Search Results for: hipp

A New Adventure in Jazz Collecting, Part 6

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I was going to milk the suspense for a couple more days, but I changed my mind. I’ll cut right to the chase. I was prepared to sell Jason from Carolina Soul Records about 5,500 records. My strong preference was an outright purchase and not a consignment. Jason was prepared to buy 5,500 records from me and had the wherewithal to make the outright purchase based on the amount I told him I was looking for. He and his colleague Nate came up to my home in The Berkshires and spent the better part of a day and evening poring through the 5,500-or-so records I had put aside. The opportunity for a big deal was in place . . . . Read more

A New Adventure in Jazz Collecting, Part 4

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The pix with these posts are copies of some of the records to be auctioned. The real pics will be with the listings.

Looking back, it seems I’ve been going through this existential angst about what to do with my collection ever since I started Jazz Collector back in 2003, and probably well before that. I am sure, among this audience, I am not alone, but I’m fairly unique in that I  have this forum to share and explore my experiences, as I am doing yet again. I learn a lot about myself from doing Jazz Collector and from paying attention to the comments on the site.

In this case, I go back to a post I did on June 20, 2022 titled Back in Action. This was another one of those angsty posts in which I shared that my long-term plan for retirement was to spend more time doing Jazz Collector and to go back to selling records on eBay, a la Rudolf and some of the other regular contributors to the site. There were a lot of thoughtful comments on that post but one especially hit a nerve. It was from Mark and this is what he said:

“I think the last thing I would want to do when I retire is sell jazz records online! I mean perhaps selling a few key high end pieces would make sense, but in reality I would rather just consign the whole collection to a big name eBay dealer or store. It also seems that collecting taxes and such is more and more of a thing these days on Discogs and eBay.” Read more

A New Adventure in Jazz Collecting

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Sometime over the next few weeks the seller Carolina Soul Records will be running an eBay auction that will include many really, really nice original jazz collectibles. These will include a beautiful copy of Jutta Hipp With Zoot Sims, Blue Note 1530, along with nice copies of the other 12-inch Jutta Hipp Blue Notes; a really nice original New York pressing of Sonny Rollins Saxophone Colossus, as well as Blue Note 1542, 1558 and 1581; a West 63rd copy of John Coltrane, Blue Train, Blue Note 1557, plus more than a dozen additional original Tranes; a bunch of Miles originals; Donald Byrd Blows Beacon Hill on Transition, Kenny Dorham Blue Note, Lou Donaldson Blue Note. I could go on.

How do I know so much about this upcoming auction? Read more

InBox: Una Mas, New OJCs, Autographs and A Rare J.R.

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I know it’s been a long time between posts, but there is a reason, and, fortunately, it has nothing to do with health, at least physical health, but there may be some of you out there who will question my mental health once I get around to telling the whole story, which I will do in a few days. Sorry for the intrigue and mystery, but for a couple of days I want to just do regular, routine posts, looking at rare jazz records on eBay, so I can take a little more time to write about may latest adventure in Jazz Collecting. You’ve waited this long between posts, you can wait a few days more to hear the story. Meanwhile, our old friend CeeDee has gotten impatient, rightfully so, and sent me a link to this record: Kenny Dorham, Una Mas, Blue Note 4127. This looks to be an original New York USA pressing. The cover is pretty trashed and the record plays with slight noise throughout. It is on buy-it-now on eBay for $245. Something about this listing has perplexed Mr. CeeDee because this is the note that accompanied the link: “I don’t know whether to laugh, cry or scream. I’m sure there is something missing . . . isn’t there?” Is there?

Also in my inbox was a new press release from Craft Recordings announcing that they are relaunching the Original Jazz Classics series on vinyl. The press release mentions that the first OJC issues came out in 1982, which is more than 40 years ago, which seems quite amazing to me. I was never a huge fan of the original OJCs, with their soft cardboard covers and thin vinyl. I would use them to fill in gaps in my collection, but always with the idea that I would like to replace them with originals as soon as possible. These new OJCs are being pressed on 180-gram vinyl and “housed in a replica of the original tip-on jacket. I have no idea what the original tip-on jacket means, but I hope they are using thicker cardboard so they feel more like the original original pressings. If these are nicer copies that the first round of OJCs, do you think they will have any impact on the market for first pressings. Perhaps collectors will be content with a nice reissue, but if experience is any guide, it might make the originals even more in demand as collectors/listenters get hooked on the idea of having these great music on vinyl. The first two records to be issued are Workin’ With the Mildes Davis Quintet and the Monk/Coltrane record on Jazzland. Looks like the first of the products are shipping at the end of May. Perhaps I’ll be among the first to purchase, even though I have both records, just to report on it here at Jazz Collector.

While I’m here, I will clear out some of the other items in my mailbox. This one comes from a reader looking for a buyer: “I have a programme from a Jimmy Smith gig in Birmingham, England. It is signed by Jimmy and his guitarist Nathan Page when I met him at the stage door. Would it be of any interest to anyone as I am willing to sell it?” If you are interested send me an email at alatjazzcollectordotcom and I will pass on your name and email address.

One of our readers bought a collection and sent this note: “Recently I bought a Jazz LP collection and found a sample copy. This record is a promotional press of J.R. Monterose recorded in 1963 live in Tender Trap at Cedar Rapids, Iowa. I read in a Japanese website that it was a British Spotlight recording distributed as promotional records in Japan in only 20-30 copies, but for copyright problems never released. Later it was repressed in 1993 by Fresh Sound. The sample copy is: Spotlight SPJ 152 (C 556). Do you know something more about this sample copy and his grading of rarity? I suppose, as it was written in that Japanese Web site, it’s a very rare record.” I replied that I was ignorant about this particular record, but felt pretty sure that someone in the Jazz Collector audience will have the information. So, if that someone is out there, please comment.

Finally, our friend Clifford sent this link: My Name is Albert Ayler, Fontana 6888603 ZL. The record was graded VG and the cover was just good. But the cover had signatures from Albert Ayler, Don Cherry, Gary Peacock and Sunny Murray. Per Clifford: “I’ve seen one other Ayler autograph in my life, almost exactly the same, so it’s definitely legit – the Sunny Murray signature looks like the other ones I’ve seen.” There were four bids and the final price was $1,532.

Heavy Hitters, Hefty Prices

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All of the jazz vinyl auctions I was watching in my queue are now over, so let’s start catching up with those, starting with Roland Kirk, Triple Threat, King 539. Although I’m a big Kirk fan, this is a record that has eluded me over the years. This was an original pressing listed in VG condition with “light noise hiss, crackle & an occasional pop.” Cover was listed as VG, with shelf wear and a partial seam split. This was from the seller 1molecularrman, who’s been on quite a run for the past few months. The run continues. This one sold for $1,300 on the noise. Read more

A Modern Jazz Quintet

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Let’s go back to the eBay watch list and catch up on some jazz vinyl auctions that may be of interest to the Jazz Collector masses, starting with Chet Baker, Chet, Riverside 299. This looked to be an original blue label deep groove pressing featuring, among others, Bill Evans on piano, which usually seems to generate added interest from collectors. This looked to be graded in EX condition for the record and the cover. The final price was $1,187.  Per Popsike, this is the second highest price ever recorded for this record. In 2018 a mintier copy sold for $1,225.

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Filling Up the $1,000 Bin

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Catching up on the eBay jazz vinyl watch list. Let’s start with one that was sent to me by Japhy: Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This was an original deep-groove. West 63rd Street mono. The record and the cover were both in VG++ condition. The final price was $1,650. Japhy’s note was titled “Swinging for the fences,” and he did my homework for me: “A new high of $1,650 for Jackie McLean Swing, Swang, Swingin’ in reported VG++/VG++ condition. Prior high was $1,283 back in 2005.” Speaking of “Swingin’” new highs, we were watching this one the other day: Read more

Japan Record Shopping, Part 3: Back to Tokyo

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The stairwell leading to the 4th floor at Disk Union Shibuya

By Steven Frost

After our rest in the mountains of Hakone I was excited to explore metropolitan Tokyo. When we arrived in Shibuya and got settled in I merely Google-mapped Disk Union and assumed following the search results would lead me to the correct destination. Along the way I came across the jazz bar Dug, a name I knew from separate recordings by Albert Manglesdorff and Mal Waldron. Unfortunately it was Dug in name only, with drinks and a cover charge, but no live music. A few blocks passed Dug, unlike so many of my other searches in Japan, I actually found the store on the first try, located in the heart of Shibuya with no trouble at all. Disk Union Shibuya is a multi- story affair with each floor dedicated to a different genre of music. The stairwell leading to F4, jazz and blues, certainly filled me with a sense of expectation. Read more

Guest Column: (Mis)Adventures in Jazz Hunting, Southern Style: Goats, Garlic, Grief and Gordon

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By Dave S.

As I have promised Al over the years, I will continue to submit for his approval, my journeys into the unknown of crate diggin’ we call the Twilight Zone. This week’s episode takes us to Birmingham. Not Birmingham, England, but Birmingham, Alabama. You might ask why Birmingham, Ala., generally regarded as fertile hunting grounds for Southern Fried Rock such as the Allman Brothers or Lynyrd Skynyrd, but certainly not for our favorite genre.  I was heading there for a business trip so I thought I would go where no jazzman has gone before (sorry for the weak TV references) and see what I could find.

I put an ad in the Birmingham craigslist website a couple of weeks before my trip and drummed up some potentially promising leads. In previous posts, I have documented my screening techniques. I don’t like to ask too many questions or ask for too many pictures before I see the goods. Just enough information to validate that jazz means something other than Enoch Light or Jackie Gleason, and that some of my favorite labels and/or artists are there. I especially like to ask about the history of the collection and the provenance. That often tells me about the likelihood of finding some hidden gems. With this screening approach, sometimes you win and sometimes you lose. Read more

Guest Column: Dancing in Your Head

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Greetings to all. I’m Lenni Bukowski, whose comments under the moniker of Lennib you may have read, although recent ones may have been anathema as they dealt with dissolution rather than accumulation. I have also been emailing Al on the matter of disposing due to his post of May 3rd, 2015, titled ‘See You in Brooklyn? Not Anymore.’  He suggested  “Why don’t you write a post or two on your experiences…how to find a place in our lives for the passion we get by collecting, listening and playing jazz.”

I believe I have always been a collector of some sort, of something. Baseball cards, books, stamps, coins, toy soldiers. And looking back, I outgrew all of them over time. Being Chicago born, I had always been riding the subway or buses when I was old enough to and on one such journey of exploration in 1963 or ‘64, I walked into the Jazz Record Mart, 7 West Grand, and immediately heard a sound that would stay with me always. I asked the clerk, dig now, a hipster for real, red haired, goatee’d, all in black, beret’d, what was playing over the speakers. The reply came, with hipster hauteur, “That’s Bird, man.” Seeing a look of befuddlement, he took pity on a youngster and said that’s Charlie Parker.

And off I went. Read more

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