And Now For the $1,000 Bin

4 comments

A lot of the records we were watching this past week ended up in the $1,000 bin, starting with the one that has already received a loet of comments from the Jazz Collector audience: John Lewis and Sacha Distel, Afternoon in Paris, Versailles MDEX 12005. This was an original French pressing listed in M- condition for the record and at least VG+ for the cover. It sold, to the surprise of many, for a whopping $2,415.

The Magnificent Thad Jones Volume 3, Blue Note 1546. This was an original West 63rd Street pressing that was listed in M- condition for the record and VG+ for the cover. It sold for $1,784. That would be a new high price for any Thad Jones record in the Jazz Collector Price Guide.

Kenny Burrell, Blue Note 1543. This was an original Lexington Avenue pressing with the cover design by Andy Warhol. The record and the cover were both in VG+ condition. We predicted that this one would break the $1,000 barrier and it did, selling for $1,215.

 

 

The “Infamous” Junkie Cover?

6 comments
Once again we will travel to France for today’s post thanks to our friend CeeDee, who seems to be inspiring a few of our reports lately. This one concerns this record: Miles Davis Group, Barclay 84.018. This was an original 10-inch French pressing that looked to be in VG++ condition for the record and VG+ for the cover. It consists of music from the Prestige “Dig” date, featuring Sonny Rollins and Jackie McLean. In his note to me, CeeDee described this as “the infamous junkie cover.” I had to confess my ignorance. I had never seen this cover before, nor had I ever heard of the picture and the reference to a junkie cover. I asked CeeDee what he knew. Apparently, he doesn’t know much in terms of details but said he’s always heard that’s how this particular cover was usually referenced by collectors and the image has rarely been produced in any format. He suggests that some of our European readers will have what he describes as the “grim details.” So let’s put it out there and see what comes back. The record sold for $577.89, by the way. I have a feeling after this post and subsequent comments, the value may go up even higher. I will say I, for one, am newly intrigued by this record.
Separately, CeeDee sent me these followup excerpts to set the mood of the times:

Read more

Of Original Blue Notes and Shrink Wrap

10 comments

Here’s some more jazz vinyl auctions we are watching on eBay, starting with: Paul Chambers, Bass on Top, Blue Note 1569. This looks to be an original West 63rd Street pressing, although there’s no New York 23 so perhaps not — where’s Fred’s book when I need it. This one is listed in VG condition for the record and the cover. The price is at $275 with more than four days to go. I find a couple of things interesting about this listing. One is the presence of some kind of plastic wrap around the record that the seller is claiming to be “original shrink” but I would be skeptical of that. Perhaps someone who was around in those days when these were new on the shelves would have more insight whether there was, indeed, any kind of shrink wrap and, if there was, whether it was this kind of loose shrink wrap as seen in the picture. The second interesting thing about this listing is in the questions, where there seems to a quite open discussion about selling the record before the auction is completed, even though there is no buy-it-now price listed with the record. That has always struck me as a bit of a breach of eBay etiquette. Or am I just being old-fashioned, having been a relatively early e-Bayer.

Whilst we’re looking Blue Notes, take a gander at these:

Read more

Bonjour, Mon LPs

7 comments

Just swung over the eBay and, mmmm, there are some nice records for auction right now. Here are a few, starting with: John Lewis and Sacha Distel, Afternoon in Paris, Versailles MEDX 12005. I know, I know, another European pressing. But this is quite a beauty, isn’t it? And great music featuring Barney Wilen on tenor sax. This one is in M- condition for the record and probably VG++ for the cover. The price is already $600 and, no, I am not bidding on it despite my post yesterday. I may be crazy, but I’m not insane. The U.S. Atlantic pressing will definitely suffice for me.

 Kenny Burrell, Blue Note 1543. This is an original pressing with the Andy Warhol cover design as well as the Lexington Avenue labels. This was the last of the Lexington Blue Notes. The record and cover are both listed in VG+ condition and the bidding is in the $315 range with nearly three days to go. It will fetch a hefty price.

The Magnificent Thad Jones Volume 3, Blue Note 1546. This is an original West 63rd pressing with the New York 23 labels. The record is M- and the cover is VG+. Would love to have this but, alas, I will keep searching for a copy that doesn’t cost as much. This one is already more than $400 and there are more than three days left on the auction.

Read more

Heading Down a Dangerous New Path?

7 comments

Someone sent me a link to this, in light of my recent post about the Miles Davis Prestige records: Miles Davis, Relaxin’, Prestige 7129. This was an original New York yellow label pressing that looked to be in M- condition for both the record and the cover. It sold for $738.88. The one we were watching last week sold for $393. Shows that there can be real value in posting more pictures rather than fewer pictures, and of getting the proper light and angle on the pictures. At least that’s the lesson I take from the price differential.

So I’ve been writing a bit lately about how some of the European pressings have been catching my eye, such as that 10-inch French Zoot Sims record yesterday and some of the Prestiges that were released on Esquire. And our friend CeeDee sent me a link a few weeks ago to a seller who had a bunch of these pressings, and the prices were pretty low, and I actually put in a bid on a couple of records and wound up with this:

Read more

A 10-Inch French Beauty, And A Pair of Blue Notes

12 comments

Goodness, it’s been days since I’ve been on eBay and nearly a week since my last post. Thank you for not complaining, although in the future please feel free to do so. When I get caught up in my regular work, it is nice to be jolted back to Jazz Collector so I can do my fun stuff. So here are some of the jazz records we missed while we were away, starting with: Zoot Sims, Henri Renaud and Jon Eardley, Ducretet-Thomson 250 V 023. This is a 10-inch French pressing from 1956. I have to admit, I have never seen this record before. The record was in M- condition and the cover was VG+. There were more than 250 page views, 21 bids and a final price of $2,281.

Sonny Rollins, Volume 2, Blue Note 1558. This was an original pressing with the New York 23 deep groove labels. It was listed in M- condition for the record and VG++ for the cover and the listing was accompanied by some nice clear pictures. The final price was $1,227.99. We see a couple of these sell for more than $1,200 in the Jazz Collector Price Guide, but this is quite near the top of the market for this record.

Read more

Miles, Monk and a New Face

10 comments

Here are some of the items I was watching from the recent auction by the Jazz Record Center, starting with: Wynton Kelly, New Faces – NewSounds, Blue Note 5025. This was an original 10-inch pressing that looked to be in VG++ condition for both the record and the cover. The price was $191.38. I should have bid on it. Great music, great cover. How can these 10 inch Blue Notes not be worth more money, given what’s going on with 12-inch Blue Notes?

Miles Davis, Steamin’, Prestige 7200. This was an original New Jersey yellow label pressing that was in probably M- condition for the record and at least VG++ for the cover. It sold for only $75. Weird. Why wouldn’t this get more. It’s actually my favorite among the Miles Prestiges that were all recorded in that one session — Steamin’, Cookin’, Workin’, Relaxin’. By contrast, look at this one from the same auction: Miles Davis, Relaxin’, Prestige 7129. This was an original New York pressing in virtually identical condition to Steamin’. It sold for $393.

I thought this one might fetch a higher price as well:

Read more

One For the $3,000 Bin, And A Few More

7 comments

Let’s check in on some of the jazz vinyl auctions we’ve been watching on eBay, starting with: Hank Mobley, Blue Note 1568. This was a sort of original pressing in that it had the West 63rd address, deep grooves, ear and RVG but no New York 23  on one of of the sides, so perhaps sticklers will set it is less than an original. I’d be happy to have it, that’s for sure. The vinyl was M- and the cover was VG+. The final price was $3,355.55.

This one did not sell: John Coltrane, Soultrane, Prestige 7142. The listing had a few inconsistencies, talking about a New York label, when this one never came with a New York label. And the condition listing was not consistent either, although it seemed that the record was probably VG++ and the cover was M-. The start price was $365 and no one was interested at that price.

Here are a couple more nice Blue Notes I was watching:

Read more

A Prestige Pair, and a 10-Inch Blue Note

12 comments

Here are a few items we’re watching now on eBay, starting with a couple of Prestiges: Phil Woods, Pairing Off, Prestige 7046. This is an original New York pressing and is graded Ex- for the record and VG for the cover, which translates to approximately VG+ for  the record in the terms we use here, although the seller seems to use both VG+ and Ex in his grading system. Anyway, the start price is $150 and so far there are no bidders. We would expect this to sell, but you never know. I recently received the 10-inch Phil Woods Prestige that I got as a birthday present to myself and to my pleasant surprise, the condition was much nicer than what had been advertised. Music is very nice as well.

Roy Haynes with Booker Ervin, Cracklin’, New Jazz 8286. This seems to be an original pressing, although it has one side that is a deep groove and one that isn’t. What do you make of that? The record is in M- condition and the cover is VG+. The price is in the $140 range and I’m assuming it is an original unless I hear otherwise.

I almost bid on this one and now kind of regret that I didn’t:

Read more

Alvin Lee, RIP

6 comments

I got into jazz in the summer of 1970, when I was 17 years old, and I was stuck alone in the house with my father’s records. I have told this story before, quite elegantly I may add, and it can be seen here if you are interested: Song For My Father. Prior to that, like most kids my age, I was into rock and my favorite musician was Alvin Lee, the great guitar player from Ten Years After. If you listen to the album “Undead” you will hear a guitarist who was heavily influenced by jazz and was playing some great jazz-infused, soulful, bluesy and always swinging music in a rock and roll band. Sorry to say, Alvin Lee passed away yesterday. If you’re not familiar with his playing, check this out: 01 I May Be Wrong, But I Won’t Be Wrong Always.m4a 2.

 

1 … 93 94 95 96 97 … 214