Jazz Vinyl on eBay: Mobley, Clark, Trane, Pres, Chet

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Another day, another couple of thousand jazz records on eBay. Here are some of the ones we’re watching:

Hank Mobley, No Room For Squares, Blue Note 4149. This looks to be an original pressing, with the New York USA label and the ear, and it is listed in M- condition for the record and what looks to be VG++ for the cover. You may recall that a recent copy of this record sold for $1,009. I’m sure the seller here, Atomic Records, noticed as well. This one is currently in the $130 range but has yet to meet the seller’s reserve price.

Sonny Clark, Dial S For Sonny, Blue Note 1570. This is an original pressing with the West 63rd label, deep groove, etc., and it is listed in VG+ condition for both the record and the cover. The current price is around $425 and there is still one day left on the auction.

This one doesn’t usually go for a big price, but it is in nice condition and it is a promo copy (it’s also a fantastic record, musically): John Coltrane, Live at Birdland, Impulse 50. This has the white promo label and is listed in M- condition for both the record and the cover. It has one bid, but the price is $198.

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Catching Up on Some Odds & Ends

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Here are some non-Blue Note odds and ends we’ve been watching:

Blue Mitchell, Blue Soul, Riverside 309. This was one of the ones from the recent bobdjukic auction. It was listed in VG++ condition for both the vinyl and the cover and it looked to be an original deep groove, blue label pressing. It sold for $275. One of the reasons I was watching this is that I just bought another small collection and a nice original mint copy of this record was in the batch. There were also a few original Blue Notes so, if I ever get back to selling records on eBay, I’ll have some nice items to start with . . . . or if I have Jazz Collector readers come to the house, as previously proposed.

Harry Carney With Strings, Clef 640. This looked to be an original pressing, although there was no picture of the label, with a beautiful cover illustration by David Stone Martin. It was listed in VG+ condition for both the record and the cover and sold for $110.50. You have to wonder how much longer there will be a market for Harry Carney LPs. Case in point: The Astaire Story. This was the original Mercury boxed set in beautiful condition, signed by Astaire, with the Stone Martin illustrations and the exclusive photos. In M- condition, this would have sold for somewhere in the range of $2,000 just a few years ago. Now, the seller had a start price of $800 and there were no bidders.

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Watching Some New Jazz Vinyl

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Can you stand a day without Blue Note? Let’s look at some Prestige jazz vinyl we’ve been watching on eBay (actually, it’s all New Jazz):

This was part of the recent batch sold by our old friend bobdjukic: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing. It was listed in VG++ condition for both the record and the cover, but from the pictures it was clear that the cover was not anywhere close to VG++ condition. Perhaps that affected the bidding, because this sold for the surprisingly low price of $740. If potential buyers were confident that the condition of the vinyl and cover were really VG++, it would presumably have sold for quite a bit more. The last one we had in the Jazz Collector Price Guide in VG++/VG++ condition sold for $1,225.

This one looked to be in beautiful condition and the price certainly reflected it: Eric Dolphy at the Five Spot, New Jazz 8260. This was an original purple label pressing with the deep grooves, which were not described by the seller but were apparent if you blew up the pictures. It was in M- condition all the way around and sold for $687.

This one got a nice top bid, but failed to meet the seller’s reserve:

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Shades of Blue Note

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We’ll continue to keep an eye on Blue Note today. Here are some recent sales of Blue Note jazz vinyl:

Freddie Redd, Shades of Redd, Blue Note 4045. This was an original deep groove pressing that looked to be in beautiful M- condition. I’ve always wanted an original copy of these record, since it is a personal favorite and I’ve only owned a Japanese pressing for many years. One day I’m sure I’ll find an original at a price I would be comfortable paying, which was not this copy, which sold for $1,282 from my friends at Music Matters in California.

Curtis Fuller, Bone & Bari, Blue Note  1572. This was also an original pressing from a reliable dealer. The record was in what looked to be VG++ condition, while the cover was listed as being “in very good shape” which sounds better than VG and, from the pictures, also seemed to look better than VG. If I were bidding, based on the description, I’d be disappointed if the record wasn’t around VG++, which is probably what the winning bidder assumed as well, since the record sold for $710.

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Guest Column: Reviewing The Blue Note Guide

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Mike Falcon has promised a review of the new Fred Cohen book, and here it is:
Blue Note Records A Guide to Indentifying Original Pressings
A Review By Mike Falcon
For as long as I have been collecting Blue Notes there has been a large chorus asking for a complete guide to navigate the complexities of what constitutes a first pressing.  And now they have it.  Frederick Cohen has given us “Blue Note Records, A Guide to Identifying Original Pressings” an authoritative manual on the Blue Note discography.  This includes the EPs, 10” LPs, and all of the pre-Liberty LPs in both Mono and Stereo.
I first went to the Jazz Record Center in 2002.  I had never seen a record store like it.  Everywhere I looked was something interesting and new to me.  I spent a long while thumbing through records looking at the photos and memorabilia on the wall, and thinking that if I ever win the Lotto I’ll be back here first.  I’ve never won the lotto but I’ve been back a few times, always with less money than I would have liked.  I had spoken to Fred a few times and was always impressed by how informative he was.  I would think, “This guy should write a book”.  Well he has.
“Blue Note Records, A Guide to Identifying Original Pressings” is a nicely bound 6 ½” x 9 ½” inch black book with the Blue Train label with red arrows pointing to the various identifying features on the cover.  It’s written more like a compendium or research paper and is not in the narrative form.  It starts with an introduction, preface, and acknowledgements, before getting to the list of illustrations and glossary.  The glossary and illustrations are necessary to understand what you are reading when sorting through the pressing guide.  The illustrations show what is meant by all of the famous Blue Note esotery.  This includes examples of the famous

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Ringing in the New Year With Blue Note (Of Course)

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Here are a few more recent Blue Note auctions of interest:

Horace Silver, Blowing the Blues Away, Blue Note 4017. This was an original pressing with the ear, deep grooves, et al. It was in M- condition for both the record and the cover and it sold for $165.50. This is a more common pressing than some of the other Blue Notes and has traditionally, not gotten a top price. Earlier this week we saw another copy sell for more than $200. I think what we’re seeing is that the overall market for Blue Notes is just rising, so even though this one is now $100 or $200 or more, it is still not as costly to purchase as other Blue Notes of the same period and ilk. It’s also a fantastic record, isn’t it? This was a record I heard all the time growing up: My father was a huge Horace Silver fan and Sister Sadie was a particular favorite.

Ike Quebec, It Might as Well be Spring, Blue Note 4105. This was an original New York USA pressing with the ear, Van Gelder stamp, etc. It was in M- condition for the record and the cover. It sold for $305.

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Jazz Vinyl Price Update: No Blue Notes, But Nice LPs

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I’m spending some time this weekend updating the Jazz Collector Price Guide after a brief hiatus and, in going through the updates, I’ll be putting in a few records that are a bit more obscure, either by artist or label, than the normal batch of Blue Notes and Prestiges. Here are a few worth pondering:

Don Sleet, All Members, Jazzland 45. This was an original orange label mono pressing. The record looked to be VG++ and the cover was listed as VG. The price was $94.

Mike Cuozzo with the Costa-Burke Trio, Jubilee 1027. This was an original pressing and the value is certainly aided by the presence of Eddie Costa. It was only in VG condition for the record and the cover and still sold for $108.50.

Bill Perkins, Just Friends, Pacific Jazz 401. This was an original pressing sold by the Jazz Record Center. It was in excellent condition — the words “immaculate” and “exceptional” were used in the description. It also benefitted from the presence of strong sidemen, in this case Art Pepper and Richie Kamuca. The price was $330.55.

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‘Tis the Season To Be Blue Note

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After mentioning some of the 4100 series Blue Notes yesterday, I perused the day’s listings on eBay and saw a number of other records from this generation that seemed to be getting quite a bit of action. Here are some of the results and I’ll also post the one that CeeDee pointed to in the earlier post that will certainly raise some eyebrows. Here goes:

Joe Henderson, Page One,  Blue Note 4140. This was an original New York USA pressing with the ear and the  Van Gelder stamp in the dead wax. The record was in VG+ condition and the cover was VG++. The price was $325.

Sam Rivers, Fuschia Swing Song, Blue Note 4184. This was listed as an original pressing with the New York USA label. The condition seemed to be somewhere around VG+, perhaps a little better, based on the seller’s description. The price was $278.

This is of a bit earlier era, but a surprising price (well, as much as any price can be surprising these days): Horace Silver, Blowing the Blues Away, Blue Note 4017. This was an original pressing with the West 63rd label. It was listed in VG++ condition for both the record and the cover and sold for $202 with just one bidder.

This one got a huge price a few weeks ago, but not this week:

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Jazz Vinyl Update: Blue Notes, The $1,000 Bin (& More)

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Okay, back in the saddle. Let’s look at some of the interesting jazz vinyl we’ve missed on eBay, starting with the $1,000 bin and a few others that came close:

This one has been mentioned several times in the comments, so here it is with picture for the record: Hank Mobley, Blue Note 1568. This was in VG+ condition for the vinyl and VG++ for the cover and it was sold by Euclid Records. The price was $1,944. This one also came from Euclid Records: Lawrence Marable, Tenorman, Jazz West 8. This was an original pressing. The record was M- and the cover was VG+. The price was $1,711.11.

Lee Morgan Volume 3, Blue Note 1557. This was an original pressing. The record looked to be VG++ and the cover looked to be somewhere between VG and VG+. The price was $1,075.

These next few seemed to reach new heights while we were absent:

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We’re Back, But Hardly Missed

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Oh my God, I go away for a few days with limited access to the Internet and look what has happened. You all have taken over the site. Actually, it’s quite thrilling. I do need to catch up and spend a little time reading all of the comments — 103 and counting — which as a whole  probably represent one of the most complete guides to collecting Blue Notes anywhere. Quite recently I  have given a lot of thought to doing the Jazz Collector Guide to Blue Note (and Prestige, Norgran, Verve, etc.), but my time has been limited. Now it seems to be happening organically. It will be an interesting process to figure out how to gather and summarize and address all of this information so that it is more easily searchable and perhaps more readable, although it is quite fun going through the comments one by one. Thank you all and keep it up. I’ll be back with my usual posts more regularly, assuming you are all still interested.

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