Back in Action

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Allow me to explain, yet again, why I have taken so long between posts. The reason is related to my real work, but if you stick with me, you will find that it may have relevance for Jazz Collector. My work primarily involves writing about the intersection of business and technology. It’s kind of mercenary, writing-for-hire, but I like doing it, I have nice relationships with many of my clients and I have a wonderful, amazing business partner who is also a good friend. We are negotiating a new deal with our largest client and it’s not yet clear whether we will be able to come to terms. This process has been draining and takes up a lot of my brainpower, or at least whatever is left of it. I haven’t had time to devote to my other passions, of which Jazz Collector is near the top of the list. I haven’t even looked at eBay since my last post on May 31. How is this relevant for Jazz Collector? Read more

Clap Hands, Here Comes Vinyl!

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Someone asked me the other day about listening to vinyl versus other formats. I said, whenever I want to listen to music and be completely mindful and do nothing else, then I will only listen to vinyl. I will pay careful attention, I will listen for nuances that I may have never heard before. This happened the other night. I was sitting with The Lovely Mrs. JC and she said, why don’t you put on a record. Now, in my house, the statement “why don’t you put on a record” is not a simple task, at least when the statement is sent in my direction. There are, after all, 8,000 or so records from which to choose. Which is the right record for the moment? Is it an old reliable favorite? Is it an old favorite I haven’t listened to in years? Is it something I have perhaps never listened to at all because there are for more of those among the 8,000 than I would care to acknowledge? In this particular moment, the situation was complicated by the fact that the record also had to appeal to The Lovely Mrs. JC, since it was she who was making the request. I asked, jazz, jazz vocal, something else? Jazz vocal was the answer. I went into the other room and came back with two records, both old reliable favorites that are certainly among the top 10 jazz vocal records that I have listened to in my lifetime. They were: Read more

Catching Up, Up, Up

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Catching up on a few jazz vinyl sales from the recent auction by Carolinasoul, starting with Lee Morgan, Candy, Blue Note 1590. This was an original West 63rd Street pressing listed in VG+ condition for the record and the cover. The final price was $3,000. Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label mono with deep grooves. The record was VG and the cover as VG+. The final price was $1,598. Doug Watkins, Watkins at Large, Transition 20. This was an original pressing with the booklet. The record and cover were VG. The final price was $1,415. Read more

Prestiges and Transitions and Booklets and Speculation

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Perusing eBay and came upon this record: Wardell Gray Memorial Album, Volume One, Prestige 7008. This is an early New York yellow label pressing with the second cover. The cover has a cutout hole in the center. The record is listed in M- condition and the cover is VG+. Start price is $350 with no bidders and plenty of time left on the auction. What strikes me about this is why Prestige changed covers so early and often in the early years. Off the top of my head, I can think of a bunch of similar situations: Sonny Rollins Plus Four,  John Coltrane with the Red Garland Trio, All Day Long, all come to mind. I know the cynical answer is they did it to make money, but how? Were they also experimenting to see what would sell better? Perhaps covers with innocuous photos such as this Wardell record, versus a picture of a black artist? Perhaps a careless buyer would buy both copies? Perhaps they envisioned a time in the far off future when they could drive collectors crazy with questions like this? I have raised this question before and Rudolf has been helpful in sharing his insight. Any other thoughts? Read more

A Supreme Love Supreme, Prestiges and Blue Notes

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Still here. Still watching jazz vinyl on eBay. Here’s one: John Coltrane, A Love Supreme, Impulse A-77.  Gotta give the seller credit for being loquacious and highly descriptive about this record. We know why he is selling it, what equipment he played it on, how loud. It is one of the more unique listings I’ve seen. Anyway, after reading all that, I would guess, as the seller does, that the record is in VG+ condition, that it is an original pressing and the cover is probably in VG+ or VG++ condition. The start price is $400 and so far there are no bidders with a bit more than a day left on the auction. The seller says he is ambivalent about selling the record because he is afraid to play it, so maybe the market will make it an easy decision for him to keep it. Read more

Guest Column: Digging Vinyl in Portland

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I recently received a note from a reader who asked to write a short post, so here it is, from Stuart Levine.

I moved to Portland, Oregon a week ago and have spent every day but one (Record Store Day; I don’t like crowds) hitting the local record shops. The first one was Jackpot Records, where I had anything but good luck. You see, there was a pristine copy of “My Favorite Things,” but it was on hold for another customer. That led me up the street to Exiled Records and things began to improve. I found an original 1971 Marvin Gaye “What’s Going On.” That’s no easy feat, considering the fact that Rolling Stone had named it the top album of all time. Oh, and it’s VG (not a beater) and plays through. Read more

Another Mini Adventure At the Central Berkshire Record Show

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Speaking of buying records . . . there was a record show in my neck of the woods this weekend. It was advertised as the first ever Central Berkshire Record Show and it was in a little town called Dalton in Western Massachusetts. I arrived early and paid the additional VIP fee to get first crack at the records, just in case there were any rare Blue Notes to be had. But I was not among the first to arrive and I was pleased to see that the show was pretty crowded. There were more than 20 dealers and the aisles and tables were pretty full during the whole time I was there. I kept a low profile, as is my natural tendency. I found a few decent records at fair prices, as you can see in the photo. The Jaki Byard was a pretty pleasant find because (1) I don’t have a copy of the record and (2) it was an original pressing and (3) the price was about $50 and (4) the seller had it marked as VG which was extremely conservative. To me, record looks M- and the cover is VG+. Checking Popsike, I see that the record, Jaki Byard, Here’s Jaki, New Jazz 8256,  has sold for more than $200 several times, so I feel like I got a good deal. Hey, that’s what it’s all about. Read more

A Mini Adventure in Jazz Collecting

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I think, and hope, I will never get over my passion for buying records. A couple of years ago, I decided I had too many records in the house. I was spending too much time looking at them and organizing them, and less time playing them. Plus, they were taking up more space than we had originally planned, of course, because that’s what record collections do when they multiply. So I took about 2,000 records out of the house and put them into storage with the idea that these will eventually be sold. I wrote about it here at Jazz Collector and have had many inquiries, but so far I’m not ready to do anything with these records. The point of retelling this story is this: Even though I have more records than I want, and certainly more than I will ever need, I am still buying more records and bringing them into the house. Because that is what I do and what I like to do. Buy records. The other day, I had a chance to go into a good record store where I had not been for a long time. I was, as has often been the case for many years, dragging The Lovely Mrs. JC along for the adventure. Before we got to the town and to the store, I told her “you know I’m going to buy records. I don’t know what, I don’t know why, but I do know that, yes, I will be buying records.” Read more

Hot and Heavy

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Here are some jazz vinyl auctions we are watching this week, starting with a couple of heavy hitters: Tommy Flanagan Overseas, Prestige 7134. This is an original pressing listed in VG+ condition for both the record and the cover. The bidding is in the $800 range with more than six days left on the auction. Tina Brooks, True Blue, Blue Note 4041. This looks to be an original West 63rd Street pressing. The record looks to be in VG++ condition and the cover is probably VG+. The current price is $2,995. There is one bidder and five-plus days left on the auction as of this writing. Last week we saw a copy sell for more than $8,000 (WOW). Read more

From the InBox: Sun Ra, Sonny Stitt, Swiftly Flow The Bucks

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Let’s start by looking in the Jazz Collector inbox to see what treasures and wisdom might be awaiting us. I see that our old friend CeeDee has a few links for us, starting with another WOW: Sonny Stitt Plays, Royal Roost 2208. This was an original deep groove mono pressing listed in VG++ condition for both the record and the cover. The cover pictures could indicate some optimistic grading. The final price was $760. It went from $219, which is pretty high for this record, to the final price in the last few seconds of the auction. There were 12 bidders altogether. This has to be the highest price ever for a Stitt on Roost record. So, let’s swing over to Popsike and . . . . Indeed, it is not just the highest price for a Stitt on Roost, it is the highest price for any Stitt. Hey, it’s a great record and he was a great player. Read more

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