This week’s theme: The Gershwin Songbook, as played by jazz pianists and their groups. Featured artists include: Oscar Peterson, Art Tatum, Bill Evans, Herbie Hancock, Red Garland, Billy Taylor, Bud Powell, Oscar Pettiford, Art Blakey, Paul Motian, Scott LaFaro, Hampton Hawes, Red Mitchell, Chuck Thompson, John Lewis, Percy Heath, Connie Kay, Ray Brown, Ed Thigpen, John Ore, J.C. Moses, Ray Barreto, Arthur Taylor, Paul Chambers, Randy Weston

This week’s theme: All the Things You Are in multiple settings. Featured artists include Art Tatum, Ben Webster, Charlie Parker, Dizzy Gillespie, Miles Davis, Bill Evans, Eddie Gomez, Tal Farlow, Dan Axelrod, Eddie Costa, Booker Ervin, Tommy Flanagan, Richard Davis, Alan Dawson, Phineas Newborn Jr., Oscar Pettiford, Kenny Clarke, Johnny Griffin, John Coltrane, Hank Mobley, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey, Ella Fitzgerald, Horace Silver, Rosemary Clooney, Scott Hamilton, Warren Vache, Carmen McRae, Kenny Dorham, Doug Watkins, Dexter Gordon, Barry Harris, Buster Williams, Tootie Heath.

In my online adventures I stopped at a few places, Blue Note, Craft, and a label called The Lost Recordings. I bought two vinyl reissue records from Craft: The Kenny Drew Trio originally on Riverside and Miles Davis, The Musings of Miles originally on Prestige. I think I paid $39 for Miles and $18 for Kenny Drew. I bought these two records for a couple of reasons. One was to check out the new version of the Original Jazz Classics series. I admit that I hated the original OJCs, which began in 1983. While I appreciated that the music was being made available, I never liked the packaging, i.e., the thin vinyl and thin covers. I would buy the OJCs because they were not overly expensive and they could fill gaps in my collection, but I always sought to replace them with original pressings. Of course. Wouldn’t you? I had reached the point where I didn’t own any more of the original OJCs. When Craft came out with the current OJC series, I reached out to their public relations people to get review copies, but, alas, I was not placed on the list, despite my seemingly stellar credentials as not just the owner of Jazz Collector dot com, but also as the host of the Jazz Collector Radio podcast. In any case, I wasn’t getting any free copies of anything from Craft, so when the urge to buy became too strong, I bit the bullet and ordered these two records, plus the Bill Evans boxed set called Haunted Heart, which I haven’t even opened yet.

I chose the Miles and Kenny Drew records primarily because of my radio show/podcast. I have an original pressing of The Musings of Miles, but I hate bringing some of these $1,000 records into the radio studio if I can avoid it. So I could kill two bird with one stone: I could check out the new Craft OJC Series and have an alternative to bring into the studio when it came time to play the Musings of Miles, which I did on the podcast called Old Vinyl, New Bottles. I bought the Kenny Drew Trio record because I don’t own an original copy and I had decided to do a radio show/podcast on Kenny Drew.  When I did do that podcast, Unsung Artists – Kenny Drew on Piano, I was able to use the Craft reissue and play a couple of tracks.

My opinion of the new Craft OJC series is different that that for the original OJCs. I really like these reissues. I liked that they used heavier vinyl, heavier cardboard, and they keep the original packaging. I’m no audiophile, but they sound great to me. There’s a slight mistake on the Kenny Drew packaging band – they refer to it is Kenny Drew’s first as a leader, when, to my knowledge, he had recorded two or three records as a leader prior to this one (a 10-incher on Blue Note, one on Norgran, and one on East-West?). But the band comes off, so it’s merely a packaging thing. For the Miles record, I had always felt that on the original record, Miles’ trumpet on the track “I See Your Face Before Me,” was recorded at too low a volume. I was hoping the reissue would fix that, but it doesn’t. Still, it’s a great record and package. Bottom line, for anyone who doesn’t own an original pressing and wants the music, I don’t think you can go wrong with these OJC vinyl pressings at their prices.

As always, I’m curious as to what others have experienced with these reissues, but I also realize that most of my most loyal readers are not here anymore since I stopped posting regularly and started doing more of the radio shows/podcasts.

BTW, in addition to the Craft reissues, I bought a few new/old Blue Notes. Hopefully, I will be inspired to listen to them and write about them sometime soon.

The post Old Vinyl, New Bottles, Craft OJCs first appeared on jazzcollector.com.]]> https://jazzcollector.com/riverside/old-vinyl-new-bottles-craft-ojcs/feed/ 4 9841 https://jazzcollector.com/podcast/podcast-more-of-the-best-of-26/ https://jazzcollector.com/podcast/podcast-more-of-the-best-of-26/#comments Thu, 08 Jan 2026 16:46:38 +0000 https://jazzcollector.com/?p=9811 Continuing last week’s theme, celebrating the New Year with jazz vinyl featuring the number 26 in the catalog number. Featured artists include Sonny Rollins, Max [...]

This week’s theme: Part two of our exploration of jazz tracks that have the name of a woman in the title. Featured artists include Miles Davis, Gil Evans, Bill Evans, Eddie Costa, Ray Charles, Paul Desmond, Jim Hall, Art Blakey, Eddie Jefferson, Lee Morgan, Bobby Timmons, Benny Golson, Billy Taylor, Stan Getz, Al Haig, Jimmy Raney, Cannonball Adderley, Nat Adderley, Sam Jones, Louis Hayes, Barry Harris, Jimmy Rushing, Coleman Hawkins, Jackie McLean, Freddie Redd, Tina Brooks, Nat King Cole, Sweets Edison, and more.

Along the same vein, I took note of two things. First, I discovered a label called The Lost Recordings while doing a search on John Coltrane. On their web page it states: “We travel the world in search of rare or previously unreleased recordings by legendary artists. Using our unique restoration process, we bring this priceless heritage back to life.” I will say, for the record, although they refer to the heritage as priceless, every one of their issues does, indeed, have a price.

They have a ton of stuff, available on vinyl, CDs, and/or downloads, including material by Coltrane, Stan Getz, Thelonious Monk, Dave Brubeck, Sarah Vaughan, Ella Fitzgerald, and many more. Perhaps I am the last one on the  Jazz Collector site to know about them, but I am certainly tempted to check them out and report back here. Perhaps Coltrane Live in Finland, a double vinyl? Or Dexter Gordon and Donald Byrd, a Berlin Studio session from 1963? Just going on their site, I was feeling I could be sliding down a rabbit hole of good and interesting music. And, of course, this being the week of Black Friday in the U.S., everything seems to be on sale.

I also discovered something called the Muse Master Edition Series. They don’t seem to have their own web site yet, but it looks to me like there are at least five reissues, available at places like Acoustic Sounds or elsewhere. Titles are by Roy Brooks, Kenny Barron, Carlos Garnett, Woody Shaw, and Joe Chambers. None of these interests me, but if they get deeper into the catalogue, I’m sure there will be something that’s intriguing. That’s just the way it goes, sometimes.

The post New Old Jazz, Or Old New Jazz, on Vinyl first appeared on jazzcollector.com.]]> https://jazzcollector.com/uncategorized/new-old-jazz-or-old-new-jazz-on-vinyl/feed/ 2 9773 https://jazzcollector.com/uncategorized/catching-up-bill-evans-tina-brooks-hank-mobley-et-al/ https://jazzcollector.com/uncategorized/catching-up-bill-evans-tina-brooks-hank-mobley-et-al/#respond Fri, 28 Nov 2025 16:11:44 +0000 https://jazzcollector.com/?p=9764 Life has been busy. Artificial Intelligence tells me the adage “man plans, God laughs” is a Yiddish proverb: “Der mentsh trakht, un got lakht.” Who [...]

Life has been busy. Artificial Intelligence tells me the adage “man plans, God laughs” is a Yiddish proverb: “Der mentsh trakht, un got lakht.” Who knew? While I may not believe in the actual wording, I do understand the sentiment. Fortunately, my health has been good, so that hasn’t been an issue. All of which is to say that most of the time that I’ve had to devote  to my passion for jazz and jazz collecting has been put into my radio show and podcast. As I said, I love doing the radio show, so that’s not a problem. But I do sometimes feel guilty about not writing more frequently here at JazzCollector.com, especially when I go through the emails I’ve saved and realize that I’ve been saving some of them for more than half a year. In any case, I will try to catch up now, even if some of the conversations with readers are too dated to do anything about.

Starting back in July, I saved the article Celebrating Hank Mobley, from the Substack column Jazz and Coffee written by Syd Schwartz. I know there are a lot of Mobley fans out there in the Jazz Collector world, so I think you will enjoy it.

From the same author, I saved the following article Explorations With the Bill Evans Trio.  The author had written the liner notes for an audiophile reissue of Explorations, which he revisits in this post. The liner notes, IMHO, are well written and informative.

The new set, called Haunted Heart: The Legendary Riverside Studio Recordings on the Craft label is just out now, with 17 alternative takes and outtakes that have never been issued. I applied for a review copy and never got a reply, so I guess it’s time to just order it – on vinyl, of course – which I will do just as soon as I finish typing this post.

Also in July, I received a note from a reader as follows:

Subject: Blue Train BLP1577 mono on side 1, stereo on side 2

“Hi, I have a copy of Blue Train, BLP1577, Liberty version, purchased in UK in 1967 that is stamped RVG, BN-LP-1577-A, with 9M on side 1, and RVG Stereo, BN-ST-1577-B on side 2. I have never seen any mention of this combination of mono on side 1, stereo on side 2 before. Have you ever heard of this?”

I replied as follows: “It sounds to me like they used whatever labels they had on hand, rather than the record being stereo on one side and mono on the other. Blue Note was prone to do that, especially during the transition to Liberty. Also, to my knowledge Blue Train was recorded in mono, so if it is stereo, it would be reprocessed stereo. If you want I could put something on my site to see what other collectors think? — al”

His reply: “It’s not the labels that are mixed mono and stereo (they are both BLP1577 – i.e. mono), but the markings on the vinyl record itself. And sure, please share on your site to see if others have come across this. Thanks.”

It’s taken a few months, but here it is if anyone has any thoughts.

Here’s one from August with a happy ending, or so it seems:

Subject: Tina Brooks

“Hi. I have a copy of Tina Brooks true blue first edition is in vgplus condition. On my turntable, one track, true blue, has a series of about eight mild pops. I’m interested in selling it but when I brought it to Fred at the Jazz Record Center he said it has it has a locked groove at that point. Is this something you would be interested in looking at or do you have any advice for me? I know of all the tricks with a toothpick, etc. but it’s such a valuable record. I really don’t wanna fool around with it. Thanks.”

My reply: “I don’t know what a locked groove is, but I’m sure I’ve encountered it.
I used to use a nickel or a quarter, but I would never try something like that on a record like True Blue. I you would like, I can put a note on my site and see if anyone has any ideas and/or if they would be interested. Not sure of an ultrasonic cleaner would help, but a collector I know swears by it. I don’t have one myself.”

His reply: “Thanks for getting back to me. I didn’t know what a locked groove is either, but it’s basically when something keeps the stylus from moving forward and keeps repeating. Well a funny thing happened when I went to pick up the record at JRC… I brought a toothpick with me figuring I would see if I could find something in the groove and get it out, so I asked Fred if he would play the record and we could find the exact spot. Well, it played just like it did on my turntable this time a bunch of pops, but no ‘locked groove’! He tried it on a second turntable and same result. So he’s putting it up for sale now with an appropriate description. Anyway, I just wanted to get back to you and I really appreciate you taking the time to ride with me.”

Here’s one I’ve been saving since September:

Subject: albums test pressing

“ I have a bunch of album test pressings that have not been played.  Gene Ammons July 17, 1996; count basie big band 1994; Johnny Adams June 29, 1995; Johnny d. Lane march 20, 1997; chico freeman spirit sensitive dec 14 1994;  duke ellington mar 31 1994; art pepper plus eleven  may 24, 1994; and some regular albums; these are all in white sleeves with numbers on them.”

My Reply:

“Thanks for reaching out. This is not an area where I have any expertise. My site focuses on albums primarily from the 1950s and early 1960s. In my experience, collectors don’t have a great interest in test pressings, particularly reissues. I don’t think there would be much value in what you have. Having said that, I could mention the items in a post and see if anyone replies. Otherwise, you might be fine taking them to a local record store, depending upon where you are located. If you are in the New York area, the Jazz Record Center would be the place to go.”

Reply: “If you could mention it they are mainly first test press predating other presses. I am actually in rural Idaho.”

The post Catching Up: Bill Evans, Tina Brooks, Hank Mobley, Et Al first appeared on jazzcollector.com.]]> https://jazzcollector.com/uncategorized/catching-up-bill-evans-tina-brooks-hank-mobley-et-al/feed/ 0 9764 https://jazzcollector.com/podcast/podcast-whos-that-lady-part-one/ https://jazzcollector.com/podcast/podcast-whos-that-lady-part-one/#respond Tue, 18 Nov 2025 20:42:26 +0000 https://jazzcollector.com/?p=9751 This week’s theme: Songs that have the name of a woman in the title. Eclectic, but fun. And some great music. Featured artists include Sonny [...]

The post Podcast: Who’s That Lady, Part One first appeared on jazzcollector.com.]]>

This week’s theme: Songs that have the name of a woman in the title. Eclectic, but fun. And some great music. Featured artists include Sonny Rollins, John Coltrane, Max Roach, Clifford Brown, Wynton Kelly, Cannonball Adderley, Bill Evans, Connie Kay, Percy Heath, Eddie Jefferson, Oscar Peterson, Thelonious Monk, Sonny Stitt, Miles Davis, Red Garland, Paul Chambers, Philly Joe Jones, Jimmy Rushing, and many more.

 

The post Podcast: Who’s That Lady, Part One first appeared on jazzcollector.com.]]> https://jazzcollector.com/podcast/podcast-whos-that-lady-part-one/feed/ 0 9751

This week’s theme: More jazz tracks that reference U.S. cities and states. Featured artists include Tal Farlow, Gerry Wiggins, Ray Brown, Chico Hamilton, Dave Brubeck, Paul Desmond, Joe Morello, Eugene Wright, Bill Evans, Sonny Rollins, Cannonball Adderley, Milt Jackson, Wynton Kelly, Percy Heath, Art Blakey, Richie Cole, Bobby Enriquez, Shelly Manne, Bruce Forman, Bob Magnusson, Dave McKenna, Ella Fitzgerald, Duke Ellington, Sonny Stitt, Ray Brown, Jo Jones, Dexter Gordon, Bud Powell, Pierre Michelot, Kenny Clarke, and more.

This week’s theme: Standards played by Charlie Parker and others. Featured artists include Charlie Parker, Scott Hamilton, Chris Flory, John Bunch, Phil Flanagan, Chuck Riggs, Sarah Vaughan, Clifford Brown, Roy Haynes, Paul Quinichette, Carmen McRae, Anita O’Day, Tony Aless, Max Roach, Charles Mingus, Dave Lambert, Sonny Rollins, Barney Kessel, Hampton Hawes, Leroy Vinnegar, Shelly Manne, Herbie Mann, Max Roach, Al Haig, Percy Heath, John Coltrane, McCoy Tyner, Elvin Jones, Steve Davis, Lou Donaldson, Blue Mitchell, Horace Silver, Art Blakey,  Booker Ervin, Richard Davis, Tommy Flanagan, Alan Dawson, Bill Evans, Eddie Gomez.