Another Blue Note, this one from the seller vinyl-house-uk: Paul Chambers, Bass on Top, Blue Note 1569. This was also an original West 63^rd Street pressing, listed in EX condition for the record and EX/EX+ for the cover. The final price was approximately $1,965.  From the same seller was Charles Mingus, Pithecanthropus Erectus, Atlantic 1237. This was an original black label pressing listed in EX condition for both the record and the cover. The final price was about $565.

I put this one in my queue because I wasn’t quite sure what to make of it: Everybody Digs Bill Evans, Riverside Stereophonic 1129. This was an Original Jazz Classics pressing, clearly presented as such by the seller. The final price was $135. Have I been so focused on the higher end of the market that I’ve missed a huge increase in demand for OJC pressings, or is this just an aberration?

I know there’s been a run-up on certain pressings from the Muse label, in particular this record: Roy Brooks, the Free Slave, Muse 5003. This was an original pressing listed in VG+ condition for the record and VG for the cover. The final price was $210.50.

This is another one that has seen a hike in demand: McCoy Tyner, Today and Tomorrow, Impulse A-63. This was an original orange label pressing with the Van Gelder stamp in the dead wax. The record and cover were listed in M- condition. The final price was $276.

One more for today. How about another Atlantic: Tony Fruscella, Atlantic 1220. This was an original black label pressing listed in VG++ condition for the record and VG+ for the cover. The final price was $810. It seems quite likely that the interest in Tony Fruscella today may be higher than it was at any point during his lifetime.