Insanity Check

Monk2 copyHaving taken note of what I considered to be the pretty high price on that stereo copy of Giant Steps, and having taken note that it was a listing by the seller bobdjukic, I wandered over to eBay to look at some of the other completed listings of his recent auctions because I am always impressed and somewhat taken aback by the prices he is able to get on most of his jazz vinyl listings. And, while there wasn’t that much jazz in these latest auctions, the prices continue to rise to the occasion, so to speak. Here are a few examples:

Thelonious Monk, Monk’s Dream, Columbia 1965. This is a two-eye pressing that is listed in VG++ condition for the record and VG++ for the cover, although upon close examination of the pictures of the cover it would seem more like a VG+ on my grading system. This one was only listed as “very rare,” but it sold for $127.50, which is significantly more than we typically see for this album.

Duke Ellington at Newport, Columbia 934. This is an original six-eye mono pressing that is in shrink wrap, although, to be fair, they were not actually shrink wrapping records when this came out in 1957.

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A Jazz Master Class

Gary BartzSo last night I had a blast seeing some great live jazz. This is the story:

I was planning to go to dinner and a movie with The Lovely Mrs. JC when I sat down at the kitchen table at about 4:30 p.m. to do The New York Times crossword, which is always a challenge on Friday. I was able to get it done fairly quickly and decided to swing over to the listings to double check on the time of the movie. While there, I figured I would look and see what was doing on the jazz scene, not that I go to live jazz so frequently these days. I usually tell people I don’t go as often because most of the artists I would prefer to see are dead, but that is probably just a lame excuse for the reality that I am still working hard, still getting older and don’t stay out as late as I used to in my halcyon years. Still, there is some unfortunate truth to my rationale in that I much prefer seeing and listening to the artists and music that we write about here at Jazz Collector.  And there are, unfortunately, very few of them left to actually see.

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Tracking Some Later Blue Note Originals

Blue copyHere’s some more jazz vinyl we were watching on eBay:

Dexter Gordon, One Flight Up, Blue Note 4176. This was an original mono pressing, still in its original shrink wrap. The record was in M- condition and the cover was VG++. It sold for $255. This was among a bunch of later original Blue Notes I was watching from the same era. Others included Blue Mitchell, The Thing To Do, Blue Note 4178. This also looked to be an original mono pressing and was listed in VG++ condition for both the record and the cover. It sold for $280. Also: Wayne Shorter, JuJu, Blue Note 4182. This was also an original mono pressing and was listed in M- condition for the record and VG for the cover, with water damage and tape repairs. Nonetheless, it sold for $265. Here’s another one that seems destined to sell in the same range as these, perhaps even higher:

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A Wailin’ Session (And More)

Art Taylor copyI was piling a bunch of very nice records into my Watch List folder and noticed that many were from the same seller, including Art Taylor, Taylor’s Wailers, Prestige 7117. This is an original New York yellow label pressing that looks to be in at least VG++ condition for both the record and the cover, and perhaps even better. The auction closes in three days and the bidding is close to $500. Interesting coincidence: Just a couple of days before noticing this listing I put this record on the turntable and gave it a close listen. I don’t think I’d ever listened to it and I was expecting one of those Prestige jam sessions. It’s not. It’s a well arranged, carefully conceived album with tremendous playing all around. The main group has Donald Byrd, Charlie Rouse, Jackie McLean, Ray Bryant and Wendell Marshall, in addition to AT. I have no idea why Prestige threw in another track by a separate group with John Coltrane, Red Garland and Paul Chambers, but of course it’s wonderful that they did. Coltrane is in nice form, but it’s the rest of the album that is also quite impressive. I highly recommend giving it a listen for those of you lucky enough to own a copy.

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A Boxed Set, An Autographed LP, a Mega-Rarity

Stan Getz copyDon’t see a lot of Stan Getz records in the higher price ranges, and we’re seeing fewer Norgrans in there as well, so I have my eye on this one: Stan Getz at the Shrine, Norgran 2000. This is a boxed set with two LPs and a beautiful booklet and all of it looks to be in M- condition and original, with the yellow labels on the vinyl. The bidding is in the $240 range and there are more than three days left on the auction.

Here’s another one you’re not going to see too often: An autographed copy of Bill Evans, Portrait in Jazz, Riverside 315. The Bill Evans signature is on the back cover and it is dated from 1974. The record is an original pressing with the deep grooves and blue label and it seems to be in about VG++ condition for the vinyl and VG+ for the record. The auction closes tomorrow and the bidding is in the $150 range with 13 bids and what looks to be eight different bidders. Wouldn’t mind this one myself. Hmm — birthday is coming up.

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Jazz Vinyl For The New Year

wes copyWhen last I left you, these were some of the jazz records I was watching on eBay:

Wes Montgomery, Full House, Riverside 434. This was a mono pressing with the white labels, which I assume is a promo pressing. There don’t seem to be deep grooves, but I’m not sure if that has anything to do with whether this is a first pressing. The record was in VG++ condition and the cover was VG+, with some wear on the cover. It sold for $310.

Curtis Fuller, Bone and Bari, Blue Note 1572. This was an original West 63rd Street pressing with the deep grooves. It was listed in M- condition for the record and VG+ for the cover. The bidding reached $855, but it did not surpass the reserve price set by our friend Serge.

These two also did not sell, but they have since been re-listed at the same price, and are still not getting any action:

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Updating the $5,000 Bin (and More)

Sonny Clark copyMichael posted this as a comment in earlier post, but it’s worth a mention all on its own: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing probably in M- condition for both the record and the cover. It sold for $5,156. There were 13 bids and eight bidders. In the last minute the bidding went from $1,888 to $3,767 to $5,056 to $5,156. I’d be curious to know to which country this record is going, but I don’t think you can discern that from the eBay listing, can you? This is a new one to the $5,000 bin.

It looks like there will be some additions to the $1,000 bin as well: John Coltrane, Blue Train, Blue Note 1577. This looks to be an original pressing with the New York 23 one one side. It is listed in VG+ condition for both the record and the cover. Despite the condition, the record has already been bid up to $1,385 and the bidding will close in about two hours from the time I am typing this.

The bidding on this one is more than $1,200 and there are still SIX DAYS to go on the auction:

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Review: Rosemary Clooney Mosaic Boxed Set

Rosemary copyLet’s move off jazz vinyl for a day. I’ve been listening to a recent Mosaic release: The Rosemary Clooney CBS Radio Recordings 1955-61. This is a five-CD set of 104 songs recorded by Clooney for three CBS radio shows produced by Bing Crosby. Why have I been listening to these CDs when I could have used the same time to place original Blue Notes or Prestiges on my beautiful refurbished Lynn Sondek turntable? Two reasons:

One: I happen to be a huge fan of Rosemary Cooney—not her work in the 1950s when she was a pop icon, but the series of albums she made for Concord Jazz starting in 1977 and ending with her death in 2002. These, in fact, are some of my favorite vocal records in my collection, particularly Everything’s Coming Up Rosie, Here’s to My Lady, Rosie Sings Bing, For the Duration, and Rosemary Clooney Sings the Music of Irving Berlin. I like them all, to be honest. It helps that on these albums she is typically accompanied by top-flight jazz artists such as Scott Hamilton, Warren Vache, Nat Pierce, John Oddo, Chuck Israels and many others too numerous to name. But it’s not the accompaniment that knocks me out. It’s the singer. The simple, clear, moving and heartfelt presentations of the songs, each one sung as if the singer had lived and experienced them deeply—and had also experienced quite a bit of life along the way. Which, of course, was exactly the case with Rosemary Clooney.

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Jazz Vinyl and a Touch of the Poet

Tina Brooks copyBeen a while since I did an update from the Jazz Collector inbox and, so we shall do so today and close with a little bit of jazz vinyl poetry, courtesy of our friend CeeDee. This one came in from Michael with a simple note: “Nice one.” And it is: Tina Brooks, True Blue, Blue Note 4041. This is an original pressing in M- condition for both the record and the cover. It sold for $2,900, with 29 bids. It went from about $1,900 to the final price in the final seconds. Frankly, I’m surprised it didn’t sell for a higher price. How many M- copies of True Blue do you think there are left in the world? How many ever come up for sale? Not a lot.

Somebody also sent me this completed listing: Hank Mobley Quintet, Blue Note 1550. This was an original pressing with the New York 23 labels. It was listed in VG+ condition for both the record and the cover. The seller had a buy-it-now price of $1,250 with the option of accepting the best offer, which he did. So we don’t actually know what it sold for.

As for the jazz vinyl poetry:

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Seven for the Jazz Collector Price Guide

Hank Mobley copyLet’s catch up on some of the jazz vinyl auctions we’ve been watching on eBay, starting with: Hank Mobley Quartet, Blue Note 5066. This one was in just VG condition for the record with what the seller described as “some feelable scratches.” It apparently plays well for the condition, but the condition isn’t so great. The cover was VG+. It was, of course, an original 10-inch LP with a very cool cover. This one sold for $665.

Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple labels and the deep grooves. The record was listed in VG+ condition and the cover was VG-. It sold for $711.07.

Sonny Clark, Sonny’s Crib, Blue Note 1576. I had thought this was an original but in an earlier post Earl corrected me and noted that only one side has the New York 23 cover, so perhaps it is not a first press? It’s definitely an early press. This one was listed in M- condition for the record and VG++ for the cover. It sold for $1,344. As for those other Sonny Clark records we were watching:

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