A Triple Threat of Jazz Vinyl

kirkHere’s some jazz vinyl we’re watching on eBay, starting with Roland Kirk, Triple Threat, King 539. This looks to be an original pressing listed in Ex condition for the record, which I’m taking to mean maybe VG+, and VG++ condition for the cover. It’s a rare record, but I’m getting pretty tired of the term Holy Grail, aren’t you? Anyway this grail, holy or not, has an starting price of about $1,000 and there are no takers so far. I’m a big fan of Kirk, and I don’t own this LP, but at $1,000 it doesn’t even come up on my radar.

Wes Montgomery, Full House, Riverside 434. This is a promo pressing with the white label. I can’t tell from either the pictures or the description whether it is an original pressing, but there is definitely a lot of action on the record so perhaps it is. The record and cover are probably in VG++ condition. The bidding is in the $340 range and the auction closes later today.

This seller can use a lesson in photo management:

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Big Prices, A Missing Record & a Cutout Hole

Cliff JordanWas away for the weekend. Time to catch up on the jazz vinyl auctions I was watching on eBay:

Cliff Jordan, Blue Note 1565. This was an original pressing with the New York 23 labels on both sides. Nice. The record was listed in VG++ condition and the cover was VG+. There were 13 bids and it sold for $1,525.  In better condition it would certainly have broken the $2,000 barrier, as we have previously seen for this record in the Jazz Collector Price Guide.

This one did make it into the $2,000 bin, with plenty to spare: Tommy Flanagan Overseas, Prestige 7134. This was an original New York yellow label pressing listed in VG++ condition for the record and VG+ for the cover. It sold for $2,314.

Roy Haynes, Cracklin’ with Booker Ervin, New Jazz 8286. This was an original purple label pressing in M- condition for the record and the cover. It sold for $408.33. Anyone find my copy yet? I’m sure if I sold it (which, of course, I still don’t remember), it was not for more than $400.

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Update: Record Shows, Vinyl Revival, Blakey

Art BlakeyLet’s catch up with some of the items in our inbox.

I just received a note that the 40th annual Jazz Record Collector’s Bash will take place June 27 and June 28 at the  Hilton Woodbridge in Iselin, N.J. Not a lot of details yet, but there are always sellers with lots of records and there are usually films and discussions and music as well. I used to attend regularly and scored some nice records, but I haven’t been in years. June 27 and June 28 are prime bass-fishing season up in The Berkshires, so nature calls. I will, however, be at the WFMU Record Fair, which will take place this year May 30-June 1 in New York City. I will have a booth for Friday only, selling some of the duplicates from my recent score in Baltimore. Normally I would also be bass fishing on that particular weekend, but I have a personal engagement in Manhattan, so I’m stuck. But I’ll also have some nice records with me.

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A Date With Prestige

Roy Haynes Jazz VinylHere’s some more jazz vinyl from our eBay watch list, starting with Roy Haynes, Cracklin’ with Booker Ervin, New Jazz 8286. This is an original pressing with the purple labels and deep grooves. The record and cover are listed in M- condition. The price is in the $185 range and there are still three days left on the auction. You know you’re in trouble when you lose track of the records in your collection. I know I owned this record and I went to my shelf to look at my copy, but the space on the shelf where this record should have been sitting was bare. So I don’t own the record, apparently. But I can’t remember what I did with my copy. If any of you out there has my copy of Cracklin’ please let me know. Thanks.

This one I know I don’t own: Ray Bryant Trio, Prestige 7098. This is an original yellow label pressing with the New York address. The record and cover are described as being in M- condition, although I can’t accept that a cover with a punch hole through the label is M-. Maybe that’s just me. But probably not. Not to mention some writing on the back. Bidding on this is in the $220 range with three days left on the auction.

While we’re on Prestiges:

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A Tale of Four Blue Notes

kenny drewHere’s some more jazz vinyl we’re watching on eBay, starting with Kenny Drew, Undercurrent, Blue Note 4059. This looks to be an original pressing with the West 63rd address and the single side deep groove. The record is only in VG or VG+ condition and the cover is VG. Bidding is only in the  $50 range now but there are five days left in the auction and I would expect this to sell for several hundred dollars despite the condition. We’ll see.

Hank Mobley, Roll Call, Blue Note 4058. This listing mentions almost everything about the record, except with it has deep grooves. Curious. If you look at the pictures it’s not conclusive. If I were interested in this record, which I’m not, I’d certainly query about the deep grooves before bidding. The record looks to be in VG++ condition and the cover is probably VG++ as well, although the labels have some staining, which will be a turnoff to some bidders. Bidding right now is in the $170 range.

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Candy, An Autograph and 10-Inch Vinyl

dizzy gillespie autographHere are a few more items from our watch list on eBay, starting with Lee Morgan, Candy, Blue Note 1590. This is an original pressing that looks to be in VG++ condition for both the record and the cover. As a bidder I would be careful of the “light background noise” part of the description because the cleanest copies of Blue Notes don’t typically have background noise, at least not the original 12-inch pressings. Other bidders seem to be more sanguine about the description. The bidding is now in the $1,800 range with two days left.

Dizzy Gillespie Volume 1, Atlantic 138. This looks to be an original 10-inch pressing signed on the front by Dizzy Gillespie. I’m sure Don-Lucky or one of our other readers will weigh in on the authenticity of the autograph. The cover looks to be in VG+ condition and the record is described as VG+ as well. Bidding is in the range of $110 and there’s more than a day left on the auction.

Speaking of 10-inch records, we also had our eyes on these: Read more

John Coltrane Vinyl For the Ages

John Coltrane Jazz VinyylBack to our life’s mission of watching rare jazz vinyl on eBay. For some reason this morning I noticed several of the Red Garland Prestige records with John Coltrane. These are nice records and  can still be purchased for reasonable prices. The exception is Prestige 7123, which is a Coltrane date and is typically one of the higher priced Prestiges, particularly with the original cover.  Speaking of 7123: John Coltrane with the Red Garland Trio, Prestige 7123. This is an original New York pressing and this is the original cover. It was later issued as Traneing In with another cover. This one is in M- condition for the record and probably VG+ or maybe a little better for the cover. The price is already more than $250 and there are still four days left on the auction.

I noticed two copies of this one:

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Blue Note Records That Are, Ahem, “Essential”

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Fats: Not Essential

I thought we might have some fun with this. As I mentioned in a previous post, Blue Note is issuing new vinyl releases to commemorate its 75th anniversary. I was perusing my online version of The New York Times last evening and came upon this article, asking “Which Greats Were Left Off the Blue Note 100?” I hadn’t realized the first time around that Blue Note was issuing this records in any particular order and I assumed all along (and still do) that it was mostly a commercial venture and they would be issuing those records that they believe will sell the most copies. However, you can see in The Times article that they are considering these albums to be “essential,” which, of course, is a marketing ploy — but also a chance for us to talk about some of the Blue Note records we consider to be “essential” that are not on this list. Somehow, I don’t see a lot of readers of Jazz Collector putting records from Brian Blade Fellowship, Robert Glasper, Stefon Harris or Madlib on our lists of essential Blue Notes, and that’s if we’ve even heard their music, which, I have to admit, I have not. Anyway, here is the complete list, following by a comment or two from me:

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Inventions, Dimensions and High Prices

herbie hancock jazz vinylReaders are sending me results of auctions and posting them on the site. Here are a few to share:

From CeeDee, this comes out of his “priced out again” department: Herbie Hancock, Inventions and Dimensions, Blue Note 4147. This looked to be an original New York USA pressing in VG++ condition for the record and just VG for the cover. There were more than 20 bids and the price ended up at $449.

Another reader sent this link: Wayne Shorter, Speak No Evil, Blue Note 4194. His object was that this was described as an original pressing, and sold as if it was an original pressing — yet, despite the presence of the New York USA labels and the Van Gelder, there were no Plastylite ears. This one was in probably VG++ condition for the record, with no discernible description of the cover. It sold for about 323 euros, or nearly $450.

This one is linked an an earlier post:

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Some Surprises From Jazz Record Center Auction

gerry mulligan jazz vinylOur friends at the Jazz Record Center had an auction last week and here are some of the results:

Gerry Mulligan Meets Johnny Hodges, Verve 8367. This was an original pressing with the trumpeter logo and it was in M- condition for both the record and the cover. I was surprised to see this one sell for $148.37. Neither Hodges nor Mulligan is typically all that collectible, and this is one of the later Verves among those with the trumpeter logo. Any theories as to why this would sell for nearly $150? Is the market shifting back to Verves a little?

I’ve never seen this one before: Charlie Parker and Dizzy Gillespie, A Nite at Carnegie Hall, Black Deuce. This was the full set of 78s capturing the historic September 29, 1947 concert. As noted in the listing, this was a pirated record release, but it was the first of the issues in any form. The set looked to be in excellent, near mint condition. They sold for $688.

This one almost made it into the $2,000 bin:

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