Two For the $1,000 Bin

bishopWe’re watching a couple of records now that look as if they will sell for big dollars, including: Walter Bishop Jr., Speak Low, Jazz Time 002. The record and cover are both in M- condition. What I find interesting here is that it is a Canadian pressing. Typically, Canadian pressings are not considered nearly as collectible as their U.S. counterparts. This one seems to be doing okay in the bidding, however. The current price is $1,111 with a full day left on the auction. The other thing is that the cover is listed as M-, but there seems to be some clear ring wear in the picture. I don’t quite understand the bidding, but it is not my record to buy or sell.

Jutta Hipp with Zoot Sims, Blue Note 1530. This is an original Lexington Avenue pressing listed in VG++ condition for the record and VG for the cover. The bidding had been slow, but it has picked up steam. There are now 28 bids and the price is $1,136.

 

 

Four For the Jazz Collector Price Guide

Griffin Jazz VinylHere’s some more high-end jazz vinyl we’ve been watching:

Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing that was in very nice M- condition for the record, but just VG for the cover. The cover condition did not seem to dampen the interest by too much. There were 28 bids and the record wound up selling for $1,802.

Johnny Griffin, The Congregation, Blue Note 1580. This looked to be an original pressing in VG++ condition for the record and VG+ for the cover. It has the cover by Andy Warhol, of course. I would have expected this to perhaps get into the $1,000 bin, but it didn’t. It sold for $767.

Jutta Hipp, At the Hickory House Volume 1, Blue Note 1515. This was an original Lexington Avenue pressing in VG++ condition for the record and VG+ for the cover. It sold for $1,164.

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Another Adventure in Jazz Collecting, Baltimore Part 7

Blue TrainSo I was back on the phone with Dan and poring through a box of Charlie Parker 78s. There were a bunch of Dials, some Mercurys and Savoys. I had never had much luck securing Charlie Parker Dials, so this would be a very welcome addition to my collection. Then I went into another one of those Capital mailers and it was filled with Blue Notes. A bunch by Miles Davis and Lou Donaldson, including “If I Love Again,” which Dan put on in the background to accompany me. These, too would be a welcome addition to the collection and they made me realize how pleased I was that this collection ended up in my hands because I would really treasure and appreciate these records. There aren’t that many people who collect and appreciate 78s anymore and I, fortunately, happen to be one. They also seem to fit quite nicely into my collection, filling in a lot of the gaps.

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Another Adventure in Jazz Collecting, Baltimore Part 5

jackie3So I was carefully handling the first record in the first box, Miles Davis Volume 2, Blue Note 5022. I had once owned this record in poor condition. It was so poor, in fact, I didn’t even want it in my collection, so I sold it on eBay. This one in my hands, under the light, an original pressing, 767 Lexington Avenue, I don’t think it was ever played. Maybe once, on the day that Uncle Bruce purchased the record, which was August 20, 1954. I know that because Uncle Bruce clearly marked the date in pen “8-20-54” on the back of the record, in the upper left corner. There was also the original price of the record in pencil on the upper right corner in the back: 3.75.  Otherwise, the cover was quite clean, a little bit of splitting at one seam, a little wear on the front. For eBay I would grade it as VG++. For me, as a collector, I would grade it as very sweet.

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Another Adventure in Jazz Collecting, Baltimore Part 3

Zemanta Related Posts ThumbnailSo before I could call Rob and talk about the records, I needed to have two other conversations. The first was with Dan. Dan and I have been friends since first grade and we got into collecting jazz records at around the same time. Dan was always much more aggressive and adept than me at finding great records and he amassed a great collection, which at some point nearly 30 years ago ended up in my hands. We have always shared our hunts and scores and so I called Dan to tell him about the collection in Baltimore. He heard some of the titles and basically said: “You should have those records.”

Next up? The Lovely Mrs. JC, of course. I told her that there was an interesting collection that someone had sent me on email. She saw the familiar gleam in my eye.

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Another Adventure in Jazz Collecting, Baltimore Part 2

Zemanta Related Posts ThumbnailI had thought I was finished buying collections. I had gotten so much joy out of buying the Irving Kalus collection last year, I thought nothing else would compare. It was such a nice collection I didn’t think I’d ever be able to top it, so why try? I’d hardly bought a record at all in more than 18 months. I had passed on every inquiry coming in to Jazz Collector. I was happy and content with the collection I had amassed during the past 40-plus years of being a jazz collector. I am not a dealer, I am a collector, proudly so, and I have no aspirations to be a dealer. My site is Jazz Collector, not Jazz Seller.  It’s been about three years since I even sold a record on eBay. So what would I do with even more records?

Yet here I was with this list of records sitting in front of me. And it was an odd list.

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A Big Jazz Collector Weekend

This promises to be quite a weekend for Jazz Collector. Today  and tomorrow I will have a table at the WFMU Record Fair in New York. If you’re in town, please come and visit.

More important: Last night I drove from New York to Baltimore to look at a collection. I will write about it later in the weekend but, suffice to say, my living room is inundated with vinyl.

Here are a few titles to pique your interest and whet your appetite:

Tommy Flanagan Overseas

Jutta Hipp with Zoot Sims

Elmo Hope, Informal Jazz

Jackie McLean, Jackie’s Pal

Not to mention, 15 10-inch Blue Notes. Nearly everything pristine, much of it in its original packaging with the rice paper sleeve and loose plastic bags. I am quite a happy camper.

A Plethora of Jazz Vinyl Riches

PhilI mentioned all of these nice records on eBay last week that were making my eyes cross. Here are some of them:

Phil Woods and Gene Quill, Phil and Quill with Prestige, Prestige 7715. This is an original New York yellow label in VG++ condition for both the record and the cover. It closes in about 11 hours and is currently in the $225 range. Quite a beauty. This one is being offered by Atomic Records, which also sold this one: Clifford Brown and Lou Donaldson, New Faces, New Sounds, Blue Note 5030. This one was in VG++ condition for the record and VG+ for the cover. It sold for $228.05.

The seller of this record also had quite a large number of nice records: Jackie McLean, A Fickle Sonance, Blue Note 4098. This looked to be an original mono pressing listed in VG+ condition for both the record and the cover. It sold for $264. Also from this seller was: Horace Parlan, Speakin’ My Piece, Blue Note 4043. This looked to be an original deep groove West 63rd Street pressing in VG+ condition for the record and probably VG++ for the cover. It sold for $499.

This seller also has some real beauties, including:

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A Bird in Hand?

BirdHere are some jazz vinyl auctions to watch and record (for Jazz Collector) on eBay:

Charlie Parker, The Bird Blows the Blues, Dial 901. This is quite a rare find. I’m pretty sure we’ve established here on Jazz Collector that this was the first 12-inch jazz LP ever released, by Ross Russell at Dial as a promo with no cover. This particular copy is on red vinyl and is listed in VG condition with lots of scratches and no skips. The auction closes in less than two days and the bidding is in the $100 range.

Jutta Hipp at the Hickory House, Volume 1, Blue Note 1515. This looks to be an original pressing with the Lexington Avenue address and deep grooves. The seller lists the record and cover in VG+ condition, but if you look at the description in the listing it really reads a lot more like VG, with visible wear and audible noise. There are more than four days left in the auction and the bidding is in the $250 range.

Seldon Powell, Roost 2205. This is an original deep groove pressing. The record is VG+ and the cover is VG. The seller has a start price of around $350 and so far there are no takers. Think it will sell? I don’t. We haven’t seen it sell for more than around $220 in the Jazz Collector Price Guide, and that was in better condition.

 

 

 

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