Reorganizing Records: A Particular Insanity?

So I got up at 6:30 last Thursday morning and decided, on somewhat of a whim, to reorganize my records. By 6:45 I was hauling piles of records between one room and another, climbing ladders, aching my aging muscles, wrenching my aging back. For me, it was the usual: I go through this type of exercise at least once a year, maybe even more frequently. And often, there is no rhyme or reason to what I’m doing, just a desire to physically handle my records and pore through them to once again remind me of what I have and where it is located. Before I get into the details of what I did and why I did it, I am curious to ask: Is this just me, or is it a common affliction of the vinyl collector? Do any of you out there go through an organizing/reorganizing jag on a regular basis?

Anyway, so here’s my latest story.

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How Much Would You Pay For These?????

Hank Mobley Jazz VinylWhilst I was away there was some email, as usual, so let me get to some of that as long as I am catching up. Clifford sent me a note under the subject “1568 Comedy Watch,” with the accompanying text: “I don’t know if people are getting bored with these, but I still find 1568 auctions fairly amusing/interesting.” Attached was this link to Hank Mobley, Blue Note 1568. The auction as over and the final price was $960. Was it a copy you would actually put on your turntable? Not me. The record was listed in G+ condition. Was it a record you’d be proud to display on your shelves? Not really. The cover was in VG- condition with water damage and small seam split. Was it a record you’d spend $960 on, so you could say you own a copy of the rarest of the rare Blue Notes? Clearly, there was at least one buyer who would say amen to that. It was funny seeing this email from Clifford, because just a few minutes later I got a separate email from Mike with the same link and the following question: “I wondered if you or your readership would be willing to part with US$960 for BN1568 in this condition? Speaking for myself, Read more

Classic Jazz Vinyl — But Will Anything Sell

Rollins copyFinally back from a long break, and the first thing I’m going to do is take a look at what I left behind on my eBay watch list and catch up. This seller has several nice items for sale, including Sonny Rollins, Saxophone Colossus, Prestige 7079. This is an original New York yellow label pressing listed in VG++ or M- condition for the record and M- for the cover. You don’t run across too many in this shape. There are two days left on this auction, the bidding is in the $1,350 range and so far it has not reached the seller’s reserve price. This one comes from the same seller and also has not yet reached its reserve price: Johnny Griffin, A Blowing Session, Blue Note 1559. This is an original pressing with the New York 23 labels. The bidding is in the $650 range. Surely, the bidding will move into the four figures, but whether that meets the seller’s price won’t be known until the auction actually closes.

Speaking of records not selling:

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Isn’t This a Lovey Day?

Lovey copyI am watching about 10 jazz records on eBay now and not a single one of them has even a single bid. Could it be that the dog days of August are a good time to be buying? Or are sellers ratcheting up their prices as they see more and more high-ticket sales? Or is it nothing at all and the bidding will come in, as it usually does, at the last minute? In any case, here are some of the items, starting with one we’ve never actually seen in person: Lovey Powell, Lovelady, Transition 1. This looks to be an original pressing with the original booklet. The record is listed in VG++ condition and the cover is M-. Not a record you see very often. This one has a start price of $247.50 and there are more than two days left on the auction. Do you expect it to sell? I do.

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Today’s Blues: Blue Mitchell, and Blue Notes

Blue Mitchell copyCatching up on my jazz vinyl watch list on eBay. Here are some of the items I missed, starting with Blue Mitchell, Blue’s Moods, Riverside 336. This was an original pressing with the blue labels, reels and microphone logo, etc. The record was listed in M- condition and the cover was VG+. The final price was $540. I know that this record has always been prized among collectors and has gone for pretty high prices, as seen here — higher than most of the Riverside catalogue, except for perhaps Waltz for Debby and maybe one or two others. What I’ve never understood is “WHY?” I know it’s a nice record, but what is it about this particular record that has driven up its value over the years?

This is a Blue Note that’s also seemed to rise in value compared to other records released around the same time:

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Everything You Ever Wanted to Know (and More) About Blue Note 45-RPM Records

Horace Silver copyYou will now be treated to a treatise covering more than you ever wanted to know about Blue Note 45s. So from now on, if you do happen to run across any interesting Blue Note 45s, you can do a search at Jazz Collector for this article and the shared knowledge of the community will be available for as long as I pay the bills to keep the site up and running. Here’s how I came by this newfound knowledge, which I wasn’t seeking, but which I will now share for others who may also not be seeking it. It started, as these things often do, with an e-mail inquiry, as follows:

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What is On Your Turntable? Here’s What’s on Mine

Jazz copyI’m back from a brief respite. Went to an old mining town in southwestern Colorado called Creede, where my son directed a wonderful production of Our Town. A theater in an old mining town? Indeed. The story is that when the mining business began declining, town leaders put out a call for help asking for ideas on how to keep the town alive and attract residents year-round. A group of theater students from the University of Kansas decided to open a theater there. That was 50 years ago and the theater is still alive and kicking. They had done a production of Our Town back in their first season and had Michael come and do a new production this year.

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Four Jazz Classics, and Nary a Blue Note

Art Farmer copyAnd now for some more jazz vinyl from our eBay watch list, starting with Art Farmer Quintet, Prestige  7017. This is an original yellow label pressing with the New York address. The record and cover are both listed in VG+ condition. The price is only at $88 with less than a day left on the auction. Someone may be in line for a bargain (and a great record). In the same vein, and from the same seller, there is Art Farmer and Gigi Gryce, When Farmer Met Gryce, Prestige 7085. This is also an original New York pressing, listed in Ex condition for the record and the cover. Based on the seller’s descriptions, it looks like Ex is a higher grade than VG+. This one is at a bit more than $200.

While we’re on Prestiges, there is:

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Jazz Hot, Cool and Expensive

Kenny Dorham Afro Cuban VinylHere are the results of a few other jazz vinyl auctions we’ve been watching on eBay, starting with Kenny Dorham, Afro-Cuban, Blue Note 5065. This was an original 10-inch pressing with the Lexington Avenue label. The record was listed in VG+ or VG++ condition (I’d vote for VG+, based on the description) and the cover was listed in VG condition with a big stain on the front that spread to the back. The stained cover would certainly negatively impact my interest in the record, but not for the winning bidder, who is spending $902 for this record.

This was another one that was in not-so-great condition but still wound up selling for a fairly hefty price:

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Why a Monk?

Thelonious Monk 10-inch Jazz VinylThanks to Lennib for spotting this one: Thelonious Monk Plays, Prestige 189. This was an original 10-inch pressing, listed among the very nice 10-inch records we mentioned the other day. This one was also very nice, probably in M- condition for both the record and the cover. Even in this condition, the price was quite a surprise, selling for $1,136.11. That has to be the highest price we’ve seen for a 10-inch Prestige and, frankly, there’s no explanation we can come up with, other than the likely reality that two people really, really wanted this record and the bid the bidding up. From what we can see, the other records in this batch sold for prices that you would typically expect, given the titles and condition, including:

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