Horace Parlan Blue Note: A Tale of Two Labels

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OK, I have to admit, I’m spending a lot of time catching up on the Jazz Collector Price Guide because I’m kind of avoiding other (i.e., paying) work that is far less interesting. My loss — as in a loss of sleep, when I have to eventually catch up on this other work — is your gain. Here are a few more Blue Notes that will be entered into the Jazz Collector Price Guide.

Horace Parlan, On the Spur of the Moment, Blue Note 4074. This is an interesting one. One label is New York USA and the other is West 63rd. This record came out right at the cusp of when Blue Note was making the transition. The seller claims it has deep grooves as well as the ear in the deadwax.  It was listed in VG+ condition for both the vinyl and the cover and it sold for $183.50. Is it an original? I would tend to think so, but I’m not so sure. Here’s another copy of the same record: Horace Parlan, On the Spur of the Moment, Blue Note 4074. This one

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Some Odds & Ends: Konitz, Brubeck, Newk

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While we’re catching up on adding items to the Jazz Collector Price Guide, we figured we’d share a few more odds and ends with you. This is one you don’t normally expect to sell for more than $300: Lee Konitz with Warne Marsh, Atlantic 1217. This was an original black label pressing in M- condition and sold for $311. I have to give the seller a lot of credit for this one. He took an absolutely crystal-clear picture and he did a very nice job of describing the condition of the LP. It really catches your eye and makes you want the LP. Sometimes, presentation is everything.

Here’s one you almost never see going for a big price: Dave Brubeck Time Out, Columbia 8192. This was one of the most popular jazz LPs ever and

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Jazz Vinyl Updates: Clef, Verve, Norgran

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Last week we recorded a bunch of high-end Blue Notes for the Jazz Collector Price Guide, and a batch of nice Prestiges, and even some nice 10-Inch jazz vinyl. So, today, let’s turn our attention to another of our favorite labels — or, in this case, a series of labels. How about some nice Norgran, Clef and Verve LPs? Here are some of items we’ve been watching and will be entering into the Jazz Collector Price Guide.

Lester Young, The President, Norgran 1005. This was an original yellow label pressing with the cover illustration by David Stone Martin. It was sold by The Jazz Record Center, so it was bound to get top dollar. This one looked to be in VG++ condition for the vinyl and M- condition for the cover. The price was $320.55.

This is a great record with a great cover: Lester Young and Teddy Wilson, Pres and Teddy, Verve 8205. This one was in VG++ condition for both the vinyl and the cover. It was sold by the seller Herschel78, who had a bunch of nice Verves/Norgrans/Clefs a few weeks ago. This one sold for $316.11. Also from the same seller was this:

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Cool Struttin’ Tops $3,000 (again)

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That copy of Sonny Clark, Cool Struttin’, Blue Note 1588, that we were watching yesterday? Remember how it was $750 with less than 24 hours to go. It sold this morning for $3,002, making this LP a four-time-entrant in the $3,000 bin. The only other multi-entrant in the $3,000 bin is Jackie McLean, The New Tradition, Ad Lib 6601, which we’ve recorded twice at more than $3,000. To be fair, we don’t watch every single record, and there certainly have been other high-priced records we’ve not logged into the Jazz Collector Price Guide.

On eBay Now: Sonny Clark, Candy, Jackie

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Here is some of the jazz vinyl we’ll be watching over the next few days here at Jazz Collector. This one should join the $1,000 bin: Sonny Clark, Cool Struttin’ Blue Note 1588. This is original pressing and is being offered by Euclid Records. The vinyl is in VG++ condition and the cover is M-. The current price is about $750 with one more day to go. In the past on the Jazz Collector Price Guide, we’ve seen this one sell for as much as $3,750, so we’d expect this one to go up quite a bit over the next 24 hours. Euclid Records had another item close recently for the $1,000 Bin and that was this: Kenny Dorham, Round ‘Bout Midnight at the Cafe Bohemia, Blue Note 1524. This was an original Lexington Avenue pressing listed in M- condition for both the vinyl and the cover. The price was $1,212.

Here’s another interesting one: Lee Morgan, Candy, Blue Note 1590. This seems to be an original pressing. The seller lists it as VG+, but he does mention a little surface noise in spots. This would tend to depress the bidding, and we’ll see what happens. The start price for this is around $700 and so far there are no bids. There’s a day to go, and we would have to think this record will sell for more than $700 in this condition.

Then there is this: Jackie McLean, 4, 5 and 6, Prestige 7048. This

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WFMU Record Fair: A Brief Report

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So I did go to the WFMU Record Fair on Sunday. I’ve attached a picture to prove it. I didn’t buy any records. My goal with Record Shows has traditionally been to find bargains. You often get dealers who don’t know anything about jazz vinyl, and sometimes they under-price the records, and sometimes they are just trying to get rid of records, and sometimes they are happy to bargain so they don’t have to take the records home. There have also been many times where I’ve met collectors who really didn’t know the value of their records, and they underpriced everything that they had. I’ve written here about the guy who had a bunch of original Blue Notes and Prestiges and just priced everything at $5, including a mint copy of

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Sealed Records: To Bid Or Not To Bid?

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Here is some more jazz vinyl we’re watching today and through the weekend:

Here’s one that may cause a dilemma: Introducing Lee Morgan, Savoy 12091. This is a sealed record. Is it an original pressing with the red label, or a later pressing with the maroon label? It seems like you’ll have to buy it to find out. The seller has a bunch of Savoys, all in their original shrink wraps, and he hasn’t opened them to determine their vintage. Is it worth the risk risk? This record is now at $50. If it turns out to be an original pressing, unplayed, with a mint cover, what would it be worth — $500, $800, even $1,000? Who knows? Here’s another interesting one from that batch: Mighty Mike Cuozzo, Savoy 12051. Do you think Savoy even issued this with a maroon label? It’s a sealed record, priced at $9, perhaps an original featuring Eddie Costa on vibes. Worth a risk? Perhaps it is.

This seller also has some nice records, including: Mal Waldron, Left Alone, Bethlehem 6045. This

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Jazz In Korea: A Story Goes With It

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For those of you who won’t be in New York at the WFMU Record Fair this weekend, we are watching some  jazz vinyl on eBay. Here’s an interesting one with a story behind it: Howard McGhee and his Korean All Stars, Jazz At the Battlefront Volume 1, Hi-Lo 6001. This is an original 10-inch LP. It is listed in M- condition for the vinyl and VG++ for the cover. The current price is a little more than $100 and the seller is Euclid Records, who we hope to see at the record fair on Sunday. Anyway, this is the story behind the record. From what I recall, the great jazz bass player Oscar Pettiford was hired by the U.S. government to lead a group of jazz players to go over to Korea to play for the troops who were stationed there in 1951 or 1952. So he put together a group including Howard McGhee on trumpet, JJ Johnson on trombone, Rudy Williams on tenor sax, Skeeter Best on guitar and Charles Rice on drums. Pettiford, of course, was to be on bass — except something happened. I had heard it was a fight, perhaps in a bar, but my

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WFMU Record Fair Starts Today

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Just a reminder, the WFMU Record Fair starts today in New York and extends through Sunday. If you are in the area, it’s definitely worth checking out. If you are attending and would like to share your experiences with your fellow Jazz Collectors, please feel free to comment on this post, or send me an email at al@jazzcollector.com and I can give you your own post. As for me, I’m heading out of town today but will be back in time to attend the Record Fair on Sunday. I won’t have a table, but I’ll be roaming around looking at records, and maybe even buying a few as well. I’ll write a report on my findings sometime after the weekend.

Prestige Day: Jackie, Farmer, Fuller, Webster Young

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The past few days we’ve been catching up on some Blue Notes and some 10-inchers. Now it’s time for our old friend Prestige:

Jackie McLean, Jackie’s Pal, Prestige 7068. This one was in M- condition for both the record and the cover and it was another one out of the batch from Nautiluso. The price was $896. While we were there, we checked out whether there’s any new feedback on this seller from the amazing collection of a few weeks ago. So far, there’s nothing new to report. We’ll keep looking.

Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017. This was an original New York yellow-label pressing and was offered by Euclid Records. The record was VG++ and the cover was M-. The price was $203.50, which is a bit more than we’ve seen in the past for this record, but certainly well deserved as an early Prestige with some great artists.

Curtis Fuller, New Trombone, Prestige 7107. This was an original New York pressing, also

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