Blue Notes and Beyond

The Jazz Record Center has a veritable Blue Note Jazz Festival on eBay now, with several beauties, including a couple that are already sitting in the $3,000 bin, including: Kenny Dorham, Afro-Cuban, Blue Note 1535. This is an original 12-inch pressing with the Lexington Avenue address, flat rim playing surface and frame cover. This looks to be in M- condition for both the record and the cover. The auction closes in a bit more than one day and the bidding is already at $3,015. Then there is the Lee Morgan Sextet, Blue Note 1541. This is also an original Lexington Avenue, frame cover pressing, and this one has promo stamps on the labels. The record looks to be in M- condition and the cover is probably M- or, at worse, VG++ for sticklers. The bidding is at $3,000. Read more

Soul Sisters, Smithvilles and Other Vinyl Rarities

Since I haven’t been posting as frequently as I used to, I find I have a backlog in my watchlist of items I meant to write about, but haven’t had a chance. So let’s go back a few weeks and see what we missed, starting with Horace Silver, Serenade to a Soul Sister, Blue Note 4277. This was an original Liberty Mono pressing and was part of the recent Jazz Record Center auction. I honestly never realized any copy of this record was viewed as highly collectible until I read the JRC’s description of it as “the rare Van Gelder-stamped mono pressing.” Apparently these mono pressings were never sold to the public. I often find I learn something new whenever JRC has an auction. This copy was in M- condition for the record and the cover. The final price was $464. Guess I’ll have to settle for my nice stereo pressing.

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A 10-Inch Potpourri

Back in business with some more random rare jazz vinyl, focusing today on records in the 10-inch pile, starting with Charlie Parker All Stars, Dial 202. This is an original pressing that looks to be in VG+ condition for the record and probably VG or VG+ for the cover. Front cover looks nice; back cover has some writing and stains. This one is closing tomorrow at a start price of about $350 and so far there are no bids. It may seem amazing to most of you but, after all of these years, I still don’t have any of the original 10-inch Birds on Dial. It’s not for lack of interest or lack of trying. I’ve just never seen them at a price/condition I felt comfortable paying. Here’s a record that looks quite nice: Horace Silver Trio, Blue Note 5034. This looks to be an original pressing in M- condition for both the record and the cover. Not only a rare record, but extra rare to see one in this condition. This auction closes in two days and there is a single bid in the $400 range.

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Random Rarities

Randomness from an eBay watchlist. John Coltrane, A Love Supreme, Impulse 77. This looks to be an original mono pressing. The record and cover are both graded as M-, although the picture seems to show wear on the cover, unless that is just a reflection from the camera. In any case, there are five days left on the auction and the bidding is already in the $325 range. Out of curiosity, I popped over to Popsike to see if A Love Supreme had ever made it into the $1,000 bin and the answer is that yes, indeed, it has, a few times, maxing out at $1,225. You kind of get the feeling because the album is such an icon, that the value will continue to go up. Is this the highest price we’ve seen for any Impulse? I can’t think of one off the top of my head.  I put it in this post primarily because I wanted to show a picture of the cover, which always puts a smile on my face. Read more

Prestiges, Blue Notes and a Boyd

Where was I? Oh, yes, I had a watchlist on eBay that I haven’t looked at in two weeks. Let’s see what’s there. Phil Woods et al, Four Altos, Prestige 7116This was an original New York yellow label pressing that was listed in VG++ condition for the record and VG++ for the cover, although I’d say VG+ for the cover. My feeling about cover gradings is if there is a seam split, then VG++ is a bit too optimistic. But that’s me. Anyway, this was a promotional copy and a pressing from a library, which always gives me pause because who knows how the record was handled all these years. This one sold for $451.99. Now the four alto players on this record are Woods, Gene Quill, Sahib Shihab and Hal Stein. And my question is this, for those of us, like me, who mostly organize records alphabetically by artist: Is there any collector out there who files this record under anyone else besides Phil Woods?

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Rare Blue Notes in All Shapes, Sizes and Formats

Record temptation came and went. The Blue Note 78s from the Jazz Record Center sold for $910 and, by the time the auction came around, I had forgotten all about them. I seem to be less obsessive in my old age. I think this is a good thing. The Lovely Mrs. JC certainly does. I’m pretty sure I wouldn’t have topped $910 even if I had remembered. There was also this odd item from the same auction: Rare Blue Note Salesman’s Folio. This was a spiral-bound portfolio with promoting Blue Note releases from August 1967, with a “salesman’s demonstration record.” I have to admit, I’ve never seen one of these. It sold for $1,009.99. Imagine if there was a pre-Liberty portfolio, or one from the ‘50s? Read more

Record Temptation, Then and Now

I had my eye on this one and someone also mentioned it in a comment on the previous post: Bill Evans, New Jazz Conceptions, Riverside 223. This was an original white label pressing with the original photo cover. The record was listed in M- condition and the cover was VG++, although perhaps VG+ may have been more accurate given the tape/tape residue on the back cover. Nevertheless, you rarely see the front cover this clean, and it’s such a gorgeous cover, you wonder what they were thinking at Riverside when they changed it. Anyway, this particular copy sold for $3,629, with the buyer and other bidders no doubt entranced by the clean picture of the cover. A quick click to Popsike tells us that this is by far the highest price ever paid for this record. Read more

Aiming High for Rare Jazz Vinyl

As prices of rare collectible jazz records have continued to rise over the years, I’m noticing that more sellers on eBay seem to be using the strategy of starting their auctions at higher prices, often prices that are higher than what would seem to reflect the prevailing market limits. I’m not sure if this has always been the case, or it is just something that is striking to me because I tend to look at higher priced records in doing the Jazz Collector site. For those of you who’ve been here long enough to recall, I wasn’t always focused just on the higher priced records. However, as I’ve had less time time to devote to the site over the years, and as I stopped selling records myself on eBay, I find it is a bit easier and less time-consuming to search predominantly at the top end of the market. One of these days, when the real works starts drying up, I’ll try to go back to taking a broader perspective. In the meantime, several of these types of auctions have caught my eye this week, starting with: Jutta Hipp with Zoot Sims, Blue Note 1530. This is an original Lexington Avenue pressing with the flat edge and frame cover. The record is listed in VG condition with the admonition that it plays with “some noise.” The cover is VG with seam splits, writing on the back and perhaps some staining. Looks more like VG- to me, but I’m not looking to quibble. The start price is about $1,500. So far there are no bidders with more than three days left on the auction.

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