This week’s theme: Jazz tracks that reference U.S. cities and states. Featured artists include Al Cohn, Barry Harris, John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones, Oscar Peterson, Thelonious Monk, Charlie Rouse, Ella Fitzgerald, Louis Armstrong, Ray Brown, Buddy Rich, Rosemary Clooney, John Oddo, Richie Cole, Bruce Forman, Scott Hamilton, Warren Vache, Nancy LaMott, Freddie Redd and many more.

This week’s theme: More jazz vocals and instrumentals from the Great American Songbook. Artists include Lous Armstrong, Ella Fitzgerald, Ray Brown, Herb Ellis, Oscar Peterson, Buddy Rich, Paul Desmond, Jim Hall, Tal Farlow, Eddie Costa, Vinnie Burke, John Coltrane, McCoy Tyner, Elvin Jones, Jimmy Garrison, Sarah Vaughan, Roy Haynes, Thad Jones, Ronnell Bright, Richard Davis, Bill Evans, Scott LaFaro, Paul Motion, Zoot Sims, Rosemary Clooney, Scott Hamilton, Dave McKenna, Warren Vache, and many more.

Today’s theme: Art Tatum. Artists include Art Tatum, Benny Carter, Lionel Hampton, Buddy Rich, Benny Carter, Louis Bellson.

This week’s theme: Ella

He has always had a decent stock of  jazz records at fair prices, so I was curious what might strike my eye. I have also recently set my sights on upgrading my Beatles collection. A couple of years ago, I purchased reissues of some of the U.K. Parlophone records, which I did not own growing up in Bayside, NY. Some of the later pressings were issued as “audiophile” issues and they sound fine, but the reissues of the earlier Parlophones sound like crap and I have decided I want to have original pressings. I know I diverge from the theme at Jazz Collector and, for those of you who didn’t realize that I am also an avid Beatles fan, now you know. Also, for the record, James Taylor.

Anyway, Spike and I were both wearing masks, although Gordon, being a canine, was spared. No original Beatles Parlophones in Catskill, NY, but I found a vinyl copy of the Beatles Anthology 3, which I don’t own, so that made the pile. In jazz, I pulled out a VG++ copy of Cannonball Adderley and the Poll Winners to upgrade the condition of my record, but somehow I left it behind. I did take a few jazz records, including an original Buddy Rich on Norgran because the copy was really clean, the personnel was strong including Sonny Criss and Ben Webster, and, frankly, the sight of the yellow label Norgran was just too compelling to pass up for $15. I also grabbed a couple of Riversides, Paul Serrano and Don Friedman, because the condition was strong and the price was right and I don’t own these records and because, fundamentally I like buying records and I want to support stores I like. Will I ever listen to the Buddy Rich, Don Friedman or Paul Serrano records? I am going to make a concerted effort to do so.

I did pass up some decent collectibles, mostly because I already own them and I already have more duplicates than I would like. There was a Gene Ammons on Prestige, as well as one of the early James Moody yellow label Prestiges. There was Jimmy Smith House Party, a couple of nice Monk records, a couple by Roland Kirk. There were more, but they all didn’t register because I didn’t buy them. And, of course, Cannonball Adderley and the Poll Winners, which I expected to see in my pile when I got home but somehow had left behind in the store. I want to blame Gordon the dog, but he insists he had no role and was locked in a traveling bag the whole time. I guess it means I’ll have to make a return appearance to visit Spike in the near future.

Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing with the deep grooves and flat edge. It was in M- condition for the vinyl and VG++ for the cover. It sold for $1,727.

Here’s one we’ve never seen before: Freddie Redd, Session in Stockholm, Nixja Records NJL 14. This one looked to be in VG+ condition for the record and VG++ for the cover. It sold for $531. I always find it thrilling that I’ve been collecting jazz records for more than 40 years and I still come across records I’ve never seen nor heard of. I bet this is a great one, too.

We don’t usually track records that sell for $22, but we were watching this one because it’s symbolic of something: A great record, great cover, great label, great condition, but no real interest from a collectible standpoint, at least not anymore:

The Lionel Hampton, Art Tatum, Buddy Rich Trio, Clef 727. This was in M- condition for the record and the cover and it sold for $21.99. For some reason it seems a shame that a record like this doesn’t draw more interest, but I guess these artists just don’t grab anyone’s interest anymore. Perhaps if the record were on Blue Note instead?

Webster Young, For Lady, Prestige 7106. This one is a personal favorite, very nice record if you’re not familiar with it. This one is being offered by Atomic Records and it looks to be in VG++ condition for both the vinyl and the cover. The current price is about $315 and there are a few hours still to go. The same seller has this item: Lester Young and Buddy Rich Trio, Norgran 1074. This is a black label pressing, which I usually assume is a second press, although I think this may be an original: I’m not sure when it was issued and if Norgran had switched to black labels, but I know the copy in my collection is a black label as well. This one is in M- condition for the vinyl and VG+ for the cover. The current price is about $75.

This seller also has some nice items closing fairly soon, including: Jutta Hipp With Zoot Sims, Blue Note 1530. This looks to be an original Lexington Avenue pressing. The record is listed as M- and the cover is listed as VG+. The current price is around $600.

Euclid Records also has some nice records up this week, a few of which closed earlier today and will be added to the Jazz Collector Price Guide, and a few others still ripe for the bidding, including: Kenny Dorham, Afro Cuban, Blue Note 1535. This is an original Lexington Avenue pressing. The vinyl is listed as M- and the cover is VG. The current price is about $130.