Tag: Carolina Soul

Really, McCoy!

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I realize it’s a long gap between posts when readers send me links to records that have sold  recently on eBay. It’s like a gentle reminder that you are still out there, which I appreciate. This link came to my in box yesterday from Aaron: McCoy Tyner, The Real McCoy, Blue Note 4264. This was an original mono Liberty pressing from the seller Carolina Soul. It was listed in VG+ condition for both the record and the cover. I’ve never purchased from them, but based on the prices they get and their descriptions of the records, I have a sense that they are pretty conservative with the grading. Is that true? In any case, this record sold for $336, with the following note from Aaron: “Hi Al, Not sure if you saw the latest auction for an original mono McCoy Tyner The Real McCoy but it brought back memories of your post from 2014 (Really, McCoy?) when it ‘sold for $171.05, quite a high price for a later Liberty.’” To Aaron and all: In hindsight, I probably misjudged the rarity of and interest in this record back in 2014, particularly the original mono version. According to Popsike, there have been many instances of The Real McCoy selling for more than $200, with a top price of $406. Read more

Random Musings on Random Collectible Jazz Vinyl

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We will look at some highly coveted jazz collectibles today, starting with John Coltrane, A Love Supreme, Impulse A-77. This is an original mono pressing listed in VG+ condition for both the record and the cover. The bidding is more than $1,000 and the auction closes later today. Of course, this record is iconic and wonderful (not always the same), and it has continued to go up in value over the years, to the point where the $1,000 bin is no surprise, even in VG+ condition, and especially with a widely respected seller such as Euclid Records. From the same seller is Workin’ With the Miles Davis Quintet. This is an original yellow-label New Jersey pressing listed in VG++ condition for both the record and the cover. The album still has the original shrink wrap and, based on my anecdotal observations over the years, this seems to add value to the record. I guess there’s a feeling that the cover has been protected, so it is more likely to be clean, which I understand. Of course, when I get a record like this, the first thing I do is take off the shrink wrap and put in a sleeve, usually the 12-5/8 sleeve, but sometimes the 12-3/4, depending on the fit. I do obsess a little about these sleeves, as I do about so many little things to do with my record collection. Read more

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