Tag: Carolina Soul

Jazz Vinyl for the New Year

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Let’s close out the year with another real-time excursion through eBay, with a search of some of the higher priced jazz vinyl on auction now. It’s off to hunt we go. Here’s a new listing: Freddie Hubbard, Hub Cap, Blue Note 4073. This is an original West 63rd street pressing, one of the last of the West 63rd Blue Notes. This one is graded in VG+ condition for the record. The seller has a bunch of pictures of the cover. My grade would be VG based on the pictures. There is nearly a week left in the auction and the start price is $500, with no bidders so far.

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Alive and Well (And Live on the Radio)

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It’s been a looooooooong time between posts, so let me catch you up on what’s been going on around here. Overall, I’ve been extremely pleased with the way things have gone in my dealings with Carolina Soul. They have been professional in every respect. Very communicative, clear, consistent. They have been prompt with payments, and have answered any questions I’ve had with clear explanations. As for differences of opinion that we may have had on grading: I respect what they do and how they do it. I heard from several winners of the auctions that they agreed with me that some of the records were undergraded. Yet, Carolina Soul also experienced a number of returns. In fact, about 20 of my records that were returned are on eBay right now. For example: Andrew Hill, Black Fire, Blue Note 4151. I’ll provide a more complete list at the end of this post.

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Four For The New Year

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Happy New Year. This week we are watching a new auction from the Jazz Record Center in New York. Seems like the seller Carolina Soul has become the predominant seller of rare jazz vinyl on eBay in the past year or so, but the Jazz Record Center is still a gold standard as far as I’m concerned. This week, we have a couple from Kenny Dorham, starting with Kenny Dorham, Quiet Kenny, New Jazz 8225. This looks to be an original pressing that would probably be in M- condition for the record and cover, were it not for a drill hole through the cover and label. The item is new to eBay and doesn’t close for more than six days. The starting bid was $1,000 and there is already one bidder.  Also, there is Kenny Dorham, ‘Round About Midnight at the Café Bohemia, Blue Note 1524. This is an original Lexington Avenue pressing that looks to be in M- condition for the record and probably VG++ for the cover. Very nice copy, I’m sure. Like Quiet Kenny this auction closes in more than six days and already has a bid at $1,000. Read more

Bewitched, Bothered and Befuddled

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Time again to clear out some items from the Jazz Collector eBay watch list, whatever that is. Let’s start with Cliff Jordan, Cliff Craft, Blue Note 1582. This is an original pressing that was listed in Good condition for the record and Fair for the cover. The seller suggested that the buyer clean the record “multiple times” before judging the condition. OK. Also, I should mention that the seller’s rating on eBay is 97.7%. When I originally spotted this record, the start price was $1,000 and I was curious to see if it would sell. It didn’t. So the seller relisted it for $500 and it did sell. I don’t have an original copy of Cliff Craft in my collection, but I wouldn’t be interested in one of G/F condition, especially if I had to pay $500 for it. Very happy with my clean United Artists pressing, which I bought for $10 from Red Carraro sometime in the previous century. Read more

Catching Up, Up, Up

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Catching up on a few jazz vinyl sales from the recent auction by Carolinasoul, starting with Lee Morgan, Candy, Blue Note 1590. This was an original West 63rd Street pressing listed in VG+ condition for the record and the cover. The final price was $3,000. Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label mono with deep grooves. The record was VG and the cover as VG+. The final price was $1,598. Doug Watkins, Watkins at Large, Transition 20. This was an original pressing with the booklet. The record and cover were VG. The final price was $1,415. Read more

Prestiges and Transitions and Booklets and Speculation

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Perusing eBay and came upon this record: Wardell Gray Memorial Album, Volume One, Prestige 7008. This is an early New York yellow label pressing with the second cover. The cover has a cutout hole in the center. The record is listed in M- condition and the cover is VG+. Start price is $350 with no bidders and plenty of time left on the auction. What strikes me about this is why Prestige changed covers so early and often in the early years. Off the top of my head, I can think of a bunch of similar situations: Sonny Rollins Plus Four,  John Coltrane with the Red Garland Trio, All Day Long, all come to mind. I know the cynical answer is they did it to make money, but how? Were they also experimenting to see what would sell better? Perhaps covers with innocuous photos such as this Wardell record, versus a picture of a black artist? Perhaps a careless buyer would buy both copies? Perhaps they envisioned a time in the far off future when they could drive collectors crazy with questions like this? I have raised this question before and Rudolf has been helpful in sharing his insight. Any other thoughts? Read more

A Modern Jazz Quintet

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Let’s go back to the eBay watch list and catch up on some jazz vinyl auctions that may be of interest to the Jazz Collector masses, starting with Chet Baker, Chet, Riverside 299. This looked to be an original blue label deep groove pressing featuring, among others, Bill Evans on piano, which usually seems to generate added interest from collectors. This looked to be graded in EX condition for the record and the cover. The final price was $1,187.  Per Popsike, this is the second highest price ever recorded for this record. In 2018 a mintier copy sold for $1,225.

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Really, McCoy!

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I realize it’s a long gap between posts when readers send me links to records that have sold  recently on eBay. It’s like a gentle reminder that you are still out there, which I appreciate. This link came to my in box yesterday from Aaron: McCoy Tyner, The Real McCoy, Blue Note 4264. This was an original mono Liberty pressing from the seller Carolina Soul. It was listed in VG+ condition for both the record and the cover. I’ve never purchased from them, but based on the prices they get and their descriptions of the records, I have a sense that they are pretty conservative with the grading. Is that true? In any case, this record sold for $336, with the following note from Aaron: “Hi Al, Not sure if you saw the latest auction for an original mono McCoy Tyner The Real McCoy but it brought back memories of your post from 2014 (Really, McCoy?) when it ‘sold for $171.05, quite a high price for a later Liberty.’” To Aaron and all: In hindsight, I probably misjudged the rarity of and interest in this record back in 2014, particularly the original mono version. According to Popsike, there have been many instances of The Real McCoy selling for more than $200, with a top price of $406. Read more

Random Musings on Random Collectible Jazz Vinyl

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We will look at some highly coveted jazz collectibles today, starting with John Coltrane, A Love Supreme, Impulse A-77. This is an original mono pressing listed in VG+ condition for both the record and the cover. The bidding is more than $1,000 and the auction closes later today. Of course, this record is iconic and wonderful (not always the same), and it has continued to go up in value over the years, to the point where the $1,000 bin is no surprise, even in VG+ condition, and especially with a widely respected seller such as Euclid Records. From the same seller is Workin’ With the Miles Davis Quintet. This is an original yellow-label New Jersey pressing listed in VG++ condition for both the record and the cover. The album still has the original shrink wrap and, based on my anecdotal observations over the years, this seems to add value to the record. I guess there’s a feeling that the cover has been protected, so it is more likely to be clean, which I understand. Of course, when I get a record like this, the first thing I do is take off the shrink wrap and put in a sleeve, usually the 12-5/8 sleeve, but sometimes the 12-3/4, depending on the fit. I do obsess a little about these sleeves, as I do about so many little things to do with my record collection. Read more