Tag: Bill Evans

Guest Column: More Adderley/Evans

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Here’s a guest column from Ceedee, a regular commenter here at Jazz Collector, based on the item I wrote yesterday about the Cannonball Adderley/Bill Evans LP Know What I Mean? on Riverside.

“Greetings! The Cannonball/Evans LP is a favorite of mine, just beautiful. Thought you would like this review I wrote some time back for a Martin Logan owner Website under my other alter ego, Miles Ahead. – ceedee

The month of February, 1961 was a busy one for Bill Evans. It saw him finish a recording session with his critically acclaimed trio – that with Scott LaFaro and Paul Motian – which was issued as Explorations (Feb. 2)), bolster a date rightfully called a classic by any measure, Oliver Nelson’s Blues And The Abstract Truth (Feb. 23) and also find the time to accompany his old bandmate from the Miles Davis Sextet, Cannonball Adderley. Cut on Feb.21, this was one of three sessions that would eventually yield Know What I Mean? for Riverside. It does not match up to the other dates mentioned (how many records could?), but proves itself worthy of a listen and not just for the Bill Evans fan (not that there’s anything wrong with that!)

Cannonball and Bill were ‘simpatico’ while with Miles — the seminal Kind Of Blue was not yet two years behind them – and their musical bond continues here. Evans’ Waltz For Debby leads off the date, an interesting choice. Nearly six months before

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Bill Evans, 30 Years Later

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I was driving up to my home in The Berkshires for one of the last times this season on Friday and I had some music on the CD player and on came Waltz for Debby, the version with Cannonball Adderley and Bill Evans on Riverside. And I turned to the lovely Mrs. JC and told her to listen to the rapport and warmth shared between these two giants and it was remarkable listening to this track, which I must have heard thousands of times — no exaggeration — with fresh ears once again. And it is, indeed, a thing of beauty. Then I looked through my email this morning, clearing things out, and I noticed that someone had sent me an article from The Wall Street Journal paying tribute to Bill Evans on the occasion of the

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Adventures in Jazz Collecting: The Auction, Part 6

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Now we get to the batch of records that turned out to be the most pleasant surprise of all. There was at one point a group listed as such: Bill Evans, Seven Riverside LPs. There was a picture on the Web site and there was a copy of Waltz for Debby in there and perhaps an original pressing of New Jazz Conceptions as well. Anyway, I was hoping to steal this one, but once the bidding surpassed $400 I realized there was no steal to be had and I had better keep my mouth shut. The package eventually went for $650. Ah, well. However, about 15 minutes later there was another group of LPs, described as such: Bill Evans, Eleven LPs, Eight Verve and Three Riverside. There was no picture or other description. I won this lot at $80, so my total for these 11 records was $93.60. This is a great batch of music, and each record is in

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A Pair To Watch on eBay

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Here are a couple we’re watching on eBay today:

Monica Zetterlund with Bill Evans, Waltz For Debby, Phillips 08222PL. This is an original Swedish pressing. The vinyl is rated as VG++ and the cover is rated M-. The current price is a bit over $300.

Booker Ervin, The Blues Book, Prestige 7340. This is an original blue label mono pressing, The record is listed as M- and the cover looks like VG++. The current price is about $55. Curious to see how this one sells, after seeing the Don Patterson sell for more than $70 the other day.

Catching Up: What’s a Promo Worth?

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Here’s an update on some odds and ends we’ve been watching on eBay:

Zoot Sims, Stretching Out, United Artists 4023. This was an original deep groove mono pressing. It was a promo copy, with a promo stamp and the white label and it was in M- condition, for both the record and the cover. The price was $124. What do you think: Does the promo stamp enhance the value of a record for you, or detract, or neither. I recall in the world of rock albums, the promo stamp was always considered a good thing, but I’ve never heard that one way or another in the jazz world. Which leads me to this LP: Bill Evans, Waltz For Debby, Riverside 399. This was an original pressing with the white promo label. The record was

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Now on eBay: Webster on Verve, Evans Promo

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I’m a big fan and collector of the Verve label — as well as Norgran and Clef, of course — so it was with great pleasure that I saw this record on eBay selling for a relatively high price: Ben Webster, Soulville, Verve 8274. This looks to be in M- condition and, with several hours still to go, is already more than $200. It does not have a David Stone Martin cover, and it’s Ben Webster not Lester Young, so I’m kind of wondering what cachet the record holds that would cause it to fetch such a high price. Perhaps it’s just because it’s a nice record in excellent condition.

Also on eBay now is a rare white-label promotional copy of this record:

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On eBay Now: Some Nice 10-Inchers, Trane, Evans

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Some of the heavy-duty jazz vinyl sellers have auctions closing in the next couple of days, so let’s see what’s coming up. We had mentioned Jazz Record Center and some of the 10-inch LPs. So far, the American 10-inch Blue Note is beating out the original French Vogue: The Gigi Gryce and Clifford Brown Sextet, Blue Note 5048, is currently at $107 with two bidders (it should sell for a lot more), while the original French Vogue, Gigi Gryce and his Orchestra Featuring Clifford Brown, Vogue 173 is at $100 with one bidder (it too should sell for a lot more). Jazz Record Center also has a few nice 12-inch LPs we are watching, including this one: Wheelin’ and Dealin’, Prestige 7131. This is an original New York pressing in near mint condition. It features an all-star sax lineup of John Coltrane, Paul Quinichette and Frank Wess. It is currently in the $300 price range.

Our friends at Euclid Records also have some nice items this week, including:

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Rollins in Concert; Memories of the Village Gate

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I don’t get out to see live jazz nearly as much as I would like. It’s tough when most of your favorite musicians are dead. Someone did send me a link, however, to let me know that Sonny Rollins is giving a concert in Tarrytown, NY, on Dec. 6. This is one I will make every effort to attend: Don’t know how many more chances there will be to see Sonny and, the truth is, his playing is still amazing. I saw him at the Tanglewood Jazz Festival a couple of years ago and he was creative, inventive and full of energy and musicianship. This is a benefit concert for an environmental group and for a premium ticket of $500 you get to meet Sonny. There was a time when you could see Sonny in a club and just chat

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An Avalanche of Thousand-Dollar-Plus Jazz Vinyl

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We’ve been off line for a couple of days, just got back, went to My Ebay and noticed that the auctions of the seller Nautiluso are now in the midst of closing. Wow! Wait till you see these prices. Here’s a start:

Jutta Hipp with Zoot Sims, Blue Note 1530. Like most of the others in this group, this was listed in M- condition for both the record and the cover. The price was $3,342.99.

J.R. Monterose, Blue Note 1536. Condition: M- for record and cover. Price: $2,247.22

Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. Condition: M-. Price: $1,175

Hank Mobley With Donald Byrd and Lee Morgan, Blue Note 1540. Condition: M-. Price: $1,705.

Tommy Flanagan Overseas, Prestige 7134. Condition: M-. Price: $2,247.

Bill Evans, Waltz For Debby, Riverside 399. Condition: M-
Price: $1,500.

As noted, this is just a small sampling. There will be more to come. It would be great if some of the winners of this vinyl will report back to us on the condition and whether these records are, indeed, as pristine as they seem.

A Pair for the $2,000 Bin & A Pair of Surprises

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As we mentioned the other day, there has been an overflow of $1,000 records. Here are a few more, including a couple for the $2,000 bin:

Lee Morgan, City Lights, Blue Note 1575. This one was pointed out earlier by one of our readers.  It was in M- condition by a credible seller and it was an original pressing. It sold for $2,655.

Barney Wilen, Tilt, Swing Vogue LDM 30.058. This was an original French pressing. The record ws what we would call VG++ and the cover was M-. This one sold for $2,250.  This one is not new to the $2,000 club: It has previously sold for $2,700 in the Jazz Collector Price Guide.

Sonny Criss, Jazz-USA, Imperial 9006. This was a surprise to see in this category, simply because

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