Soon on eBay: Tina Brooks, Elmo Hope, Bennie Green

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Here’s some interesting jazz vinyl on the Jazz Collector watch list over the next few days.

Tina Brooks, True Blue, Blue Note 4041. This is an original pressing. The record is listed as M- and the cover is VG+. The price is already more than $1,000 and there are still four days to go.

Elmo Hope Quintet, Blue Note 5044. This is a nice 10-inch LP with a great cover. This one is in VG++ condition and is being offered by Euclid Records, one of the top sellers of jazz vinyl on eBay. This one is about $100 with several days still to go.

Another high-end Blue Note: Sonny Clark, Cool Struttin’, Blue Note 1588. This one is not in great shape. The vinyl is listed in VG- condition, and the cover looks to be VG. The price is more than $100 now, and it has not yet reached the seller’s reserve.

The Return of Art Pepper, Jazz West 10. This is an original pressing. The vinyl is listed as VG++ and the

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Catching Up on Some More Blue Notes

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We’ve been watching the Blue Notes carefully because the prices have jumped quite a bit recently. We’re always looking for trends. We thought we detected some softness the other day, but now we’re not so sure. Either way, the market on eBay always fluctuates a bit depending upon who’s bidding and who’s selling. Some sellers, because of presentation, packaging, credibility, always do better than others. Anyway, here are some recent Blue Note sales as tracked by Jazz Collector. See what you think.

Cliff Jordan, Blue Note 1565. This was an original West 63rd Street pressing. The record was at least VG+ and the cover was also VG+. The price was $760.

Miles Davis Volume 1, Blue Note 1501. This was an original Lexington Avenue pressing, from a reliable seller. The record was in M- condition for both the vinyl and the cover. The price was $517. Also, Miles Davis Volume 2, Blue Note 1502. This was also an original Lexington Avenue pressing from the same seller. It was also in M- condition all the way around, which is tough to find in these older Blue Notes, isn’t it? This one

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Watching Some Blue Notes

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Time to catch up on some recent Blue Note listings. There seemed to be a mania there for a few weeks that may be subsiding. Something to keep an eye on.

The Magnificent Thad Jones Volume 3, Blue Note 1546. This was an original pressing. The record was VG+ and the cover was VG. The price was $510. This is not one that would be an indicator of the subsiding mania. It’s actually more visible in some of the records I’m watching today and tomorrow.

Charlie Rouse, Bossa Nova Bacchanal, Blue Note 4119. This was probably an original pressing, although the seller did not mention anything about deep grooves. It was listed in M- condition for both the record and the cover. It sold for $202.50.

Miles Davis Volume One, Blue Note 1501. This was an original Lexington Avenue pressing. The

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A Weekend on eBay: Miles, Bud, PC & More

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I’m heading up to the country for the weekend, but before I go I’ve found a few nice items to watch on eBay. There were the couple I mentioned yesterday on Jazz Collector — The Jutta Hipp on Blue Note as well as the Serge Chaloff — and here are a few more:

Miles Davis, Relaxin’, Prestige 7129. This is an original pressing with the New York labels. The record is in M- condition and the cover is VG++. Great record featuring John Coltrane and the classic Miles quintet from the ’50s. This one has a start price of about $135 and there are no bidders yet. It’ll be interesting to see if it sells. Our previous high price for this in the Jazz Collector Price Guide has been about $300.

Paul Chambers, Whims of Chambers, Blue Note 1534. This is an original pressing, but it’s in VG condition for both the record and the cover. A nice copy of this one recently sold for more than $1,000 on eBay. This one

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A Few to Keep an Eye On

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Here are a few items of interest we’re following over the next few days:

Jutta Hipp at the Hickory House Volume One, Blue Note 1515. This is an original pressing with the Lexington Avenue address, but it’s only in VG condition. The seller has a start price of about $200 and there are no bidders with a couple of days left. We’ve recently seen one of these sell for about $775 in better condition, of course, on the Jazz Collector Price Guide. One of the reasons we’re watching this: We have been going through our own collection deciding what to keep and what to sell. Some of the prices of the Blue Notes are higher than ever, so we’re considering dipping into the collection and picking out some choice items to post on eBay. This is one of the records we own, and we have a copy in extremely nice condition. If anyone out there wants to make an offer, we’re listening.

Here’s one of similar interest, for similar reasons:

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Price Updates: Steve Lacy, Pres, Sonny Criss

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Here are some interesting items we’ve been watching the past couple of days.

Steve Lacy, Soprano Sax, Prestige 7125. This was an original pressing with the New York label. The record was VG+ and the cover was VG++. The price was $130.50.

Illinois Jacquet, Jazz Moods, Clef 662. This was an original pressing and it was in M- condition for both the record and the cover. The price was $89.50.

Lester Young, Lester’s Here, Norgran 1071. This was an original yellow label. The record was listed as VG+ and the cover was VG++. The price was $121.

Sonny Criss Plays Cole Porter, Imperial 9024. This was an original pressing that

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A Bargain At Under $1,000?

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If a record should sell for more than $1,000, perhaps this would fit the bill: Sonny Rollins, Tenor Madness, Prestige 7047. This was a beautiful, New York pressing in mint minus condition, for both the record and the cover. Sonny and Trane together, an early Prestige, great cover. It’s got it all. This one sold for $832. As great a record as this is, this is the highest price we’ve ever recorded for it. The previous high in the Jazz Collector Price Guide was $543.  I actually think this one would have sold for a higher price with a better picture. Someday soon we will be adding a copy of this to the $1,000 been, we are quite sure.

A Pair for the $2,000 Bin & A Pair of Surprises

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As we mentioned the other day, there has been an overflow of $1,000 records. Here are a few more, including a couple for the $2,000 bin:

Lee Morgan, City Lights, Blue Note 1575. This one was pointed out earlier by one of our readers.  It was in M- condition by a credible seller and it was an original pressing. It sold for $2,655.

Barney Wilen, Tilt, Swing Vogue LDM 30.058. This was an original French pressing. The record ws what we would call VG++ and the cover was M-. This one sold for $2,250.  This one is not new to the $2,000 club: It has previously sold for $2,700 in the Jazz Collector Price Guide.

Sonny Criss, Jazz-USA, Imperial 9006. This was a surprise to see in this category, simply because

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A Sonny Clark Not For $1,000; Another Bulls-Eye

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Here are a few interesting records we’ve been watching the past couple of days:

Sonny Clark Trio, Blue Note 1579. This one looked to be VG++ for the record and mint minus for the cover. Given the prices of Blue Notes lately — and Sonny Clark Blue Notes in particular — this one looked like a cinch to join the $1,000 bin. It didn’t, but it sure came close: It sold for $909.

Back to John Coltrane, Giant Steps, Atlantic 1311. This is the one with the bulls-eye cover. While we’ve pretty well established that this is not quite a first pressing — that would be a black label — this pressing seems to be catching on with eBay bidders. This one was in what we would probably call VG++/VG++ condition and it sold for $457.50. To give credit to the dealer, he notes that it is not as desireable as the black label.

And another Blue Note:

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Happy Birthday, Cannonball

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Thank you to Don-Lucky for pointing out that this would have been Cannonball Adderley’s 81st birthday. I’ll never forget where I was when Cannonball died back in August 1975. I was driving my car in Auburn, N.Y., where I was just breaking in as a newspaper reporter. I had to pull over to compose myself. Cannonball was always a big figure for me because he was a favorite of my father’s and I saw him a few times as a kid and also because the album Live At The Lighthouse was the first or second record that really set me on the path to becoming a jazz fan and, eventually, a jazz collector. For my money, after Bird there was Cannon on alto and then a big gap to whoever would be next. I’ve been putting records on eBay lately, a lot of duplicates, and I listen to parts of them before I post them. Every time I put on a Cannonball record, particularly the early ones on Mercury, I am surprised and amazed once again at just how much he had under his fingers and how naturally he swung and how everything he did was just great. So, Happy Birthday, indeed. By the way,

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