A Misadventure in Jazz Collecting, Part 1

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I feel guilty for being away so long, so I return to regale you with a story. It will probably be in two or three parts, but I promise it will all be posted this week, no more lengthy gaps. I’m actually on vacation from my real work.

Like most of the stories here, this one starts with an email.

May 10, 2018. Email to Al. Subject: Old original jazz collection

Hello. Was wondering if you know anyone interested in buying a pretty great collection of old (pretty sure collectible) jazz records? My hub amassed a big collection over the years and many are blue notes verve prestige and other unique labels. We r in Rochester, NY. Have been looking through many and have only gone through half prob near four thousand records at least. Looked some up on the Goldmine most recent book. Thank you 🙂 Debbie.

May 11, 2018. Email from Al to Debbie: Subject: Re: Old original jazz collection

Hi, Debbie. I know of several dealers who may be interested, and I may be interested myself as a collector. Sounds like you are interested in selling the collection as a whole? Do you have a list or any pictures? Condition is very important. Have you talked to any dealers yet? I’m happy to help you. – Al

May 11, 2018. Email from Debby to Al. Subject: Re: Old original jazz collection

Hi Al, Will send a few pics off to you! Yes Tom Cohen here in Rochester (bop shop) was supposed to call waited for a while then did last nite. Don’t think he’s interested in whole collection and really want someone who would love them and pay a fair price. Records are pretty mint but a few covers have dingy from the 50’s and some sellers marked prices on the, way back when! Hope to be in touch and maybe call . . . Debbie Read more

Hype, Hyperbole and High Prices; Just Another Day on eBay

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Back on eBay again for the first time in weeks and was greeted to this: John Coltrane, Coltrane, Prestige 7105. What caught my eye about this listing was this line: “Awesome red cover of one of the rarest jazz albums.” Then I saw that the bidding had already reached more than $510 for this second pressing with the New Jersey label. The combination of high hyperbole and high price, could only mean one seller and, of course, I was right. You can click the link and guess yourself, but for regular readers here it won’t be much of stumper. The record and cover are graded as VG++. I kind of like the red cover, but prefer the original green. Does anyone know why Prestige did this, not just with this record, but with others? Did they think people would want to buy the same record twice? Rudolf?

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Back in Action: Rare Newk, Redd, Jackie

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I’m back. Haven’t looked at eBay in a couple of weeks, so that’s where I’m going to start: Sonny Rollins Quintet, Esquire 20-080. This is a 10-inch British version of the 10-inch U.S. LP Sonny Rollins Quintet Featuring Kenny Dorham, Prestige 186. I’ve never owned either the U.S. or U.K. pressing, so this copy looks extraordinarily cool to me. It is listed in VG++ condition for both the record and the cover. The start price is in the $200 range and so far there are no bidders, with five days left on the auction. Tempting, I must say.

And then there is my old nemesis:

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Tales from the Inbox and From the Turntable

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Clearing out some old emails and watch list and found this link and note from our friend Clifford: Hank Mobley, Blue Note 1568. The note reads as follows: “Watching this one because it is apparently quite unplayable.” And that it was. The vinyl was listed in G condition, with the caution that it would not play without skipping. The cover was VG- with edge wear and seam splits. I think Clifford sent me the listing when the price was about $150. It would up selling for $810 with 16 bidders. Quite a lot, IMHO, for a record that I wouldn’t put on my turntable, but perhaps the new owner will like to frame it, or have it for investment purposes, figuring that these things are only going up in value, no matter what the condition. Trying not to pass judgment, because collecting is very personal and we all have our passions and idiosyncrasies.

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On the Menu: Classic Blue Notes and Prestiges

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We’ll start today with a few from the Prestige label, opening with Zoot Sims Quartets, Prestige 7026. This is an original New York pressing that looks to be in about VG+ condition for the record and similar for the cover. It’s not a record that we’ve written about much. We don’t see it on eBay that often and it doesn’t typically command high collectible prices, compared to other original pressings from the era. This one has a start price of $200 and so far there are no bids, with the auction closing in two days. I happen to own a copy of this record, but haven’t listened to it in like 30 years. Maybe I’ll try it later. Zoot is always worth a listen, IMHO. Read more

For Sale: Bird’s Horn. Really.

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Our friend and loyal follower Caroline sent a note the other day that she had been at Christy’s, the auction house in New York, and came upon Charlie Parker’s alto saxophone. My goodness, what a treasure. She sent a couple of pictures and a follow-up note stating that it is available in a private sale, not for auction, with an asking price of $750,000 to $1,000,000. The backstory, she says, is that it was in a pawn shop when Bird died and his wife Chan went to retrieve it. There is a certificate of authenticity, which you can see at the end of the post. This is the same horn that was sold by the auction house Guernsey’s in 2005 for $286,000. I happened to be at that sale and saved the catalogue. The serial number is the same, as is the provenance.

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A New Coltrane Studio Recording. Really.

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I was taking a break from work earlier and, as I am wont to do, I opened up my iPad to The New York Times to find out what latest assault on our democracy is being inflicted by our president and his cohorts and, lo and behold, I was greeted, to my great surprise, right at the top of the page, by a picture of none other than John Coltrane. Now this, of course, piqued my interest and the story that accompanied the photo piqued my interest even more, as I’m sure it will for most of you out there in Jazz Collector land. The article is titled Lost John Coltrane Recording From 1963 Will be Released at last and the crux of it is that there is actually a NEW studio recording from the classic Coltrane Quartet that was recorded by Impulse in 1963 and somehow, someway, was never released. It’s hard to believe such a thing was possible, given Coltrane’s importance, popularity and the reality that a record company would never lose an opportunity to make money, but it seemed to have happened nonetheless. According to the article, which you should all read, the recording was in the possession of Coltrane’s first wife, who we know as Naima, and was recently discovered by her family. Huh? It doesn’t seem to make any sense, but there it is.

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Back to Business, Back to Blue Note

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I’ve been off eBay for a while, tending to other business, so to get reacclimated and grab a quick look at what’s going on, I did a search of some of the highest priced jazz records now up for auction. Naturally, all of the top listings came up Blue Note. Here are a few, starting with Freddie Hubbard, Open Sesame, Blue Note 4040. This is an original pressing with the West 63rd Street address. The record is listed in VG+ condition and the cover is VG++. It looks like a nice solid copy. The bidding is now in the $475 with more than two days left on the auction. Given today’s market, I would expect this one to break into the $1,000 bin.

This one is already headed for the $1,000 bin, and might wind up all the way into the $3,000 bin, if, indeed, such a bin actually exists: Kenny Dorham, Round Midnight at the Cafe Bohemia, Blue Note 1524. This is an original Lexington Avenue pressing that looks absolutely pristine from the photos, as if it had been preserved in laminate from 1956. The seller lists it as M- for both the record and the cover. The bidding has already exceeded $1,500 and there are more than five days left on the auction.

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M&M&M: Monterose, Mobley, Miles

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Here’s a cool one from our friends at funkyousounds: JR Monterose, the Message, Jaro Jas-8004. This is an original pressing in VG+ condition for both the record and the cover. What makes it cool is the personalized autograph from JR on the back, which looks legitimate to these eyes, although I am certainly no expert. If its a fake, someone went to a lot of trouble. Anyway, this one closes in two days and is now in the $405 price range.

For a record that is considered the rarest of the rare, Hank Mobley, Blue Note 1568, seems to come up quite often on eBay. Now we have a copy from the seller bobjdukic, so we can only imagine what this will sell for, since he seems to have a strong following of devoted buyers willing to pay top dollar. This one is probably VG+ or even VG++ for the record and the cover. It has the West 63rd Street address on the labels, not the New York 23 on one side, which is the version coveted by the most serious of Blue Note collectors, even though it has been argued often here at Jazz Collector that they are likely of the same vintage and provenance. This one is now at $2,000 with eight days to go on the auction, so we will expect it to sell for a much higher price, all things considered.

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Great Jazz on Video and Vinyl

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Rather than listening to records last night, I did some random searches through YouTube and found a few really cool clips to share. It’s a fun thing to do, plug in an artist’s name and see what comes up, but before you know it three or four hours could pass by. Anyway, there’s this clip of the Horace Silver Quintet doing Song for My Father. This is nearly 19 minutes, with great long solos by Horace, Bill Hardman and Bennie Maupin. Horace was one creative, brilliant musician and Hardman is a revelation. Interesting how “outside” the playing gets during Maupin’s solo, and how comfortable Horace and the rest of the band are in that style. Here are two more to enjoy. No need to comment from me, they speak for themselves: Read more

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