Jazz Vinyl For The $1,000 (Blue Note) Bin

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It looks like this will be a busy weekend for the $1,000 bin. In addition to some of the items from the Jazz Record Center auction, which we will update momentarily, there are also several other items for sale on eBay that are destined to be sold for high prices.

Sonny Clark, Sonny’s Crib, Blue Note 1576. This is from a seller in Switzerland who says he is selling off pieces from his personal collection. This is an original pressing that looks to be in VG++ condition for the record and M- condition for the cover. The price is already more than $1,000 and there are still two days to go. From the same seller is this one: Johnny Griffin, A Blowing Session, Blue Note 1559. This looks to be similar to the Sonny Clark record in condition: VG++ for the vinyl and either M- or VG++ for the cover. This one is also already more than $1,000.

The Jazz Record Center auctions close today and the bidding has not been fierce on most of the items. This is one, however, that will make it into the $1,000 bin:

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Jazz Vinyl on eBay: Blue Notes & A Roost

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Here’s some interesting jazz vinyl we’ve been watching on eBay:

Gigi  Gryce – Clifford Brown Sextet, Blue Note 5048. This one had a nice picture with it, as you can see, but the description wasn’t very complete. The seller noted that the record was glossy and had a few light marks and the cover had some wear, but there wasn’t any M- or VG+ or other grading to which we are normally accustomed. Nonetheless, there were bidders attracted to this type of description — optimists I would say — and the record sold for $608. Our previous high for this record in the Jazz Collector Price Guide was $579.

What do you think of records like this next one:

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Jazz Vinyl Update: Jackie, Miles, JR

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Here’s an update on some of the jazz vinyl we’ve been watching. Each of these will be entered into the Jazz Collector Price Guide as soon as we get the chance, hopefully by the weekend.

This one almost made the $3,000 bin: Jackie McLean, The New Tradition, Ad Lib 6601. This is the one that was listed as “almost M-” for both the record and the cover. Not sure how I’ll list that in the Jazz Collector Price Guide: Probably VG++, wouldn’t you say? Anyway, this one sold for $2,840.

I was also watching several listings from the seller dobdjukic, who tends to get top dollar, at least, for his auctions. Here are a couple from last week: Miles Davis, Birth of the Cool, Capitol T-762. This seemed to be an original mono pressing. Based on the description, it looked like the record and the cover were both in about VG+ condition. The final price was $315. I just picked up a

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JRC Auction: Nice Vinyl, Rare DSM Book

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We always like to watch the listings from the Jazz Record Center because they generally get top prices and give us a sense of the current state of the market. They have a new auction this week and here are a few of the items:

Cliff Jordan and John Gilmore, Blowing  in From Chicago, Blue Note 1549. This is a West 63rd Street deep-groove pressing, which I would think we be an original, but perhaps not. The listing notes that it is an “early deep-groove” pressing, but doesn’t state that it is an original. Can anyone see anything in the listing or picture that would indicate that this is not a first pressing? Anyway, the record is listed in M- condition and has a start price of $1,000. So far there are no bidders.

Duke Jordan, Flight To Jordan, Blue Note 4046. This one is listed clearly as an “original” pressing and it looks to be in beautiful M- condition for both the record and the cover. The starting price is $750 and there are no bidders yet.

I saw this item and immediately thought of Rudolf:

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Adventures in Jazz Collecting: Red Carraro, Part 3

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Red in the basement

Back to my Red Carraro stories. If Red were alive today and reading this he’d look at the name on the Web site and swear he never knew me. That’s because when I first met Red I was still going by my childhood nickname, which was “Lit.” This came from being somewhat short in height and someone once started calling me little and it became Lit and it really stuck. Kids in school called me “Lit Perlman” but Red never knew my last name, or my first name, and always just called me Lit. “Lit, hey how ya doin,” Red would always say when he’d see me, with a smile and a warm pat on the pack. “I see you’re still hustlin’ for records.”

When I started my journalism career my first paying job was as the jazz critic for the New Times in Syracuse, an alternative weekly paper. I’ve repurposed at least one of my articles here at Jazz Collector in Memories of Mingus. Anyway, I had spent the first half of 1973 at home in Bayside mending my broken leg and spending a lot of time at Red’s house, in the basement, poring through records and listening to music. It was definitely good times. When I got back to Syracuse, I wanted to do Red a favor so I wrote a review of a record

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On EBay: Jackie & A Pair Of Blue Notes

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Back to eBay. Here are some items worth watching:

Jackie McLean, The New Tradition, Ad Lib 6601. For a really rare record, this one does seem to show up quite often on eBay. This is from a seller who says he is pulling it from his collection and it is listed in “almost” M- condition, which I assume is quite nice. There are a couple of days to go and it is approaching $1,000, but has not yet met the seller’s reserve.

Paul Chambers Quintet, Blue Note 1564. A couple of notes about this item. It is being sold by bobdjukic, who seems to have a mixed reputation among our readers, to put it mildly and euphemistically. This one is listed as in “weak” M- condition for the vinyl, which sounds like VG++ or perhaps even VG+ and it is listed as VG++ for the cover. It is currently in the $500 range and there are a couple of days to go before the bidding closes. I have a copy of this record, but it is

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Yet Another Adventure in Jazz Collecting

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I have another story for you.
As many of you may recall, I have this oddball penchant for occasional wild gambles on eBay: Purchasing records that are not well described or, more often, buying batches of records that might contain one or two gems without having any sense of whether the listing is accurate or even feasible. I have done this maybe a couple of dozen times and it has almost always worked out to my advantage.I tried it again recently and thought I had finally met my Waterloo.
Here it is: I was recently up the country for a couple of weeks, doing work, doing fishing, some writing, a little Jazz Collector and occasionally looking at eBay. One day I was perusing the eBay listings and came upon a listing that was as follows:
Jazz Record Albums – 118 Albums from collector.
The seller had zero feedback: A complete eBay novice. In the description he noted that these records were the collection from his late stepfather, who was a CPA and accountant for musicians. It was a really strange list with a lot of non-jazz, such as Al Green and

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Adventures In Jazz Collecting: Red Carraro, Part 2

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I can’t tell you all how much pleasure it gives me to see the many wonderful comments about Red Carraro from his family and friends, as well as from the many jazz collectors whose lives he touched. This was why I started the Jazz Collector site in the first place, to build this kind of community. That it has actually happened is intensely gratifying, as you can imagine.

But I also left you all in the middle of a story, with me in a cast clutching a batch of records, sitting with Red in his basement, with no way of getting home. So there were Red and I sitting there, no idea what to do, when the door flung open and Dan came charging down the stairs again.

“Are you giving me the record?” he said.

“No,” I replied.

He looked at Red, as if Red should fix this with a Solomon-like gesture of perhaps breaking Read more

Adventures in Jazz Collecting: Red Carraro, Part 1

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There was a time, before the Internet and eBay, when jazz record dealers would amass hundreds of collectible records and compile them in lists and send those lists all over the world so that collectors could bid on them, blindly, hoping they would make the top bid and receive a shipment of rare jazz vinyl several weeks later. One of the leading and last practitioners of this fading art was a gentleman, and I use that word purposefully, by the name of William Carraro, known to all as “Red.” I am sad to report that Red passed away in his sleep yesterday morning.

I will tell you more about Red in a subsequent post, but first let me tell you the story of the first time I met Red. It was back in the early 1970s and I had just started collecting jazz records. I was 19 years old. My good friend from childhood Dan Axelrod had also begun collecting jazz records at the same time and Dan was far more obsessive about it than I was, so he was always finding scores before me. He’d call from Philadelphia or Miami, out of breath, describing beautiful Blue Notes

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Today’s $1,000 Bin: Newk, JR, Sun Ra, Cliff Jordan

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Let’s update the Jazz Collector $1,000 bin, shall we?

Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing listed in M- condition for both the record and the cover. The selling price was  $2,125. That’s the third highest price we’ve ever recorded for Saxophone Colossus in the Jazz Collector Price Guide.

Check out this one: J. R. Monterose, In Action, Studio 4 SS 100. This was an original pressing and we know this is a rare record from previous descriptions. If you missed those do a search above on J. R. Monterose and you can read all about it. What’s interesting about this listing is the seller’s rather detailed yet still unclear description of the condition. It seems to me, if I were bidding on this record, I would expect it to be in VG+ condition for the vinyl and VG for the cover. I’m thinking the winning bidder and those bidding it up, actually may have felt it was in better condition because

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