Podcast: Charlie Parker Part Three, Bird in L.A., 1945 and 1946

This week’s theme: Bird in Los Angeles, 1945 and 1946, culminating with the famous Lover Man session and his subsequent incarceration at Camarillo State Hospital. I’m not able to attach a direct link to the show for now, but you can access it from the WTBR-FM website. Here’s the link: Charlie Parker Part 3: Bird in LA, 1945 and 1956. Featured artists include Charlie Parker, Miles Davis, Dizzy Gillespie, Milt Jackson, Al Haig, Stan Levey, Slim Gaillard, Jack McVea, Lucky Thompson, Dodo Marmarosa, Zutty Singleton, Roy Porter, George Handy, Arvin Garrison, Vic McMillan, Howard McGhee, Jimmy Bunn, Bob Kestersoninclude Charlie Parker, Miles Davis, Dizzy Gillespie, Milt Jackson, Al Haig, Stan Levey, Slim Gaillard, Jack McVea, Lucky Thompson, Dodo Marmarosa, Zutty Singleton, Roy Porter, George Handy, Arvin Garrison, Vic McMillan, Howard McGhee, Jimmy Bunn, Bob Kesterson, and many more.

Actually, just noticed that the direct link to play from here is now fixed, so here it is:

Marketing, Language, Hyperbole and Collectible Jazz Vinyl

Where was I? Oh, yeah, collectible jazz vinyl. The seller vinyl-house-uk has some interesting items for sale on eBay, including the Wardell Gray Memorial Album, Volume 2, Prestige 7009. This is an original New York yellow label listed in VG+ condition for the record and the cover. The bidding is already at about $775 with more than four days left on the auction. This is already the highest price ever for this record, according to Popsike.  In the same lot, the same seller is offering the Wardell Gray Memorial Album, Volume 1, Prestige 7008. This is also an original New York pressing in lesser condition than Volume 2, probably closer to VG all around. The bidding is at about $140. What I find interesting in these auctions is how the seller chose to list/market them. Volume 2 is promoted as “Wardell Gray/Sonny Criss/ Dexter Gordon.” Volume 1 is “Wardell Gray/Al Haig/Tommy Potter.” Do you think those headings make a difference? I absolutely do. Somehow, I’m more interested if Dexter Gordon is on a record versus Tommy Potter. Maybe it’s just me, but it seems to be leading to a record price for a record in just VG+ condition. Read more

Playing Jazz Vinyl Catch-Up

Sorry I haven’t posted all week. Been a little crazy and exciting around here. My son wrote and directed a play that opened Off Broadway this week. Reviews have been terrific — here’s the one from The New York Tmes: Being Bullied, Getting Even and Maybe Going Too Far. If you’re in New York, please come see it at the Pershing Square Signature Theater. 

Anyway, back to watching records on eBay. Here were a few that we had been watching when we fell off the grid, starting with: Curtis Fuller, Bone and Bari, Blue Note 1572. This was an original pressing that looked to be in M- condition for both the record and the cover. This one sold for $1,259.56, which is the highest price we’ve ever recorded for this record in the Jazz Collector Price Guide.

This one came from the same seller: Kenny Burrell, Blue Lights Volume 1, Blue Note 1596. This was an original pressing that looked to be in VG++ condition for both the record and the cover. This one, of course, as the Andy Warhol cover design and art. It sold for $655. I thought it would sell for a higher price.

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