Collectible Jazz Vinyl and Not Vinyl

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Yeah, that Bill Evans New Jazz Conceptions LP with the original cover sold for $1,725, as someone pointed out in comments. With a VG cover and VG record. I guess not even a global pandemic can halt the market for original jazz collectibles. A few more from the same seller: Gil Melle, Patterns in Jazz, Blue Note 1517. This was an original Lexington Avenue pressing in VG MINUS condition with a VG cover. Despite the condition it sold for $910. Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original West 63rd Street pressing in VG MINUS condition for the record and VG for the cover. It sold for $706. Read more

Vinyl Classics From Riverside and Prestige

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Let’s look at the Jazz Collector watchlist on eBay for an update, starting with Bill Evans, New Jazz Conceptions, Riverside 223. This is an original white label pressing. The record is in VG condition and the cover is also VG. The bidding is in the $294 range with two days left on the auction. As of now there have been 12 bidders and 46 bids. Such a great cover – you wonder what Riverside was thinking when they replace it for the second pressing. The seller for this one is Carolina Soul, which often has nice jazz vinyl on eBay, this week being no exception. Here’s one more: Curtis Fuller, New Trombone, Prestige 7107. This is an original yellow label pressing with the New York address. The record is in VG+ condition and the cover is VG. The bidding is in the $60 range with two days left. The seller mentions a “slight storage warp,” on both of these records, so that may be effecting the bidding, particularly on the Fuller. But , looking closer at the Fuller, the real gating factor is probably the huge writing in black marker on the back cover. When I first started buying jazz records, it was always about the music, but when I became a “collector” my values changed, perhaps not for the better, and the condition of the cover became almost-but-not-quite-as-important as the music. I imagine I am not the only one here was a similar experience. Read more

Trumpet Treasure and a Bird Call

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My friend Dan sent me a couple of interesting items in email this past week. First is this poster from Club Ruby on Baisley Boulevard in Jamaica, not that far from where we grew up. It is from May 1966 and features a one-night only jazz memorial tribute to Fats Navarro, Clifford Brown and Booker Little. Get a load of the lineup of trumpet players, not to mention Joe Henderson as the guest soloist. Imagine this in a small club in Jamaica, Queens? Dan sent it to me because one of our favorite local record stores, Greenline Records, is mentioned and we have quite a load of nostalgic memories of the owner of Greenline, Ben, as well as one of his employees, Larry. I will save the Greenline/Ben/Larry stories for another day, but wanted to share this cool poster.

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Hawes, Hipp, Trane and More

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Some random stuff from eBay and email. I hadn’t particularly though of this record as a collectible: Hampton Hawes, For Real, Contemporary 7589. This was a stereo pressing with the yellow label and I couldn’t tell from the listing if it was a deep groove and/or original. It was in VG++ condition for the record and VG+ for the cover. It sold for $113.50, which is not Blue Note pricing, but still in the range of what I would view as a collectible. Just took a look at Popsike and, lo and behold, this record does have a particular cachet, with many copies selling for more than $100 and a top price of more than $300 for a mono pressing. I’m sure it’s a great record, with Harold Land on tenor, and I’m also sure that the presence of Scott La Faro on bass for one of his last albums adds to the interest and thus the value. Not being on eBay all of the time, and not doing any buying or selling myself, it sometimes happens that nice records slip through the cracks of my awareness. Here’s another one to put on my want list because, alas, I no longer have a copy. Read more

For Lady (and Everyone Else)

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Time to get back to eBay, starting with Webster Young, For Lady, Prestige 7106. This is an original New York yellow label pressing listed in Ex condition for the record and VG+ for the cover. I’ve always had a soft spot for this record because it was one of the first yellow label Prestige originals I ever owned and because it was, and is, quite a lovely record. It was, I presume, also my introduction to Webster Young and Paul Quinichette, two very fine, very underrated players, IMHO. Writing this post, I just talked myself into putting this on the turntable next time I have time to listen mindfully. The bidding for this one closes in more than for days from this writing, with a top bid now of about $245. Read more

Sonny Rollins on Art

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Imagine my pleasant surprise, just a few seconds ago, reading The New York Times over a cup of coffee, wading through the distressing news about politics, coronavirus, voter suppression, et al, and then seeing headline “Art Never Dies” and the name “Sonny Rollins.” This is the first essay in a new series called “The Big Ideas: Why Does Art Matter.” It was written by Sonny as told to Ian Carlino. I love the piece and I love the simplicity of the byline, which is simply: “Mr. Rollins is a musician.” I would never normally just reprint an article from another publication, but I realize many of you may not have subscriptions to The Times and this is deserving for everyone here to read, so, if The Times wants to send a cease and desist for Jazz Collector’s 1,000 daily page views, be my guest. Also, the picture is not from the article, just something I chose from the many images available in the public domain. Read more

Autographed Jazz LPs, and Not Autographed Jazz LPs

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We’re watching some rare jazz vinyl on the current auction from The Jazz Record Center, starting with Duke Ellington & John Coltrane, Impulse A-30. This is an original promo mono copy with the white label. The record and the cover both look to be in mint or near mint condition. The start price is $200 and so far there are no bidders with two days left in the auction. Also, Charlie Rouse, Yeah!, Epic 16012. This is an original pressing with the yellow label and also looks to be in mint or near mint condition. The start price for this one is $300 and so far there is one bid. One more: Horace Parlan, Movin’ and Groovin’, Blue Note 4028. This is an original West 63rd Street pressing. The record looks to be M- and the cover maybe a notch below. There are six bids and the current price is in the $275 range. Read more

Catching Up (And We Mean Up!) on Rare Jazz Vinyl

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Here are a couple of nice $1,000 records we were watching on eBay: Dizzy Reece, Progress Report, Tempo TAP 9. This was an original U.K. pressing that was listed in excellent condition for the vinyl and great condition for the cover and, even though those terms are not precisely Goldmine-approved, you get the sense from the description and pictures that the record was in extremely nice condition. This one sold for about $1,025. Also, Lee Morgan, The Cooker, Blue Note 1578. This was an original West 63rd Street pressing listed in M- condition for the record and cover. We said “under normal circumstances” this record could set a new high water mark for the Cooker. What we meant was that we felt the pandemic would perhaps be dampening prices for high-end records. We were wrong. This record did set a new high at $1,625. So much for my theories and hypotheses—so far at least. Read more

Back on eBay: Vintage Blue Notes and a Coltrane Autograph

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I just spent a little time on eBay. There are a lot of nice rare vintage records from the Jazz Collector Era and I’m not noticing much of a drop in demand or prices since the pandemic. Here are some of the items I put into my watch list, starting with a few vintage Blue Notes: Lee Morgan, The Cooker, Blue Note 1578. This looks to be an original West 63rdStreet pressing listed in M- condition for both the record and the cover. The auction closes in three days and there are already 37 bids and 13 bidders. The price is in the $500 range. This record is a regular in the $1,000 bin, with a top price of about $1,600, according to Popsike. Under normal circumstances I would expect to see this record easily top $1,000 and perhaps set a new standard, given the condition of the record and cover. Let’s see what happens. Read more

The Complete Jazz Collector Red Carraro Collection

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Red in his natural habitat

I did the Irving Kalus Complete Collection yesterday and, in doing so I mentioned my old friend Red Carraro and remembered the articles I wrote about him after he died. Again, there was no link where I told the whole story. So here it is, with some of the comments from friends and fans of Red from 2010. One of these days I am going to compile all of my stories, and more, in a “Best of Jazz Collector” book, so think of these random updates as a bit of a teaser.

July 12, 2010

There was a time, before the Internet and eBay, when jazz record dealers would amass hundreds of collectible records and compile them in lists and send those lists all over the world so that collectors could bid on them, blindly, hoping they would make the top bid and receive a shipment of rare jazz vinyl several weeks later. One of the leading and last practitioners of this fading art was a gentleman, and I use that word purposefully, by the name of William Carraro, known to all as “Red.” I am sad to report that Red passed away in his sleep yesterday morning. Read more

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