As the Records Turn

Time to catch up on some rare jazz vinyl we’ve been watching on eBay, starting with Phil Woods Septet, Pairing Off, Prestige 7046. This was an original New York Yellow label pressing that looked to be in M- condition for both the record and the cover. When we wrote about the record last week at Jazz Collector, the bidding was in the $300 range. The record sold for $1,225. According to Popsikethat’s the highest price we’ve seen for that record. I’ve been saying that so often lately, I’m beginning to sound like (fill in the blank, I’m too embarrassed to write it). Anyway, this one was sold by the Jazz Record Center and here are some additional items from the same auction: Read more

Condition Still Counts (At Least For These Records)

Normally my eBay watch list is filled with records I am watching to fulfill my mission here at Jazz Collector. There are very few occasions when I actually bid on records and, if you’ve been keeping track, even fewer occasions when my bids are successful. One of the records in my watch list that was for both Jazz Collector and potential purchase purposes was this one: Joe Henderson, Page One, Blue Note 84140. Somehow in more than 50 years of jazz collecting, this record has never made it onto my shelves, and it is a classic, isn’t it, with Blue Bossa and Recorda-Me and Kenny Dorham and Joe Henderson? Anyway, this is an original stereo pressing and, I was thinking, perhaps because it was stereo and not mono, the price might be in line with my sensibilities. The record is in VG++ condition and the cover is M- and when I first spotted the record it was in the $200 range. We are now two hours from closing as I write this and the price is close to $600. I expect it to sell for a bit more than that, so I will just keep looking. I still don’t know why I don’t have a copy. I mean, back when I started collecting I probably could have gotten a Liberty pressing for $5 or so at any of the local record stores. Read more

Rare Jazz Vinyl, Pristine and Not

On my eBay watch list this week are some rare Gene Ammons records from our friend Rudolf, including Gene Ammons All Stars, Jammin’ With Gene, Prestige 7060. This is an original New York pressing that looks to be in pristine, nearly new condition. The bidding is at $106 with more than four days left on the auction. I don’t often listen to these jam session type records, but whenever I do, I am pleasantly surprised. Of course, it does help to have musicians like Ammons, Jackie Mclean, Art Farmer, Donald Byrd, Doug Watkins and Mal Waldron. Rudolf, if you are watching Jazz Collector my question is: Are you selling duplicates or are you digging deeper into your own collection, perhaps starting with the A’s? While we’re on the subject, here’s another: Gene Ammons, Funky Hi-Fi Jam Session, Prestige 7083. This is another original New York promo copy that also looks to be in pristine condition. Where can you possibly find records like these in that condition, like buying them new in a record store in the ’50s. Bidding on this is at about $102, also with more than four days left. Read more

Instagram????????

Glad to see the last post garnered so much interest and discussion. Not sure whether to thank Helen Merrill, the person who bought the Helen Merrill record, Strictlyheadies or Instagram itself. I realize I am missing a lot by not being active on Instagram. I actually have two accounts, AJDoctor, which is also my eBay account, mostly inactive, and Jazz.collector. I just don’t go to Instagram very often. Nor do I go to Facebook or other social media. Maybe I’m just old, but I’ve never thought of myself as a moldy fig and I have been active online since the early days of the net. In fact, I started a newspaper in 1994 called Inter@ctiveWeek, which was the first print and online publication focused on the internet and bore the tagline “The Internet’s Newspaper,” which, by  the way, I came up with. Anyway, maybe this discussion will help inspire me to participate. One of these days, when people don’t want to pay me good money to write about technology and business anymore, I will have more time to get back to selling records, and perhaps then I will be ready to expand both my horizons and my community. Until then, it’s back to watching records on eBay, starting with: Read more

Random and Rare Jazz Vinyl

Back to my eBay watch list, starting with Helen Merrill, Emarcy 36006. I put this in my queue without really looking at the listing because the price was  getting up there. It finally sold for $710. When I finally did look at the listing, just now, I was pretty surprised to not see the drummer logo. So this was not an original pressing. It was listed in M- condition for both the record and the cover, and having this record in M- playing condition would be nice. We are seeing the rise in value of second pressings pretty consistently now, so I guess it shouldn’t be a surprise, even though, to me, it was. Read more

Chick Corea

When I was 20 in 1973 I had the balls to walk into the offices of the Syracuse New Times and tell them I should be their jazz critic. The New Times was the alternative newspaper in Syracuse, the local version of the Village Voice, and I was a journalism student at the Newhouse School. I had never written anything professionally, nor had I even written anything for a school newspaper. But they didn’t have anybody to write about jazz at the time, so they gave me a shot. I reviewed a couple of albums and must have done OK because I walked into the office one day and the editor said Return to Forever was coming to the local nightclub on campus, called Jabberwocky, and they would like me to review the concert and interview Chick Corea. In fact, they had already set up a time and place for me to do the interview. Read more

Jazz Vinyl From Europe, U.S., and a Wish List

Another day, another batch of rare jazz vinyl from eBay. Let’s start in Europe with Barney Wilen, Tilt, Swing LDM 30.058. This looks to be an original pressing in VG++ condition for the record and the cover. The bidding is in the $300 range and there are four days left on the auction. This has been a high-end collectible since I began watching eBay many years ago and has sold for more than $1,000 several times, including a high of $2,700, according to Popsike. I’ve never owned this record, nor have I heard the music. In fact, if it weren’t for eBay, I probably wouldn’t know about it. I’ve always been impressed whenever I’ve listened to Wilen, so I imagine it is collectible not just because it is rare, but because the music is also first rate. Oui? Read more

Collectibles in the Eyes of the Beholders

Here’s some more jazz vinyl from our watch list, starting with Paul Chambers, Bass on Top, Blue Note 1569. When I first saw this record the bidding was in the $200 range and I thought it might be something worth considering. The copy I have is a Liberty pressing with an original cover. I did some mixing and matching myself on that, don’t remember the circumstances. Anyway, when I looked at the listing for this I was surprised to see that this was a Liberty pressing with a Liberty cover. The record was in just VG condition, and the cover was VG+. I guess anything with a blue and white Blue Note label is in high demand these days, whether Liberty, United Artists or second/third pressings. This one sold for $272.34. Read more

Listening to Random Jazz Vinyl for Fun and Inspiration

Recently I’ve been pulling random records off the shelf and listening either to a side or the whole album. The impetus has been to just play records I haven’t listened to for a while or because something or someone piqued an interest. For example, as I write this the album I have on the turntable is Cannonball Adderley and the Poll Winners, Riverside 355. My impetus was purchasing a second copy to upgrade the condition, not of the record but of the cover. It turned out that the copy I owned was in pristine condition, but it could use a better cover so I went back to Spike’s Record Rack in Catskill to pick up the copy I had left behind. This 1960 album features Cannonball with Wes Montgomery, Ray Brown, Vic Feldman and Louis Hayes. As if I really needed confirmation, this is quite a great record, with great playing and a nice selection of originals, standards and the Charlie Parker composition Au Privave. Read more

Four for Jazz Vinyl

Back to the grind of watching rare jazz vinyl on eBay. It’s a tough job, but someone’s got to do it. Here are items sitting in my current watch list, starting with Curtis Fuller, The Opener, Blue Note 1567. This is an original West 63rd Street pressing listed in EX condition for both the record and the cover. The bidding starts at $500 and there is already one bidder with more than two days left on the auction. In the past, this record has made it into the $3,000 bin one time and into the $2,000 bin twice, according to Popsike. In this condition, we wouldn’t expect it to reach those lofty heights. As for my own copy, I just reorganized my records the other day and re-affirmed that I do not have an original pressing of The Opener, but rather a United Artists pressing that I purchased more than 40 years ago and probably haven’t listened to since I first brought it into my home. Perhaps I will listen today or tomorrow, if I have the opportunity. I have been doing that recently, pulling random records out of the collection and putting them on the turntable. I am preparing posts both on the reorganizations efforts as well as these random listening sessions, so stay tuned. Read more

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