The Musings of Me

Just yesterday morning I finished writing a book that I have been co-ghost writing along with my business partner, Mike. It is nothing too exciting and has nothing to do with jazz, unless you could somehow make a connection between cybersecurity and jazz, which I could not do, nor would I ever want to do. I was thinking, perhaps, that working somewhat diligently on the book was both a reason and an excuse for my recent absence from Jazz Collector and my paucity of posts over the past couple of months. Perhaps that is partly true but, of course, it is not the whole story. Sometimes when you are writing intently and intensely for work, the idea of writing for fun becomes less appealing.

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Another Adventure in Jazz Collecting, 10-inch Edition

After buying, curating and eventually selling the Ornette Collection from Dee, I felt myself gripped in that very old, very familiar, somewhat obsessive feeling of wanting more. Not necessarily more records because, Lord knows, I have enough records. No, it was all about wanting more action. So, I reached out to my friend here in The Berkshires who is planning to sell his collection at some point, but he said he isn’t quite ready yet to part with them. Then, out of the blue, another friend up here sent me a note with a link to an online auction of jazz records that was being conducted locally. The site was something called Caring Transitions, so I clicked the link and this is one of the pictures I saw:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Original Blue Notes? $1.57 Each? I’m a Dreamer, Aren’t We All?

Back on eBay. This seller has a lot of nice records closing today, including: Paul Chambers, Whims of Chambers, Blue Note 1534. This is a West 63rd Street second pressing that looks to be in VG++ condition for the record and probably VG+ for the cover. The bidding is in the $465 range, fairly steep for a non-first pressing. One of the things that caught my eye was the shrink wrap still on the cover. A first pressing wouldn’t have had the shrink, but what struck me was the sticker on the shrink, which said “SPECIAL PRICE $1.57.” Imagine being able to buy this for $1.57. On further examination, the seller has a bunch of other original pressings with the same SPECIAL PRICE $1.57 sticker, including Dexter Gordon. A Swingin’ Affair, Blue Note 4133; Duke Pearson, Wahoo!, Blue Note 4191; and Donald Byrd, A New Perspective, Blue Note 4124, among others. I have a dream where I go back in time and walk into a record store and all of these records are sitting there at $1.57, sealed, and I buy them all, every last one. Read more

Random Musings on Random Jazz Vinyl

Here are some more random jazz records we are watching this week on eBay, starting with Steve Lacy, Soprano Sax, Prestige 7125. This is an original yellow label pressing with the New York address. The record looks to be in VG++ condition and the cover also looks like it is VG++. The start price is in the $100 range and, so far, there are no bids. I’ve never heard this record, nor have I ever owned it, but I would like to. A copy recently sold for around $480, which would be out of my comfort zone anyway, even if I were inclined to buy on eBay. Read more

Vinyl Musings and a Plea to Help Kenny Burrell

I spent the last three weeks galivanting around Europe. Alas, no record stores or scores on this trip, not even any live jazz. But, I’m back and checking up on some of the things I missed whilst away, including an auction from the Jazz Record Center that featured Art Pepper, Modern Art, Intro 606. This was an original pressing that looked to be in VG++ condition for the record and VG+ for the cover. The final price was $2,225. The same auction also featured Bill Evans Trio, Portrait in Jazz, Riverside 315. This was an original pressing with the small blue and silver reels logo. The record and cover both looked to be in new, pristine condition. The final price was $1,385. Finally, this is not music I am familiar with, but I’m sure it will be of interest to Clifford and other readers: Maulawi, Strata SRI-104-74. This looks to be an original pressing in M- condition. The final price was $910.

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Blasts From the Past

Sorry I’ve been inconsistent again with my posting frequency. In my real work I’m helping to ghost write a book on cybersecurity and the first volume is closing, so it’s been very busy. Before getting down to the business at hand of looking at records on eBay, I have a question to pose from our good friend Clifford, as follows: “Do you know which came first in terms of Contemporary Records mono pressings of Art Pepper Meets The Rhythm Section, blue title on the back slick or red title text? I always assumed blue was first, but have seen some with red text referred to as original.” I know that I have an original pressing of this record because when I bought the Bruce M. West Collection (oh, happy memories), there was a copy of Art Pepper Meets the Rhythm Section with the purchase date, the original loose plastic outer sleeve and a promotional card from Contemporary. It was quite a nice package to have. In fact, I ran a picture with the original post, repeated here. This copy, and my other original pressing, both have the blue title on the back and the red text. Was there a contemporaneous (pun intended) release with red text in the title. That’s the question Clifford is posing. And the answer is?

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Jazz Vinyl Catchup

Sorry, again, for the long gap between posts. With Thanksgiving and an abundance of real work, time has just slipped away. I owe you an update on some of the auctions we were watching, so here goes. We’ll start with some of the records from the seller vinyl-house-uk, including Elmo Hope, Informal Jazz, Esquire 32-0139. This was an original British pressing listed in M- condition for both the record and the cover.  It sold for a whopping $925. When we started watching this UK pressings a couple of years ago, the prices weren’t nearly this high. Hope we didn’t start a trend. There were a few other similar pressings in the same auction list that sold for high prices, including these Read more

Two Blue Notes and a Dash of Pepper

The seller bluenote5 has some interesting and high priced records on eBay now including this one: Art Pepper Meets the Rhythm Section, Stereo Records 7018. So this is not the Contemporary version and it has the original loose plastic seal with a promotional card for the label inside. The seal is unbroken, so the record is in new condition and the cover is probably close to that as well. Here’s the conundrum with this record: When it was first issued on Contemporary it was 1957 and the labels weren’t producing stereo copies yet, at least not to my knowledge. This was probably the first Stereo release of this record, so in that way it is an original. But it was also probably released at least a couple of years after the original mono recording. You can see in the listing that it doesn’t have the red and blue writing on the back that would make it an original on the Contemporary label. I’m sure this copy is extraordinarily rare and nearly impossible to find sealed like this. As for me, Id rather have the Contemporary. BTW, my copy of this record was from the Bruce M. West collection in Baltimore and it also had the loose polybag cover the cover with the Contemporary promotional card inside. I removed the cover — after all, it was almost 60 years old and quite filthy — but I keep the promotional card inside. It was quite cool to see it in this condition, as if it were sitting on the shelf of a record store in 1957 The start price on the sealed Stereo version in this listing is $1,00. So far there are no bidders.  

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Two Reds and a Blue (Note)

This one fetched quite a nice price on eBay: Marty Paich Quartet featuring Art Pepper, Tampa 28. This was an original pressing with the red vinyl. It was listed in Ex condition for both the record and the cover, and the seller certainly posted some nice clear pictures. The final price was $1,181. That’s the highest price I recall seeing for this record, although there was one in Popsike that I must have missed that sold for $1,225.

Then there was this one that didn’t get a bid at all: Lee Morgan, Candy, Blue Note 1590. This looked to be an original West 63rd Street pressing, unless I’m missing something. The seller’s description was all over the place in terms of the condition. At one point he said it was strong VG+, then VG. He also mentioned the word “pops,” which is not something you want to hear unless

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Now These Are Some Heavy Hitters

Art Pepper Jazz VinylI missed this one last week: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original West 63rd Street pressing that looked to be in M- condition for both the record and the cover. The final price was $4,054. You don’t find many records breaking into the $4,000 bin, but certainly more than there used to be. Then again, there was that copy of John Coltrane, Blue Train, Blue Note 1577, that sold for $4,717.89 a couple of weeks ago. Amazing. Then there was The Return of Art Pepper, East West JWLP 10. We were watching this one the other day and there were no bids at a start price of about $500 with just a couple of days left on the auction. I predicted it would sell, which was not that hard to do. But I would not have predicted that the price would have been $2,026.01. Amazing. It was also noteworthy that there were only three bidders and three bids, and they all came during the auction’s closing seconds, the winner and second place finisher presumably using some kind of sniping software.

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