was in what looked like VG++ condition for both the record and the cover. It sold for $1,300. Just seeing pictures of those Lexington Avenue labels gets the heart kind of racing.

While we’re on Blue Note Lexingtons, how about this one from the same seller: J.R. Monterose, Blue Note 1536. This also looked quite lovely, probably VG++ condition for the record and the cover. It sold for $1,200.

 

Massive Jazz Vinyl & Collectible Sale — NOW!

Imagine this: The greatest jazz vinyl store in the world. A cross between Dayton’s of the 1970s and the Jazz Record Center of today. Dozens of original Blue Notes. Scores of additional rare LPs, from Donald Byrd on Signature to Sonny Criss on Imperial to Lester Young on Aladdin. Plus hundreds of less-rare-but-moderately-priced records from the annals of jazz.

Imagine no longer. It is here, it is now and it is happening. For three weeks only.

Welcome to the one-time-only Jazz Collector Record Store.

This is the story:

In three weeks the lovely Mrs. JC and I are moving from our spacious home on Long Island to two locales, our lake house in The Berkshires and a much less spacious apartment in Manhattan. I plan to take as many records as possible with me, but I would like to divest of many records and other jazz collectibles before the moves as well.

I have 2,000 records in my basement for sale. These are mostly later pressings and reissues, but they will be moderately priced. For instance, I have about 50 Japanese and Liberty Blue Notes I will be selling for $10 each. I also have beautiful jazz posters and artwork, hundreds of jazz books, hundreds of jazz magazines, hundreds of CDs. Many are for sale.

Fine, but nothing to go nuts about, right?

I will also be willing to dip into my jazz vinyl collection. Deep into my collection, depending upon the records and the prices. How deep? I’ll consider selling major collectibles, such as an original Jutta Hipp on Blue Note, Kenny Dorham at the Café Bohemia on Blue Note, Sonny Criss on Imperial, Donald Byrd on Signature, Joe Henderson, Andrew Hill, Stanley Turrentine, Blue Notes all. I will not sell my Trane, Rollins, Dexter, Miles, Adderley, so don’t ask. But I may be willing sell some of my McLeans, Hubbards, Fullers or Mobleys. I will even sell my autographed 78 of Moody’s Mood for Love – but only to Don-Lucky because it has been promised to him.

Here are the conditions:

  1. Do not expect bargains. I will sell records from my collection for prices slightly below what you will see on eBay or on the Jazz Collector Price Guide. The advantage is you get to see, touch and, if you want, listen to the record before purchase. There will also be many moderately priced collectibles.
  2. Do not haggle. If you don’t like the price, don’t buy the record. If I tell you I won’t sell it, please put it back on the shelf.
  3. In-person only. I’m not selling these records by mail. This sale is being conducted from my home, by appointment only. My house is quite easy to get to by car or train. Be polite and respectful, please.
  4. No personal checks, no credit cards. Cash and Pay Pal only.

If you are anywhere around the New York area between now and July 14 I strongly suggest you make an appointment. Jason, this would be worth a trip from Massachusetts. Don-Lucky, this might be a time to plan that long-promised trip to New York. Any collectors or dealers from Japan, if you’re in New York, this will be worthwhile. I have thousands of great jazz records and I’m in a mood to cut back. I don’t need the money, it’s just psychological: I want to downsize my life. Once I get settled in my new homes, I imagine my mood will change and I’ll regret selling every single record I sold.

One more warning: There will be a challenge finding dates to fit people in: Because I’m moving, I may not be around a lot the next couple of weekends, but during the week the appointment book will often be clear.

You can e-mail me at the usual place, al(at)jazzcollector.com to make an appointment, or you can call my home office, 516 467-4276. Good luck and I hope to see some of you soon.  For those of you who can’t make it in person, I will be happy to provide updates on Jazz Collector.

 

Watching Some Nice 10-Inch Jazz Vinyl

Today we shall catch up on that 10-inch auction from the Jazz Record Center that closed yesterday. All in all, considering that the market is relatively soft, I thought these records fetched a pretty good price.

Lou Donaldson and Clifford Brown, New Faces, New Sounds, Blue Note 5030. Look at that beautiful cover. The record was M- and the cover seemed somewhere between VG++ and M-. It sold for $522.88.

Jutta Hipp, Jutta, Blue Note 5056. This one looked to be in beautiful condition, M- for the record and the cover. It sold for $720.

Lou Donaldson Sextet, Volume 2, Blue Note 5055. This was an original, original first pressing, based on the listings on the back cover of other Blue Note 10-inch LPs, and it was in M- condition all around. The price was $385.

Here’s a non-Blue Note that got a nice price: Billie Holiday Sings, Mercury 118. This was an original pressing with a beautiful cover illustration by David Stone Martin. One of his very best, I’d say. This one was in beautiful condition, M- for the record and the cover. It sold for $260.

 

10-Inch LPs, Jazz Record Center, eBay

Interesting that the Jazz Record Center has an auction this week fully devoted to 10-inch LPs. I’ve always been a fan of 10-inch records, I think more for the packaging and authenticity — I mean, they pretty much stopped producing them in 1955 — than necessarily for the sound quality, although some people swear by them. My friend Dan swears that the sound on the 10-inch version of The Tal Farlow album, for example, is far superior to the 12-inch version, even the original Norgran 12-incher. Anyway, prices of 10-inch LPs tend to be lower than corresponding 12-inch LPs, so we’ll see how this week’s JRC auction goes. Here are some of the items we’ll be watching

Jutta Hipp, Jutta, Blue Note  5056. This one looks to be in M- condition. It has already been bid up to $416 with four bids, so we’re expecting that this is the one that will sell for top price among these listings. Howard McGhee, Volume 2, Blue Note 5024. This one is in M- condition and looks gorgeous in the picture. I own Volume 1, but have never had Volume 2. Probably won’t get this one either. The start price is $250. So far there are no takers, but it’s early. Stan Getz, The Beginning, with Wardell Grey, Seeco SLP7. I have a lot of Getz LPs, even a bunch of 10-inchers, but this is one I’m quite unfamiliar with. Anyone have any info to share on this LP? The one from the Jazz Record Center is in M- condition and already has a bidder at $150.

eBay Watching: Blue Notes, Prestige

Which jazz vinyl shall we watch on eBay today? Here’s a few of note.

This one is quite tempting to me, since I do not own an original: Mal Waldron, Mal/2, Prestige 7111. This looks to be an original New York pressing and it has the presence of John Coltrane. The record looks to be what I would grade as VG++ and the cover is M-. There are a few days to go and the price is in the $150 range. When I see records such as these I have to remind myself that I am getting rid of records, not acquiring them. It is a tough sell to myself, however, since the joy is in the hunt.

This one is also strangely tempting to me, even though it is not an original: Sonny Clark, Sonny’s Crib, Blue Note 1576. The copy in my collection is a black and blue Liberty stereo. Yuch. This one is not an original because it doesn’t have the deep grooves, but at least it has the West 63rd Street address. It wouldn’t give me the creeps every time I would look at it in my collection. But, alas, the start price is about $400 and that’s a little too steep for me for a non-original, even a great record like this in beautiful condition.

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eBaying: Frank Sinatra Autograph, LD BLue Note

This one is for don-lucky and other autograph collectors out there. By the way, are there other autograph collectors out there? I though it was pretty cool: Frank Sinatra, Stormy Weather and Ol’Man River. This is a test/promo pressing of a 78 RPM record, clearly from Columbia although there are no other markings to indicate that. The record is signed in script: Best Wishes, Frank Sinatra. I’m not sure how to authenticate these things, but it looks pretty real. There was just one bidder and it sold for $395. Biggest problem with buying a 78 on eBay is the shipping. They are just so fragile.

And, while I’m here, here’s a random Blue Note I was watching: Lou Donaldson, Lou Takes Off, Blue Note 1591. This looked to be an original pressing in VG+ condition for the record and VG+ for the cover. It sold for $334.

Andy Warhol Jazz Covers Keep Rising, But . . .

Other than the Andy Warhol covers, which seem to be going out of sight, I’m sensing some softness in the market these days. Not sure if it’s because of what’s going on in Japan or just the usual ebbs and flows of prices, often dependent upon who is on eBay and who is not on eBay. In any case, let’s start with the Warhols. I’ve never seen this one at this price: Count Basie, RCA 1112. This is in VG++ to M- condition for the record, but only VG for the cover. Still, it is already close to $350 with several hours to go. This one looks quite familiar: Conte Candoli, Cool Gabriels, Groove 1003. Methinks this belongs, for now, to Rudolf, correct? If so, I think it will finally sell. There are five days left on the auction and it is already more than $1,000.

So why am I mentioning potential softness in the market? Here are a few examples, perhaps not a trend, but examples nonetheless. Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This is an original West 63rd deep groove pressing in M-/VG++ condition for the record and M- for the cover. Hard to find this record is such nice shape and it has sold for more than $1,000 previously in the Jazz Collector Price Guide. This one has a start bid of $300, it closes tomorrow, and there are no bidders. Hmmm. I can use an upgraded copy for my collection.  Or perhaps there are many snipers lurking in the weeds for this.

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Tracking eBay: The Cats, Blue Notes, Cannonball

Before we look ahead at the coming week, let’s look at some of the jazz vinyl we were watching last week:

Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the purple label and the deep grooves. It features John Coltrane. I haven’t listened to this record in a few years, but my recollection is that it’s not among Trane’s better efforts, but I should go back and check again. Nevertheless it is a New Jazz and it is Trane and Flanagan and it is thus an important collectible. This one was listed in excellent condition by the seller, which I took to mean about VG++. The price was $404.99.

This one was from the same seller and also looked to be in excellent VG++ condition: The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing and sold for $869.99.

Speaking of Blue Notes, as we so often do at Jazz Collector, here are a couple of 10-inch Blue Notes we were watching:

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A Visit to the Jazz Record Center

Thanks to everyone for the kind birthday wishes. For all of you hoping to experience the pursuit of a rare jazz record vicariously through my adventure yesterday . . . I have to disappoint, unfortunately. After a lovely lunch with with the young JCs — who treated, by the way — the lovely Mrs. JC and I headed to the Jazz Record Center with great hope and enthusiasm. We got there, I said a quick hello to Fred and then started perusing the bins. In the background I could hear Fred and Mrs. JC engaged in lively conversation. I worried briefly that she might be making a deal to sell my entire collection, but it was only a fleeting concern. I started with the new arrivals and was a bit disappointed when there was nothing there of interest to me. There was a nice original Bud Powell on Norgran, but I already own a copy. An Art Farmer on New Jazz, but it was a reissue. There were a couple of other decent records, but nothing that would really add to my collection. I then went around the store, bin after bin, in search of that one record that would commemorate the day. I went through the Mobleys, Morgans, McLeans . . . and Getz . . . Dexter . . . Blakey . . . Bird . . . Fats . . . maybe a nice 10-incher on Savoy, or even a Bird 78 on Dial? Alas, I didn’t find anything. But I had one last hope.

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Some Weird Happenings in The $1,000 Bin

I was looking to update the $1,000 bin and came upon this weird item that was mentioned in the Reader Forum: Jutta Hipp With Zoot Sims, Blue Note 1530. This was mentioned as an original Lexington Avenue pressing and it sold for $1,925, even though there was no picture of the label and the description of the record was minimal, without even a clear explanation of the condition. How the bidding got to $1,925 on this is hard to believe, except for those of us who watch eBay regularly and know full well that anything is possible. As one of our reader’s discovered, this is actually a United Artists pressing, which means it’s worth maybe $30, depending upon the condition. The seller has only 96 feedbacks, so let’s hope this is an honest mistake and not a scam.

This one looks more legitimate, but a little weird as well: Hank Mobley, Blue Note 1668. This one was listed in VG+ condition for the record and VG/VG+ for the cover, although there was a lot of tape damage in the picture and there was also a name written broadly on the label. It sold for $1,900, which is hard to fathom given the pictures of the cover and the label.

This one is definitely legitimate, and quite lovely:

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