This week’s theme: Lou Donaldson Memorial on Blue Note: Featured artists include Lou Donaldson, Clifford Brown, Art Blakey, Horace Silver, Percy Heath, Blue Mitchell, Herman Foster, Donald Byrd, Peck Morrison, Arthur Taylor, Dave Bailey, Ray Barrett,Sonny Clark, Curtis Fuller, George Joyner, Gene Harris, Andrew Simkins, Bill Dowdy, Horace Parlan, and more
This week’s theme: Sonny Rollins plays the compositions of Sonny Rollins. Musicians include Sonny Rollins, Max Roach, Clifford Brown, George Morrow, Richie Powell, Art Blakey, JJ Johnson, Horace Silver, Paul Chambers, Red Garland, Philly Joe Jones, Kenny Burrell, Jim Hall, Bob Cranshaw, George Cables, Tommy Flanagan, Arthur Taylor, Miles Davis, Percy Heath, Kenny Clarke, and many more.
This week’s theme: John Coltrane as a sideman (mostly) with Red Garland. Artists include John Coltrane, Red Garland, Donald Byrd, Philly Joe Jones, Paul Chambers, Arthur Taylor, George Joyner.
Time to catch up with some of the items we’ve been watching this past week. We will do this in a few posts throughout the weekend. We’ll start with some of those items sold by the seller bobdjukic, who’s clearly got something going on that enables him to get wacky prices as well as staggering numbers of page views.
We’ll start with Thelonious Monk, Monk’s Music, Riverside 1102. This was a later stereo pressing, with that gold stereo stamp that many of the Riverside’s carried. Clearly not an original, which was a white label mono. One time on eBay, an original copy sold for more than $3,000. We chronicled it on Jazz Collector and it created quite a stir. See here. In any case that price for a mono was an aberration, just as we feel the price here for a stereo is an aberration. This copy, in M- condition for the record and cover, sold for $413.55. The seller actually wrote this in his listing: “Monstrously rare stereo pressing, many times rarer than the mono.” Yikes. The other amazing thing about this record: It had more than 1,700 page views in eBay. Yikes again.
Speaking of second pressings, there was the copy of John Coltrane, Giant Steps, Atlantic 1311. This was the one with the bulls-eye label, that was characterized as being of the same provenance as the black label. This record
