Prestiges, Blue Notes and a Boyd

Where was I? Oh, yes, I had a watchlist on eBay that I haven’t looked at in two weeks. Let’s see what’s there. Phil Woods et al, Four Altos, Prestige 7116This was an original New York yellow label pressing that was listed in VG++ condition for the record and VG++ for the cover, although I’d say VG+ for the cover. My feeling about cover gradings is if there is a seam split, then VG++ is a bit too optimistic. But that’s me. Anyway, this was a promotional copy and a pressing from a library, which always gives me pause because who knows how the record was handled all these years. This one sold for $451.99. Now the four alto players on this record are Woods, Gene Quill, Sahib Shihab and Hal Stein. And my question is this, for those of us, like me, who mostly organize records alphabetically by artist: Is there any collector out there who files this record under anyone else besides Phil Woods?

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Rare Blue Notes in All Shapes, Sizes and Formats

Record temptation came and went. The Blue Note 78s from the Jazz Record Center sold for $910 and, by the time the auction came around, I had forgotten all about them. I seem to be less obsessive in my old age. I think this is a good thing. The Lovely Mrs. JC certainly does. I’m pretty sure I wouldn’t have topped $910 even if I had remembered. There was also this odd item from the same auction: Rare Blue Note Salesman’s Folio. This was a spiral-bound portfolio with promoting Blue Note releases from August 1967, with a “salesman’s demonstration record.” I have to admit, I’ve never seen one of these. It sold for $1,009.99. Imagine if there was a pre-Liberty portfolio, or one from the ‘50s? Read more

Record Temptation, Then and Now

I had my eye on this one and someone also mentioned it in a comment on the previous post: Bill Evans, New Jazz Conceptions, Riverside 223. This was an original white label pressing with the original photo cover. The record was listed in M- condition and the cover was VG++, although perhaps VG+ may have been more accurate given the tape/tape residue on the back cover. Nevertheless, you rarely see the front cover this clean, and it’s such a gorgeous cover, you wonder what they were thinking at Riverside when they changed it. Anyway, this particular copy sold for $3,629, with the buyer and other bidders no doubt entranced by the clean picture of the cover. A quick click to Popsike tells us that this is by far the highest price ever paid for this record. Read more

Aiming High for Rare Jazz Vinyl

As prices of rare collectible jazz records have continued to rise over the years, I’m noticing that more sellers on eBay seem to be using the strategy of starting their auctions at higher prices, often prices that are higher than what would seem to reflect the prevailing market limits. I’m not sure if this has always been the case, or it is just something that is striking to me because I tend to look at higher priced records in doing the Jazz Collector site. For those of you who’ve been here long enough to recall, I wasn’t always focused just on the higher priced records. However, as I’ve had less time time to devote to the site over the years, and as I stopped selling records myself on eBay, I find it is a bit easier and less time-consuming to search predominantly at the top end of the market. One of these days, when the real works starts drying up, I’ll try to go back to taking a broader perspective. In the meantime, several of these types of auctions have caught my eye this week, starting with: Jutta Hipp with Zoot Sims, Blue Note 1530. This is an original Lexington Avenue pressing with the flat edge and frame cover. The record is listed in VG condition with the admonition that it plays with “some noise.” The cover is VG with seam splits, writing on the back and perhaps some staining. Looks more like VG- to me, but I’m not looking to quibble. The start price is about $1,500. So far there are no bidders with more than three days left on the auction.

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Blue Notes and Brubeck

Following up on a few of those heavy hitters we were watching on eBay, starting with Cliff Jordan, Blue Note 1565. This was an original pressing with the New York 23 labels, listed in M- condition for the record and probably VG+ for the cover. When we first wrote about this record the bidding was in the $500 range and we predicted it would eventually sell for between $1,000 and $2,000, if not more. Didn’t quite make it to $2,000 but came close at $1,809. The same seller had Lou Donaldson, Lou Takes off, Blue Note 1591. This was an original West 63rd Street pressing that looked to be in M- condition for the record and EX for the cover. The final price was $1,425. Read more

Who’s Alive?

Roy Haynes

Living in New York City and being a somewhat infamous collector of jazz records, people often ask me if I still see a lot of live jazz. My standard reply is “no because anybody I would really want to see is dead.” I realize this is a flippant response and not 100% true because I do occasionally see live jazz, but it still sometimes gets a chuckle and in my business you never cut funny. In any case, I was thinking about that this morning and my mind started racing and trying to remember who actually is alive from the era that we write about here at Jazz Collector. Read more

Jazz Vinyling on eBay

Time once again to clear out the eBay watch list, starting with a few from that Jazz Record Center auction from a couple of weeks ago: Sonny Clark, Sonny’s Crib, Blue Note 1576. This was an original pressing with the New York 23 labels. The record looked to be in M- condition and the cover was probably the same. The final price was $2,276. For the record, there have been copies of Sonny’s Crib that have sold for more than $3,000 in the past, according to Popsike. There was also a copy of Sonny Clark, Cool Struttin’, Blue Note 1588. This was also an original pressing, probably in VG++ condition for the record and maybe VG+ or slightly better for the cover. The final price was $2,025.

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Blue Notes or Bust

What jazz collection would be complete without a copy of The Swinging Fats Sadi, Blue Note  5061? I say this in jest because mine is one of those collections that does not have a copy of this 10-inch Blue Note, nor have I ever seen a copy in the real world nor heard a note from the recording. Still, it is an original 10-inch Blue Note, sort of, in the sense that it wasn’t actually recorded for Blue Note but was originally issued on French Vogue, just like the Clifford Brown/Gigi Gryce Paris Sessions and Wade Legge Blue Notes (thanks, again, Rudolf, for spelling that out for us several times in the past). So, if you are looking to fill in this particular blank in your Blue Note collection (I’m not), there is a copy if this record for sale on eBay now. The record is listed as M- and the cover seems close to that and the start price is $350. So far there are no bidders. For the record (pun intended), three copies of this record have previously sold for more than $500, according to Popsike. We’ll see what happens with this one. It is a pretty cool cover. Then again, can you think of a 10-inch Blue Note that doesn’t have a pretty cool cover? Or a 12-inch Blue Note?

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Insanely Rare Jazz, and More

Here are a few odds and ends we’re watching on eBay now, starting with Roland Kirk, Triple Threat, King 539. It must admit, when I saw the listing for this record I had a certain seller in mind because of the all caps JAZZ HOLY GRAIL DG ORIG INSANELY RARE. But it was the normally rational Euclid Records with the listing, so perhaps there is some contagious bobdjukic virus spreading across eBay. In any case, this holy grail is listed as VG- for the record and VG+ for the cover. There are four days left on the auction and the record is getting close to the $400 mark. Read more

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