I Remember Clifford (And Lee Morgan, Too)

Clifford Brown copySometimes you’re on eBay and you’re browsing and then along comes an item and it’s like, wow, I would really like to have that. And thus it is with me and this item: Brown and Roach Incorporated, Emarcy 36008. This is a Canadian pressing in G condition for the record and the cover. Not too appealing so far, right? Well, here’s the thing: The record is signed. Not just signed, but signed by Clifford Brown. If you think about when Clifford died, 1956, and how young he was, 25, you would have to think that there are very few Clifford Brown autographs anywhere. Not to mention that he is probably one of my top five favorite musicians of all time (actually, I will think further on that subject and do another post on it this weekend). So this record has Clifford’s signature and also signatures by Sonny Rollins, Max Roach, George Morrow and, presumably, Richie Powell. A few things, however, do make the record somewhat less appealing to me. One is I don’t actually collect autographed records as do some other people — hello, there, Don-Lucky. But I would love to have a Clifford Brown autograph. Two is that it seems the owner

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One Sells, The Other Doesn’t

John Jenkins copyBack to watching jazz vinyl on eBay. Here are some of the records that we missed in the past few days, starting with John Jenkins and Kenny Burrell, Blue Note 1573. This was an original pressing with the West 63rd Street address on both labels. The record was listed in VG+ condition and the cover was as well. It sold for $865.55, which is getting up there for a VG+ record. At the same time there was this copy of the same record. This one also looked to be an original pressing and seemed to be in better condition than the other one. The seller listed it as Ex+, which typically translates to around VG++. Yet, this one only received a top bid of $224.50 and failed to reach the seller’s reserve price. I’m sure I’m missing something in the listings, but I can’t figure it out. And it can’t be because one of our readers doesn’t like the seller for whatever reason. If we had that kind of clout, we’d start our own eBay for Jazz Collectors only.

Here’s one for the $1,000 bin:

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In Appreciation of Bill Evans

Bill evans jazz vinylI’ve been on a bit of a Bill Evans tangent recently. If you’re going to be on a tangent, you could do a lot worse. I’ve been listening to a lot of Evans, mostly the Riverside records,  and then I also put on Kind of Blue the other night and I recall thinking to myself that, in many ways, Kind of Blue sounds in some places more like an Evans album than a Miles album. I know there’s always been a bit of controversy about who actually wrote Blue In Green, but all it takes is a cursory listen to hear that it seems more Evans than Miles. Anyway, I’m not looking to open up old wounds or start new controversies. But I want to do two things: 1. Point you all to this very interesting article on the Influence of Evans, The Bill Evans Legacy, by Doug Ramsey in The Wall Street Journal the other day. It’s nice that his genius remains recognized and appreciated and still discussed in the mainstream media. 2: I wanted to post the great recording of My Foolish Heart from Waltz for Debby, just because I love it and wanted to share it with a bunch of my friends. So, enjoy:

Two for the Jazz Collector Wish List

Hank Mobley copyJaphy sent me a note on the following listing: Hank Mobley Quartet, Blue Note 5066. This was an original 10-inch pressing that was listed in M- condition for both the record and the cover. It was listed as having been from the original owner and was offered at $1,400 or best offer. It was sold for best offer, which keeps it somewhat of a mystery to all of us here. Popsike lists it as $1,200, but we’re not sure how they know that. In any case, Japhy notes that this is the second highest price Popsike has ever recorded for this record. He also suggests that the pictures were underwhelming and the listing lacking in details. I actually think the pictures are pretty good. However, if you blow up the picture of the front cover you can see some minor damage on the lower right corner and some definite seam wear on the bottom, so I’d be hesitant to believe the accuracy of the M- cover. Otherwise, the cover does look quite nice. Beyond all of that,  one of the important take-aways is this: Japhy is considering selling his copy,

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Double Dexter, Sonny Clark, Mal Waldron

Dexter Gordon copyHere’s some of the jazz vinyl we’re watching as we brave the cold of Manhattan, starting with a few Blue Notes: Dexter Gordon, Our Man in Paris, Blue Note 4146. This is an original mono pressing listed in M- condition for the record and what looks to be VG++ for the cover. The bidding is in the $150 range with more than a day left. Thus far, however, it has not reached the seller’s reserve price. If you want to guess at the reserve price, you may use this as a guide, from the same seller: Dexter Gordon, Doin’ Allright, Blue Note 4077. The picture shows this with the West 63rd address, which is pretty rare. I think this record was right on the border. It also has a “Review Copy” stamp on it, which perhaps adds to the credibility of this as a first pressing. This one is in the $250 range with more than two days to go and it has reached the seller’s reserve price.

Okay Blue Note experts, what do you make of this one:

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A Stamp, A Failed Bid, Some Cool Autographs

Herbie Nichols copyHere are a few more items we are/have been watching on eBay, starting with Herbie Nichols Trio, Blue Note 1519. This looks to be an original deep-groove Lexington Avenue pressing. The record is listed in M- condition and the cover is VG, with taped seams. The bidding is in the $240 range and there are four days left on the auction. I have a strange copy of this record. It has the Lexington Avenue address, the ear and the RVG in the deadwax, but no deep grooves. Not sure of the vintage — probably pre-Liberty, but not an original, I would guess. Another interesting thing about my copy: It has the stamp: “Property of Rudi Blesh.” Rudi Blesh was a jazz critic and  historian. He even has his own Wikepedia page. Rudi Blesh or not, I’d still love to replace my pressing with an original, but not at that price and not with taped seams.

I actually did bid on a record this past week, which I don’t do very often this days. It was the Phil Woods record I wrote about earlier in the week:

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Jazz Vinyl For a Not-So-Stormy Tuesday

Steve Lacy copyThe storm was quite less than what they expected here in Manhattan, but it is still good day to hang out and spend some time idly watching the jazz vinyl listings on eBay. And these would be some of those listings that I would be watching, starting with: Reflections, Steve Lacy Plays Thelonious Monk, New Jazz 8206. This is an original pressing with the purple labels and the deep grooves. The seller has listed it in VG+ condition for both the record and the cover. The auction closes later today and the bidding is in the $150 range. This seller has been selling a lot of nice vintage jazz over the past few months, and has a bunch more items for sale this week. I also have my eye on Phil Woods, Woodlore, Prestige 7018. This is an original New York yellow label pressing. The record and cover are both listed in VG condition. The bidding is in the $130 range. I’m still searching for my first original copy of this record, but VG????? I mean, VG+ is scary enough these days, but VG could be pretty rough. We’ll see. The birthday is next week, so I’m keeping my options open.

Here’s a sealed, mono Blue Note for you:

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Odds & Ends From The Jazz Collector World

Barbara Lea copyLet’s catch up on a few odds and ends, starting with some of the promo records we’ve been watching on eBay:

John Coltrane, Coltrane, Impulse 21. This was a mono pressing with the white label promo label. It was listed in VG++ condition for the record and VG+ for the cover. It wound up selling for $493.88. Wow. From the same seller was this: John Coltrane and Johnny Hartman, Impulse 40. This was also a white label promo copy, also in VG++ condition for the record and VG+ for the cover. This one sold for $282. Then there were the two on Prestige: George Wallington, Jazz For the Carriage Trade, Prestige 7032. This was an original New York yellow-label pressing with the “Not for Sale” stamps on the label and cover. It was listed in M- condition for the record and probably VG++ for the cover. The start price was $499 and it did not sell. Somewhat surprising, right? Then there was:

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A Promo By Any Other Name

Carriage Trade copySo now that I’ve been writing about promo copies for the past few days, it seems that every other item I’m watching on eBay is a promo copy.  Just works out that way sometimes.

Barbara Lea with the Johnny Windhurst Quartet, Prestige 7065. This is an original New York yellow label pressing with a “Not for Sale” stamp on the back. I’ve never actually owned or even heard this record and I have no idea who Johnny Windhurst was, but it is, of course, a record I would love to have, it being an original Prestige and all. This copy is in M- condition for the record and VG++ for the cover and it looks quite nice overall. The start price is in the $300 range and that is already too steep for me.

George Wallington, Jazz For the Carriage Trade, Prestige 7032. This is also an original New York yellow label pressing with a “Not for Sale” stamp on the back as well as on the labels. The record is in M- condition and the cover seems to be VG++. The start price is in the $500 and there are no bidders with four days left in the auction. Perhaps I am wrong

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Two for The $1,000 Bin; More Promos

Eric Dolphy copyToday we have a couple of updates for the $1,000 jazz vinyl bin and a bit more on promos, including the WLPs (white label promos) that are apparently a common term that is new to me after 45 years of collecting. First, for the $1,000 bin there is Eric Dolphy In Europe, Debut 136. This is the original Danish pressing and the record and cover both looked to be in M- condition. The record sold for $1,026.

This one is left over from New Year’s, but CeeDee had sent it to me and I had forgotten to post it: Hank Mobley, Soul Station, Blue Note 4031. This was an original West 63rd Street pressing listed in Ex condition, which sounds like VG++ based on the grading system we use here at Jazz Collector. It sold for $1,605. I happened to be perusing my collection late last night and came upon this record and almost forgotten that I had it: Almost, but not quite. I’ve only had it for a little more than a year, since the Baltimore score of a lifetime. I think I will listen to it later today.

Back on the promo front there was this:

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